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Suggestions of similar film to Kraurya
There are 31 films with the same actors, 12 films with the same director, 61557 with the same cinematographic genres, to have finally
70 suggestions of similar films.
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Kraurya, you will probably like those similar films :
, 1h38
Directed by Girish KasaravalliGenres DramaActors Rohini Hattangadi,
Deepti Naval,
Naseeruddin ShahRating71%
Arriving in the city with a hope to find a cosy little home, Rajanna and Geeta are happy when they find one such house. One day they find a workshop opening up next door. Rajanna is indignant at the noises coming from the workshop but he is helpless. Geeta, meanwhile, gets the shed vacated with the help of the police inspector. Rajanna seeks the help of the workmen who had earlier occupied the shed to take Geeta away from the environment. But discovers that their slum is being demolished to make way for a multinational., 2h3
Directed by Girish KasaravalliGenres DramaActors Umashree,
M. D. Pallavi Arun,
Poornima IndrajithRating80%
The film is set in the late 1990s among the fishing communities around Kundapura, in the southwestern Indian state of Karnataka. The impulsive midwife Gulabi (Umashree) is the protagonist, whose one passion is the cinema. She leads a lonely life in an island inhabited by fisher folk. Her husband Musa (K.G. Krishna Murthy), a small-time fish-selling agent, has deserted her and is living happily with his second wife Kunjipathu and their child Adda., 2h14
Directed by Girish KasaravalliGenres DramaActors Soundarya,
Avinash,
Harish RajRating77%
Located in the backwaters of a dam, Sita Parvata is an island slowly submerging due to the rains. The government succeeds in evacuating the residents by giving them compensation for the properties they own. The village temple priest Duggajja, his son Ganapa, and his daughter-in-law Nagi find it impossible to leave their homeland and make a living with the meagre compensation given by the government. They have but a small hut, which earns them a compensation of ₹25,000. In Ganapa's own words, the compensation can give them food and shelter, but cannot compensate for the love and respect of their people. On the island, they are important people, but outside, they would be one among hundreds of families struggling to make a living. Centered around this complex theme, the film narrates the struggles of the family and how ultimately in the end they manage to continue life on the island., 1h57
Directed by Girish KasaravalliGenres DramaActors Naseeruddin Shah,
Deepti Naval,
Rohini HattangadiRating63%
Mane is a Kafkaesque tale about a young couple (Naseeruddin Shah and Deepti Naval) that moves to the city from a village with the hope of finding privacy and freedom, which are unavailable in the joint family system. For all its narrative excursions, in a sense, Mane is merely about the breakup of a marriage in which the Rossellinian couple, unable to confront each other directly amidst the loneliness of the city, externalizes their troubles – his powerlessness, her desire for freedom and their childlessness – and shifts blame on situations beyond their control in order to act victims. Kasaravalli works wonder with film and sound here, using them to denote the impending break down. (One stunning shot uses the neon lights of the neighbourhood to literally break apart the frame). A critique on urban spaces that suffocate more than they promise privacy, Mane unfolds like a sociological update on Rear Window (1954), in which personal anxieties and fears are displaced onto the surroundings and, specifically, onto a lower social class. In that sense, Mane connects all the way to the director’s latest work in the manner in which it raises questions about the visibility of the class structure and the seeming imperceptibility of the consequences of acts of one class on the other. Mane is full of such encroachments of freedom by other competing notions of freedom – between classes, between houses and between spouses., 1h48
Directed by Girish KasaravalliGenres DramaActors Ajith Kumar,
P. Santha Kumari,
SureshRating73%
A young Brahmin Vedic school student, who is from an aristocratic family, befriends his school master's daughter who is a pregnant widow. The boy tries but fails in concealing his friend's pregnancy. The widow has an abortion forced on her, has the eponymous ritual performed on her and is excommunicated. The student returns home as his school shuts down.Directed by Girish KasaravalliActors Suresh HeblikarRating71%
The film is based on the story of a Brahmin family during the pre independence and post independence periods of India. The protagonist Narmada Thayi is the second wife of Appa Sahib, a freedom fighter. The childless couple decide to adopt the child of Venkobanna, a close relative. Venkobanna has other plans in mind when he gives away his child in adoption. He calculates that his son will inherit the family's money and property. In the meanwhile, Appa Sahib also has an illicit relationship with Chandri and a daughter is born to them. Narmada Thayi is a patient woman and although aware of her husband's character, she supports him and the household. After the independence, Appa Sahib supports the government's view that the laborers who till the land own them. Venkobanna is angered to see this long awaited plan of his crumble due to the utopian views of App Sahib. After a brief illness, Appa Sahib leaves the house one day with a group of people to protest for the sake of the farmers never to return again. Months after this, Narmada learns that her husband has been imprisoned by the government. But no other detail regardinhg Appa Sahib comes to light. Narmada Thayi is the only one capable of handling the household. She seeks the help of Venkobanna to help her handle monetary issues. Meanwhile, their adopted son comes of age. The story takes a surprise and unexpected turn when Thayi Saheba discovers that her adopted son is in love with Appa Sahib's mistress's daughter, who legally is his sister. She tries in vain to convince her son not to go against social ethics. With Chandri, Narmada Thayi sets out to find her husband. Together they travel to many prisons, but Appa Sahib is never found. Thayi Saheba must either save the son, who seeks freedom to marry Chandri's daughter or save herself because if she supports the marriage, she could be jailed. She tries to cancel the adoption, but no such thing as adoption cancellation existed then. She also tries to see if somebody can adopt Chandri's daughter, but adopting a girl child was never allowed. Finally, Thayi Saheba tells her son that he is free to do whatever he wants. She gets ready to face the serious consequence of the marriage. The film ends with Thayi Saheba waiting on the steps of her house and an angered Venkobanna arriving with the police and announcing their arrival.