The calabash is used as a metaphor for Africa and its representation of cinema. The rhythm intrudes into the film to pose questions of yesterday's cinema and emphatically address tomorrow's. Will cinema be able to break free from clichés and prejudices?
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Fascinated by the power of the camera and obsessed with the theories of Russian film pioneer Dziga Vertov, a filmmaker decides to get a camera eye to replace the real eye he lost as a child. This visionary quest begins on the operating table where a surgeon grafts a prototype ocular implant into his eye socket. Seeking a microscopic camera that could be incorporated into his artificial eye so he could secretly film whatever he sees, the filmmaker explores the futuristic technology that could make this possible, while revisiting chapters of his own past.