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Lifepod is a american film of genre Science fiction released in USA on 1 january 1981 with Joe Penny
Lifepod (1981)
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Add to a movie listLifepod is a 1981 science fiction film distributed by Golden Key Entertainment. It stars Joe Penny, Jordan Michals, Kristine DeBell, Carl Lumbly and Sandy Kenyon.
Actors
Joe Penny
(Simmons)
Sandy Kenyon
(Dematte)
Kristine DeBell
(Fiona)
Carl Lumbly
(Keshah)
Neil Ross
(Main Cerebral (voice))
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Suggestions of similar film to Lifepod
There are 43 films with the same actors, 20297 with the same cinematographic genres (including 1756 with exactly the same 2 genres than Lifepod), 1064 films with the same themes, to have finally 70 suggestions of similar films.If you liked Lifepod, you will probably like those similar films :
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It's Christmas Eve 2168 AD. The premise is that there is limited supplies of air, food and water on the life pod. The survivors begin to argue over whether they should end the life of one of the survivors (Portrayed by Stan Shaw) in the pod that is critically injured. They reason that it would help conserve their supplies. Before they can decide on the Issue of killing the man he is found dead the next day after they wake up. They realize there is a killer with them in the lifepod. Eventually the survivors realize that its possible that one of the people in the Lifepod could have sabotaged the spacecraft.
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In the near future, the economy has collapsed and massive crime waves sweep the inner cities. The manufacturing industry has shrunk to the point where cars are a commodity and parts are fought over between salvage companies and roving gangs. In an attempt to control the crime-wave, a chain of drive-in theatres are turned into concentration camps for the undesirable and unemployed youth. The dirty, graffiti-laden drive-ins are surrounded by high fences, and the roads leading to them are Security Roads ("S-Roads") that do not allow walking under any circumstances. Police collaborate with the owner to sabotage cars of unsuspecting visitors; however, some who know the true nature of the drive-ins come voluntarily for the shelter and food. Broken cars are continuously collected at these facilities. The prisoners are allowed easy access to a wide variety of drugs, alcohol, junk food, exploitation films, and new wave music. This, coupled with the awful conditions on the outside, engineers an atmosphere of complacency and hopelessness so the inmates will accept their fate and not attempt escape.
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