Lost Boys of Sudan is a documentary film by Megan Mylan and Jon Shenk about two Dinka boys from Sudan, Santino Majok Chuor and Peter Nyarol Dut, who reached the United States after fleeing the civil war in their country. "Orphaned as young boys" in the Second Sudanese Civil War they "survived lion attacks and militia gunfire to reach a refugee camp in Kenya along with thousands of other children."
The documentary's title “Lost Boys of Sudan” was originally the name given to the group of Southern Sudanese youth by United Nations aid workers who were monitoring their flight from Sudan.
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, 45minutes Directed byMohamed Malas GenresDocumentary ThemesFilms set in Africa, Films about immigration, Films about religion, Documentary films about law, Documentary films about war, Documentary films about historical events, Documentaire sur une personnalité, Documentary films about religion, Political films, Films about Jews and Judaism Rating62% The film was composed of several interviews with different Palestinian refugees including children, women, old people, and militants from the refugee camps in Lebanon. In the interviews Malas questions his subjects about their dreams at night. Through their answers, the film attempts to reveal the underlying subconsciousness of the Palestinian refugee. The dreams always converge on Palestine; a woman recounts her dreams about winning the war; a fedai of bombardment and martyrdom; and one man tells of a dream where he meets and is ignored by Gulf emirs. According to Rebecca Porteous, the film constructs "the psychology of dispossession; the daily reality behind those slogans of nationhood, freedom, land and resistance, for people who have lost all of these things, except their recourse to the last.
, 1h16 OriginUSA GenresDocumentary ThemesFilms set in Africa, Films about immigration, Documentary films about law, Documentary films about war, Documentary films about historical events, Documentaire sur une personnalité Rating72% In 2006, producer/director Lisa F. Jackson travelled alone to the war zones of the Democratic Republic of the Congo documenting the plight of women and girls impacted by the conflicts there. She was "afforded privileged access" to the realities of life in Congo, and found "examples of resiliency, resistance, courage and grace". In a 2008 interview with NPR, Jackson said "I knew going to eastern Congo as a white woman alone in the bush with a video camera that I might as well have landed from a spaceship." Jackson had been a victim of gang rape thirty years earlier, and shared this experience with the survivors she interviewed. Much of the film features these women recounting their stories, which have left them "traumatised and isolated - shunned by society and their families, and suffering life-long health effects, including HIV." Context and background are discussed in interviews with doctors, politicians, peacekeepers, activists and priests. Jackson visits a clinic devoted to treating women with traumatic injury due to sexual violence, particularly cases of vesicovaginal and rectovaginal fistula. In addition, Jackson went out into the bush to interview some of the perpetrators, soldiers who spoke without apparent conscience about the women they had raped, and their often bizarre justifications. "You really can say that there's a culture of impunity in the Congo, where none of these men will face arrest for what they've confessed to me on videotape," Jackson noted. The focus of the film, though, is the stories of the victims, "who just poured their hearts out to me with these stories, including over and over again, please take these stories to someone who will make a difference.