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Love at Twenty is a french film of genre Drama directed by François Truffaut released in USA on 6 february 1963 with Jean-Pierre Léaud
Love at Twenty (1962)
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Add to a movie listLove at Twenty (French: L'amour à vingt ans, Japanese: Hatachi no koi, Italian: L'amore a vent'anni, German: Liebe mit zwanzig, Polish: Miłość dwudziestolatków) is a 1962 French-produced omnibus project of Pierre Roustang, consisting of five segments directed by five directors from five different countries. It was entered into the 12th Berlin International Film Festival.
The first segment, titled Antoine et Colette is by François Truffaut (France) and returns actor Jean-Pierre Léaud to the role of Antoine Doinel, a role he played three years earlier in The 400 Blows and would return to again in 1968 (Stolen Kisses), 1970 (Bed and Board) and 1979 (Love on the Run). It concerns the frustrations of love for the now 17-year-old Doinel and the unresponsive girl he adores. The second segment, the directorial debut of 21-year-old Renzo Rossellini (Italy), son of Roberto Rossellini and later a noted producer himself, tells the story of a tough mistress who loses her lover to an older, wealthier and more-appreciative woman. The third, by Japanese film director Shintarō Ishihara is described as a "weird, grotesque" and "clumsy" tale of obsessive and morbid love. Fourth is Marcel Ophüls (Germany) with a "charming, but somewhat sentimental" story of an unwed mother who contrives to trap the father of her baby. Finally the fifth segment, by Andrzej Wajda (Poland) entitled Warszawa depicts a brief intergenerational liaison based upon multiple misunderstandings. The episodes are tied together with still photos by Henri Cartier-Bresson and a wistful jazz soundtrack by Georges Delerue.
The first and fifth segments are considered the highlights of the collection, and Truffaut has stated he was not happy with the results overall.
Synopsis
Le film met en scène des histoires d'amour se déroulant chacune dans un pays différent. La transition entre chaque saynète est assurée par des images d'Henri Cartier-Bresson.Actors
Jean-Pierre Léaud
(Antoine Doinel (segment "Antoine et Colette"))
Marie-France Pisier
(Colette (segment "Antoine et Colette"))
Rosy Varte
(La mère de Colette (segment "Antoine et Colette"))
François Darbon
(Le beau-père de Colette (segment "Antoine et Colette"))
Jean-François Adam
(Albert Tazzi (segment "Antoine et Colette"))
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Suggestions of similar film to Love at Twenty
There are 148 films with the same actors, 78 films with the same director, 68067 with the same cinematographic genres (including 13384 with exactly the same 2 genres than Love at Twenty), to have finally 70 suggestions of similar films.If you liked Love at Twenty, you will probably like those similar films :
Antoine and Colette (1962)
, 29minutesDirected by François Truffaut
Origin France
Genres Drama, Comedy, Comedy-drama, Romance
Actors Jean-Pierre Léaud, Marie-France Pisier, Rosy Varte, François Darbon, Jean-François Adam
Rating74%
Antoine and Colette catches up with Antoine Doinel as a solitary 17-year-old who works at Phillips manufacturing LPs to support himself. He lives in a furnished room by himself in Place Clichy, listening to opera and classical music and spending time with René (Patrick Auffay), his school friend from The 400 Blows.
Love on the Run (1979)
, 1h31Directed by Emmanuel Clot, François Truffaut
Origin France
Genres Drama, Comedy, Comedy-drama, Romance
Actors Jean-Pierre Léaud, Claude Jade, Marie-France Pisier, Dorothée, Dani, Daniel Mesguich
Rating70%
In the previous Antoine Doinel film, Bed and Board, the marriage between Antoine (Jean-Pierre Léaud) and Christine (Claude Jade) had survived Antoine's infidelity.
Bed and Board (1970)
, 1h40Directed by François Truffaut
Origin France
Genres Drama, Comedy, Comedy-drama, Romantic comedy, Romance
Themes Films about families
Actors Jean-Pierre Léaud, Jacques Rispal, Claude Jade, Daniel Ceccaldi, Claire Duhamel, Daniel Boulanger
Rating73%
The fourth installment in François Truffaut’s chronicle of the ardent, anachronistic Antoine Doinel, Bed and Board plunges his hapless creation once again into crisis. Expecting his first child and still struggling to find steady employment, Doinel (Jean-Pierre Léaud) involves himself in a relationship with a beautiful Japanese woman that threatens to destroy his marriage. Lightly comic, with a touch of the burlesque, Bed and Board is a bittersweet look at the travails of young married life and the fine line between adolescence and adulthood.
Stolen Kisses (1968)
, 1h31Directed by François Truffaut
Origin France
Genres Drama, Comedy, Comedy-drama, Romantic comedy, Romance
Actors Jean-Pierre Léaud, Michael Lonsdale, Claude Jade, Delphine Seyrig, Harry-Max, Daniel Ceccaldi
Rating74%
There are many continuations from The 400 Blows; discharged from the army as unfit, Antoine Doinel seeks out his sweetheart, violinist Christine Darbon. He has written to her voluminously (but, she says, not always nicely) while in the military. Their relationship is tentative and unresolved. Christine is away skiing with friends when Antoine arrives, and her parents must entertain him themselves, though glad to see him. After she learns that Antoine has returned from military service, Christine goes to greet him at his new job as a hotel night clerk. It is a promising sign that perhaps this time, the romance will turn out happily for Antoine. He is, however, quickly fired from the hotel job. Counting the army, Antoine loses three jobs in the film, and is clearly destined to lose a fourth, all symbolic of his general difficulty with finding his identity and "fitting in".
Two English Girls (1971)
, 2h10Directed by François Truffaut
Origin France
Genres Drama, Historical, Romance
Themes Sculpture
Actors Jean-Pierre Léaud, Kika Markham, Philippe Léotard, Irène Tunc, Georges Delerue, Sylvia Marriott
Rating71%
The film begins in Paris around the year 1902 when Claude Roc and his widowed mother are visited by Ann Brown, daughter of an old friend. Ann invites Claude to spend the summer on the coast of Wales with her widowed mother and sister Muriel. While she enjoys Claude's company, her hope is that he may be a husband for her introverted sister. In the event, Claude and Muriel do start to fall in love and Mrs Brown, with the agreement of Madame Roc, says they must live apart for a year.
The 400 Blows (1959)
, 1h39Directed by François Truffaut, Robert Bober, Philippe de Broca
Origin France
Genres Drama, Comedy-drama
Themes Films about education, Films about children, L'enfance marginalisée
Actors Jean-Pierre Léaud, Claire Maurier, Albert Rémy, Georges Flamant, Pierre Repp, Luc Andrieux
Rating80%
Antoine Doinel (Jean-Pierre Léaud) is a young boy growing up in Paris during the early 1950s. Misunderstood at home by his parents and tormented in school by his insensitive teacher (Guy Decomble), Antoine frequently runs away from both places. The boy finally quits school after being caught plagiarizing Balzac by his teacher. He steals a typewriter from his stepfather's (Albert Remy) work place to finance his plans to leave home, but is apprehended while trying to return it.
Mississippi Mermaid (1969)
, 2h3Directed by François Truffaut
Origin France
Genres Drama, Thriller, Crime, Romance
Themes Films set in Africa, Seafaring films, Transport films, L'usurpation d'identité, Escroquerie
Actors Catherine Deneuve, Jean-Paul Belmondo, Michel Bouquet, Nelly Borgeaud, Martine Ferrière, Alexandra Stewart
Rating68%
Louis Mahé (Jean-Paul Belmondo), a wealthy tobacco plantation owner on Réunion island in the Indian Ocean, is awaiting the arrival of his bride to be, Julie Roussel (Catherine Deneuve), whom he's never met. They became acquainted through the personals column of a French newspaper and have been corresponding by mail. At the Hotel Mascarin he meets his partner Jardine who accompanies him to pick up the ring. Louis drives to the dock to greet Julie who is arriving on the steamer Mississipi (spelled with one p according to the French spelling of the river at the time)from Nouméa, the capital of New Caledonia. When they meet he is surprised by her beauty and does not recognize her; she is not the woman in the photo she'd sent him. She explains that she sent the photo of a neighbor to assure the sincerity of his intentions. He confesses that he too has not told the complete truth, having hidden the fact that he was wealthy.
The Man Who Loved Women (1977)
, 1h58Directed by François Truffaut, Alain Maline
Origin France
Genres Drama, Comedy, Romantic comedy, Romance
Themes Films about sexuality, Erotic films
Actors Charles Denner, Brigitte Fossey, Leslie Caron, Nelly Borgeaud, Geneviève Fontanel, Nathalie Baye
Rating73%
Montpellier: December 1976. At the funeral of Bertrand Morane, Genevieve (Fossey) observes the other mourners, all women once involved with him. The following is told in flashback.
Landscape After Battle (1970)
, 1h41Directed by Andrzej Wajda
Origin Pologne
Genres Drama, War, Historical, Romance
Actors Daniel Olbrychski, Aleksander Bardini, Stanisława Celińska, Tadeusz Janczar, Zygmunt Malanowicz, Mieczysław Stoor
Rating69%
The Landscape After the Battle film tells a story of two young concentration camp survivors. A young Polish poet (Tadeusz) is asked by a pretty Jewish girl (Nina) to go with her to the West. His camp experience, however, prevents him from realizing the depth of her love for him, and he is reluctant to commit. The woman is accidentally shot dead by an American soldier, causing the poet to cry for the first time in years. The shock of her death brings back the world of feelings suppressed by his Nazi captors, and allows for his original creativity to reemerge.
The Birch Wood (1970)
, 1h39Directed by Andrzej Wajda
Origin Pologne
Genres Drama, Musical, Romance
Actors Olgierd Łukaszewicz, Daniel Olbrychski, Marek Perepeczko, Mieczysław Stoor, Andrzej Kotkowski
Rating68%
Dans un petit village de Pologne, Borslaw vit seul avec sa fillette depuis la mort de sa femme dans une maison au fond des bois, désespéré. Stanislaw, frère de Borslaw, dandy gai et sympathique arrive au village, où il vient finir ses jours, étant a atteint d'une phtisie au stade terminal. Ce dernier, se sachant condamné, a décidé de profiter de la vie jusqu’au bout.