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Mechanical Violator Hakaider is a film of genre Science fiction directed by Keita Amemiya with Ami Kawai

Mechanical Violator Hakaider (1995)

Mechanical Violator Hakaider
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Length 51minutes
Directed by
Genres Science fiction,    Action,    Adventure
Rating60% 3.0495453.0495453.0495453.0495453.049545

Mechanical Violator Hakaider (人造人間ハカイダー, Jinzō Ningen Hakaidā) is a 1995 Japanese tokusatsu film directed by Keita Amemiya. The film features Hakaider in the role of an anti-hero as opposed to usually being portrayed as a villain.

Synopsis

Dans un univers parallèle, la ville de Jesus Town est menée de main de fer par Gurjev qui contrôle les forces de police dirigées par le robot Mickael. C'est alors que survient Hakaider. Robot doté de capacités de combat le rendant redoutable, il entre de force dans la ville et cherche à attaquer Gurjev. Sa route croise alors celle d'un groupe de rebelles...

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Trailer of Mechanical Violator Hakaider

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Suggestions of similar film to Mechanical Violator Hakaider

There are 44 films with the same actors, 7 films with the same director, 24185 with the same cinematographic genres (including 1274 with exactly the same 3 genres than Mechanical Violator Hakaider), to have finally 70 suggestions of similar films.

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Zëiram (1991)

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Genres Science fiction, Comedy, Action, Adventure
Themes Films about extraterrestrial life, Films about extraterrestrial life
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Rating63% 3.1927053.1927053.1927053.1927053.192705
Zeiram (Mizuho Yoshida) is an alien of unknown origin. It appears to be a very large, imposing humanoid wearing a wide, circular hat and a ragged cloak, and its appearance is usually accompanied (at least on the film's soundtrack) by an eerie chant. However, its true form is actually the small Noh-like face on its hat. This face is its only weak point; the rest of the body is almost indestructible and regenerates quickly as long as Zeiram is able to feed, which it does by extending the little face on the end of a fleshy tentacle to take bites out of people. By doing this, it also absorbs the genetic material of its victims, which it uses to generate smaller, weaker monsters to do its bidding. These monsters seem to be partial clones of whatever creature's genetic material was used in their creation (in Zeiram 2, a dog is killed by Zeiram and the resulting monster looks vaguely canine). Zeiram itself is able to change its own form to a large degree, and appears in many different forms throughout the series. It can produce many different weapons such as guns and swords from its body, although these are probably weapons taken from its victims and stored inside itself. In addition to consuming organic tissue through its core, if it sustains enough damage, Zeiram is able to ingest a victim's entire body, keeping that person alive for some time inside itself while it digests them, regenerating itself and drawing on their genetic material and even their memories to create more advanced clones.
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Directed by Keita Amemiya
Genres Fantasy, Action, Adventure, Horror
Themes Sports films, Martial arts films
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After the events of Garo: Makai Senki, Kouga Saezima appears before Gajari to honor the pact he forged in order to stop Sigma Fudō from killing all the Makai Knights. Kouga is given the task to travel to the Promised Land (約束の地, Yakusoku no Chi) to retrieve a part of Gajari: the Fang of Sorrow (嘆きの牙, Nageki no Kiba). However, upon his arrival into the Forest of Chaos (混沌の森, Konton no Mori), Kouga finds himself without his coat and Zaruba no where to be seen before seeing the Garoken turned into the Red Dog (赤ノ犬, Aka no Inu) before running off. Confronting a group of tin knights called Swordmen of the Wind (風の剣士, Kaze no Kenshi) escorting a picture frame, Kouga obtains a sword when they are attacked by a formless monster, a Nanashi (ナナシ). Once the two surviving knights run off, Kouga sees a blue skinned girl emerging from the picture frame. The girl introduces herself as Meru and that she is like every resident in the Promised Land: A living object. Meru proceeds to explain that she was captured to be taken to Green Castle (緑ノ城, Midori no Shiro) as an offering to Queen Judam. Despite being warned of the danger, Kouga is guided to the Temple of Wisdom (知恵の祠, Chie no Hokora) by Meru to find out where to find the Fang of Sorrow.
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After fulfilling the praying ceremony, the three oldest children of the alien Fog Mother hunt for an ideal human in order to feed that person to their newly hatched siblings. They find such a person in Kana, the younger sister of environmentalist reporter Kouji Segawa as he was investigating pollution by the lake. Protecting Kana from the villains as they escape from them, Kouji is thrown over a cliff by the reptilian Agito and dies as Kana is taken by the insectoid Zu. However, Kouji is then resurrected by the Earth Spirits to become Kamen Rider J, in order to fight the Fog Mother with the Earth Spirits' emissary Berry as his guide. With Fog Mother sensing Kouji's presence, Agito attempts to finish the job in his true form, only to be killed by J. Then Kouji enters the Fog Mother's domain and faces Zu as she assumes her true form. J manages to kill Zu as they both crash into the fortress which is Fog Mother. After Zu dies, Kouji learns of Fog's intention of letting her new brood devour humanity, as Garai completes the ritual and sends Kana to the hatching chamber while manhandling Kouji. Berry intervenes to free Kana from Fog's spell before being struck down by Garai, as Kana is sent down to her death, while Fog Mother begins attacking a nearby city to prepare for her children's awakening. J fights Garai in his true form, Cobra Man, in a heated battle. After killing Garai, J is digested by Fog Mother as he attempts to save Kana. However, absorbing the life energy around him, J kills Fog's newly born offspring and escapes Fog Mother's bowels and assumes Jumbo Formation. After ripping Kana out of Fog Mother, J battles the monster and kills her as she attempts to take him down with her. After escaping Fog Mother's destruction, Kouji takes Kana to a serene environment, with Berry watching from a distance.
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