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Mick Travis trilogy is a British film directed by Lindsay Anderson with Malcolm McDowell

Mick Travis trilogy

Mick Travis trilogy
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The Mick Travis trilogy are three films directed by British film director Lindsay Anderson and written by David Sherwin, featuring English actor Malcolm McDowell as Mick Travis, in which Travis features not so much as a single character with a character arc, but as an everyman character whose role changes according to the needs of the storyteller.

In if...., his first appearance (and McDowell's film debut), Travis first appears as a disaffected public school boy whose anti-establishment attitude and experiences lead to armed insurrection at a public school. The film was made at Cheltenham College, Lindsay Anderson's old school, and many of the scenes drew heavily on his experience in the Officers Training Corps at Cheltenham, which he had joined in May 1937. It also draws heavily upon Tonbridge School, where the two screenwriters both went, and several characters, perhaps most notably the child-abusing chaplain, are based on real people who taught at Tonbridge.

In O Lucky Man!, cowritten by Sherwin and McDowell, Travis becomes a picaresque character, often compared to Voltaire's ingénu character Candide, in a satirical drama that starts with Travis's first job as a mobile coffee salesman and, after many adventures involving arms-sale scandals, experiments in human-animal genetics by the mad scientist Doctor Millar (played with relish by Graham Crowden), and a sojourn with the musician Alan Price, ends in his rebirth as a film star, thanks to a slap by a film director played in a cameo by Anderson—the scene was a depiction of McDowell's first audition in which McDowell was slapped (according to script, which he had not read) by Christine Noonan, who played 'the girl' in if.... and briefly appeared (in two roles) in O Lucky Man!

In Britannia Hospital, written by Sherwin, Travis is a reporter attempting to make an investigative documentary about a hospital where Doctor Millar, the mad geneticist from O Lucky Man! is continuing his unspeakable experiments.

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Trailer of Mick Travis trilogy

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Suggestions of similar film to Mick Travis trilogy

There are 98 films with the same actors, 12 films with the same director, to have finally 70 suggestions of similar films.

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Rating73% 3.6788053.6788053.6788053.6788053.678805
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Genres Drama, Science fiction, Comedy, Horror
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A new wing at Britannia Hospital is to be opened, and the Queen Mother – referred to as HRH – is due to arrive. The administrator of the hospital, Potter (Leonard Rossiter), is confronted with demonstrators protesting against an African dictator who is a VIP patient, striking ancillary workers (opposed to the exotic gastronomic demands of the hospital's private patients) and a less-than-cooperative Professor Millar (Graham Crowden), the head of the new wing. Rather than cancel the royal visit, Potter decides to go out and reason with the protestors. He strikes a deal with the protest leader — the private patients of Britannia Hospital are to be ejected and, in return, the protestors allow a number of ambulances into the hospital. However, unbeknown to the protestors, these ambulances actually contain the Queen Mother and her entourage.
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Origin United-kingdom
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The film opens with a short fragment outside the plot but clearly related on repeated viewings. Grainy, black-and-white, and silent, a title "Once Upon a Time" leads to Latino labourers picking coffee beans while armed foremen push rudely between them. One worker (McDowell with black hair and moustache) pockets a few beans ("Coffee for the Breakfast Table") but is seen by a foreman. He is next seen before a fat Caucasian magistrate who loses some saliva as he removes his cigar only to say "Guilty." The foreman pulls his machete and lays it across the unfortunate laborer's wrists, bound to a wooden block, revealing that he is to lose his hands for the theft of a few beans. The machete lifts, descends, and we see McDowell draw back in a silent scream. The scene blacks out, the word NOW appears onscreen and expands quickly to fill it.
if....
if.... (1968)
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