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Miyamoto Musashi is a japonais film of genre Drama directed by Kenji Mizoguchi with Kinuyo Tanaka
Miyamoto Musashi (1944)
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Add to a movie listL'Histoire de Musashi Miyamoto (宮本武蔵, Miyamoto Musashi) est un film japonais de Kenji Mizoguchi sorti en 1944. Le film est inspiré par un personnage célèbre de l'histoire du Japon, le fameux maître-samouraï, Miyamoto Musashi.
Synopsis
XVI siècle. Genichiro et sa sœur Shinobu désirent venger leur père tué par le clan des Samoto. Ils s'adressent au célèbre sabreur Musashi Miyamoto. Engagé auprès d'un autre clan, celui-ci ne peut, d'emblée, satisfaire leur requête. Il leur explique, aussi, que les arts martiaux ne sont pas destinés à satisfaire un désir de vengeance ou de simples besoins matériels. Ils font partie intégrante d'un apprentissage spirituel conduisant sur la voie de la sagesse. Il accepte, pourtant, de leur enseigner son savoir et de les entraîner en conséquence. Quelque temps plus tard, Genichiro meurt au combat face à un autre grand duelliste, Kojirō Sasaki. Ce dernier défie, en même temps, Miyamoto qui, touché dans son honneur, n'a plus qu'une pensée : affronter son adversaire afin d'établir sa suprématie.Actors
Kinuyo Tanaka
(Shinobu Nonomiya)
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Suggestions of similar film to Miyamoto Musashi
There are 68 films with the same actors, 36 films with the same director, 62244 with the same cinematographic genres (including 4027 with exactly the same 2 genres than Miyamoto Musashi), to have finally 70 suggestions of similar films.If you liked Miyamoto Musashi, you will probably like those similar films :
Victory of Women (1946)
, 1h24Directed by Kenji Mizoguchi
Origin Japon
Genres Drama, Historical
Actors Kinuyo Tanaka, Mitsuko Miura, Michiko Kuwano, Akiko Kazami, Kuniko Igawa, Shirō Ōsaka
Rating65%
Lors d'un procès, l'avocate Hiroko Hosokawa prend la défense une mère infanticide en dénonçant l'oppression faite aux femmes dans la société japonaise contemporaine.
Ugetsu (1953)
, 1h37Directed by Kenji Mizoguchi
Origin Japon
Genres Drama, Science fiction, Thriller, Comedy, Fantasy, Horror, Historical
Themes Seafaring films, Sports films, Transport films, Martial arts films, Ghost films
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Rating80%
Ugetsu is set in villages which line the shore of Lake Biwa in Ōmi Province in the late 16th century. It revolves around two peasant couples – Genjurō and Miyagi, Tōbei and Ohama – who are uprooted as Shibata Katsuie's army sweeps through their farming village, Nakanogō. Genjurō, a potter, takes his wares to nearby Ōmizo. He is accompanied by Tōbei, who dreams of becoming a samurai. A respected sage tells Miyagi to warn her husband about seeking profit in time of upheaval, and to prepare for a probable attack on the village. Genjurō arrives with his profits, but she asks him to stop. Genjurō nevertheless works long hours to finish his pottery. That night Nakanogō is attacked by soldiers, and the four main characters hide out in the woods.
The Woman in the Rumor (1954)
, 1h24Directed by Kenji Mizoguchi
Origin Japon
Genres Drama, Romance
Themes Films about sexuality, Erotic films, Films about prostitution, Erotic thriller films
Actors Kinuyo Tanaka, Yoshiko Kuga, Eitarō Shindō, Haruo Tanaka, Chieko Naniwa, Saburo Date
Rating73%
Hatsuko dirige une maison de geisha à Kyoto, elle est veuve. Sa fille Yukiko revient de Tokyo après une tentative de suicide, quand son amant l'a abandonné. Hatsuko est la maîtresse du jeune docteur Matoba, qui s'occupe des geishas de la maison. Le médecin est attiré par Yukiko, qui d'abord le méprise, comme tout ce qui concerne la maison des courtisanes de haut-rang (太夫, tayū) et geisha. Mais Yukiko change d'attitude ; sans le savoir, les deux femmes aiment le même homme.
Trois générations de Danjurō (1944)
, 1h5Directed by Kenji Mizoguchi
Origin Japon
Genres Drama
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The Life of Oharu (1952)
, 2h28Directed by Kenji Mizoguchi
Origin Japon
Genres Drama
Themes Seafaring films, Films about sexuality, Sports films, Transport films, Erotic films, Films about prostitution, Martial arts films, Erotic thriller films
Actors Kinuyo Tanaka, Ichirō Sugai (菅井一郎), Toshiro Mifune, Takashi Shimura, Chieko Higashiyama, Jūkichi Uno
Rating80%
The story opens on Oharu as an old woman in a temple flashing back through the events of her life. It begins with her love affair with a page, Katsunosuke (Toshirō Mifune), the result of which (due to their class difference) is his execution and her family's banishment. Oharu attempts suicide but fails and is sold to be the mistress of Lord Matsudaira with the hope she will bear him a son. She does, but then is sent home with minimal compensation to the dismay of her father, who has worked up quite a debt in the meantime. He sends her to be a courtesan, but there, too, she fails and is again sent home. She goes to serve the family of a woman who must hide the fact that she is bald from her husband. The woman becomes jealous of Oharu and makes her chop off her hair, but Oharu retaliates, revealing the woman's secret. She again must leave—this time she marries a fan maker who is killed shortly after during a robbery. She attempts to become a nun, but Oharu is thrown out after being caught naked with a man seeking reimbursement for an unauthorized gift (it is made clear this is rape by Oharu's claims and distraught demeanor). She is thrown out of the temple, becomes a prostitute, but fails even at that. In the end, she is recalled to the Lord's house in order to keep secret her activities and to be exiled within the compounds to keep her secrets locked away. While being scolded for the life she chose, she attempts to find her son, and in the process, ends up running away as she chooses the life of a beggar over the life in exile.
, 1h36Directed by Kenji Mizoguchi
Origin Japon
Genres Drama
Themes Théâtre, Films based on plays
Actors Kinuyo Tanaka, Sō Yamamura, Eijirō Tōno, Chieko Higashiyama, Teruko Kishi, Eitarō Ozawa
Rating67%
Dans une école d'art dramatique, au début du XX siècle, le metteur en scène Shimamura a pour objectif d'élargir son répertoire au théâtre étranger contemporain et de ne plus se cantonner aux seules représentations kabuki. À cette fin, il est autorisé à monter Maison de poupée d'Henrik Ibsen. Mais il recherche une actrice locale digne d'interpréter le rôle principal de Nora. La rencontre avec la comédienne Sumako Matsui est décisive. Celle-ci, deux fois malheureuse en amour et proche d'un état suicidaire, veut s'émanciper pleinement, à la fois comme femme et comme actrice. La pièce d'Ibsen entre donc en résonance avec sa vie et son idéal. De son côté, Shimamura, en homme de son temps, estime, par exemple, que sa fille doit choisir par elle-même l'amour et l'homme qui lui conviennent. Il refuse d'émettre le moindre avis à ce sujet, ni même de rencontrer l'éventuel mari. Sur le plan strictement professionnel, Sumako et Shimamura sont, tous deux, des perfectionnistes. L'osmose est donc totale : elle aboutira à une vie de couple et à la fondation d'un Théâtre d'Art moderne.
Sansho the Bailiff (1954)
, 2h4Directed by Kenji Mizoguchi
Origin Japon
Genres Drama
Themes Seafaring films, Sports films, Transport films, Martial arts films
Actors Kinuyo Tanaka, Kyōko Kagawa, Eitarō Shindō, Ichirō Sugai (菅井一郎), Ken Mitsuda, Masahiko Tsugawa (津川 雅彦)
Rating83%
Sansho the Bailiff is a jidai-geki, or historical film, set in the Heian period of feudal Japan. A virtuous governor is banished by a feudal lord to a far-off province. His wife and children are sent to live with her brother. Several years later, the wife, Tamaki (Kinuyo Tanaka), and children, Zushiō and Anju, journey to his exiled land, but are tricked on the journey by a treacherous priestess. The mother is sold into prostitution in Sado and the children are sold by slave traders to a manorial estate in which slaves are brutalized, working under horrific conditions and branded when they try to escape. The estate, protected under the Minister of the Right, is administered by the eponymous Sanshō (Eitarō Shindō), a bailiff (or steward). Sanshō's son Tarō (Akitake Kōno), the second-in-charge, is a much more humane master, and he convinces the two they must survive in the manor before they can escape to find their father.
Osaka Woman (1940)
, 2h25Directed by Kenji Mizoguchi
Origin Japon
Genres Drama
Actors Kinuyo Tanaka, Yōko Umemura
Rating70%
Quand Ochika, issue d'une famille riche, épouse Danpei, un pauvre joueur de shamisen, elle se consacre complètement à lui et prend en main ses affaires, au point de semer des dissensions au sein de la troupe de jōruri dans laquelle joue son mari.
The Lady of Musashino (1951)
, 1h32Directed by Kenji Mizoguchi
Origin Japon
Genres Drama
Actors Kinuyo Tanaka, Yukiko Todoroki, Masayuki Mori, Sō Yamamura, Eitarō Shindō, Noriko Sengoku
Rating72%
Michiko Akiyama (Kinuyo Tanaka) is married to Tadao Akiyama (Masayuki Mori), a college professor, a vulgar man with a low-class background. Towards the end of World War II, they flee the Bombing of Tokyo to her parent’s estate in Musashino, a pastoral location in the outskirts of Tokyo. Nearby is her cousin, Eiji Ono (So Yamamura), a wartime profiteer with loose morals, and his wife Tomiko (Yukiko Todoroki). After the end of the war, the extended family is joined by Tsutomu Miyaji (Akihito Katayama), another cousin and former prisoner-of-war.
Women of the Night (1948)
, 1h15Directed by Kenji Mizoguchi
Origin Japon
Genres Drama, Thriller, Romance
Themes Films about sexuality, Erotic films, Films about prostitution, Erotic thriller films
Actors Kinuyo Tanaka, Kumeko Urabe, Sanae Takasugi, Sadako Sawamura
Rating71%
Osaka. Fusako Owada, une veuve de guerre, ayant perdu son bébé tuberculeux, rencontre par hasard sa sœur Natsuko, qui, jusque-là, vivait en Corée. Celle-ci lui apprend le décès de leurs parents, victimes de malnutrition. Entraîneuse de cabaret, Natsuko s'installe chez Fusako qui travaille comme secrétaire chez un patron du marché noir. Fusako est également la maîtresse de celui-ci. Mais, un jour, fuyant une perquisition policière, elle le surprend, chez elle, en compagnie de sa sœur. Terriblement déçue, elle choisit alors de se prostituer. La fille de ses amis, Kumiko, est volée par un faux-étudiant, dépouillée par des filles de joie "pillardes". Fusako échoue bientôt à l'hôpital où sa sœur, partie à sa recherche, finira par la retrouver. Natsuko est enceinte et, tout comme sa sœur, atteinte de la syphilis.