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Suggestions of similar film to Mr. Broadway
There are 32 films with the same actors, 37 films with the same director, 45791 with the same cinematographic genres (including 420 with exactly the same 2 genres than
Mr. Broadway), to have finally
70 suggestions of similar films.
If you liked
Mr. Broadway, you will probably like those similar films :
, 1h20
Directed by Friedrich Wilhelm Murnau,
Edgar George UlmerGenres Drama,
ComedyThemes Monde imaginaireActors Alfred Abel,
Harry Liedtke,
Adolphe Engers,
Ilka Grüning,
Max Schreck,
Walter RillaRating62%
Le sympathique et insouciant Grand-Duc d'Abacco est en grande difficulté. Il n'y a plus d'argent pour combler la dette de l'État ; le principal créancier envisage d'exproprier le duc Le mariage avec Olga, grande duchesse de Russie, résoudrait tout, mais une lettre cruciale de cette dernière concernant les fiançailles a été volée. De plus, une bande de révolutionnaires et un homme d'affaires douteux ont d'autres plans concernant le Grand-Duc. Avec l'intrusion de l'aventurier Philipp Collins dans les affaires du Grand-Duc, une série de poursuites effrénées, de complots et de contre-plots commencent., 1h35
Directed by Edgar George UlmerOrigin USAGenres ComedyActors Paulette Goddard,
Gypsy Rose Lee,
Richard Ney,
Sebastian Cabot,
Christopher Lee,
John BolesRating42%
Arabian Nights princess Kyra goes on strike demanding equal rights for women, to the frustration of caliph Hassan. Supported by the caliph's godson, Ezar, Kyra enables the caliph to see the error of his polygamous ways, and he eventually settles down with his favourite wife, Zohara., 1h20
Directed by Edgar George UlmerOrigin USAGenres Comedy,
CrimeActors Dick Haymes,
Nina Foch,
Roland Young,
Lionel Stander,
Freddie Bartholomew,
Oskar KarlweisRating56%
Benny (Dick Haymes), Monk (Lionel Stander) and Matthew (Roland Young) are three small-time crooks trying to escape a police dragnet in New York City. After hiding in a church and taking minister's suits and dog collars, they emerge, dressed as priests, and find shelter in an abandoned Bowery mission. When beat cops mistake them for real ministers sent to restore the soup kitchen, they're forced to go along with repairs, holding services and feeding the poor. They have to decide whether to stay, steal the mission money and run, or... change their lives. As with Jean Valjean in Les Misérables, when the bishop he has robbed lets him go, it's the first time they've been treated with respect and had a chance to do good work. The question is whether the police detectives or junior priests will turn them in before they even have a chance., 1h39
Directed by Edgar George UlmerOrigin USAGenres Comedy,
Romantic comedy,
RomanceThemes Films about education,
Films about religion,
Films about Jews and JudaismRating65%
Levy Yitzchok is an orphaned yeshiva student. Restless and distressed, he leaves his study hall in search of "real Jews" and wanders through the Belorussian countryside. He eventually settles in a small village, where the only Jews are two peasant families: Dovid-Noich, his wife Rochel, their two sons, Hersh Ber and Avraham Yankov, and daughter Tsine; and Elkone, his wife Gittel and their daughter Stera. Dovid is flattered by the presence of a scholar among the poor unlearned peasants, and invites Levy Yitzchok to stay as a boarder and tutor his two sons in religious studies. The phlegmatic, unworldly Levy is himself fascinated by the farmers' lives and their vitality. He is ashamed by his lack of physical prowess, which is demonstrated when he attempts to aid in field work. Levy secretly develops feelings for the youthful and vivacious Tsine, who in is impressed with him and begins to spy on her brothers' lessons; she herself is restricted from attending, but manages to learn to write her own name. Dovid quarrels with his neighbor, and the enraged Elkone cancels his daughter's match with Hersh. He offers Stera's hand to Levy. Elkone brings his daughter to Dovid's house, to annul her relations with the latter's son. She begins crying and Hersh is obviously depressed. The fathers are softened and agree to forget about their clash and allow them to marry. Levy Yitzchok and Tsine reveal their desires to one another, and announce they want their own wedding. The film closes with an ending title stating that from Palestine to Birobidzhan, the Jewish masses are no longer superstitious and subservient before Talmud scholars and that in the fusion of the learned Levy and strong-willed Tsine, "a new Jew is born., 1h12
Directed by Edgar George UlmerOrigin USAGenres Thriller,
Horror,
CrimeThemes Peinture,
Serial killer films,
Children's filmsActors John Carradine,
Jean Parker,
Nils Asther,
Ludwig Stössel,
Teala Loring,
George IrvingRating58%
All Paris is frightened by the murders attributed to "Bluebeard". Modiste Lucille (Jean Parker) is introduced to Gaston Morrell (John Carradine), a puppeteer and painter, by her friend. They are attracted to each other, and she accepts a commission to design some costumes for his puppets., 1h18
Directed by Edgar George UlmerOrigin USAGenres Drama,
Action,
AdventureThemes Seafaring films,
Transport films,
Underwater action filmsActors John Carradine,
Gale Sondergaard,
Sidney Toler,
Frank Fenton (Moran),
Veda Ann Borg,
Rita QuigleyRating46%
Somewhere on one of the English-speaking South Sea Islands, at an indefinite present time, with no mention of the fact that it is the middle of World War II, Marge (Gale Sondergaard) is the proprietress of a nightclub/restaurant/gambling hall/brothel called "Isle of Forgotten Sins". In the morning, she knocks on the doors of the individual rooms of her sleeping hostesses, Olga (Betty Amann), Bobbie (Patti McCarty), Mimi (Marian Colby) and Christine (Tala Birell) announcing, "get up, the Southern Queen is here". Riding in a launch from the ship is an inspector from the "Criminal Investigation Bureau" who compares a fingerprint card with a photograph of "Betty Nelson" to one with a photo of a somewhat older "Marge Williams", shows it to the commissioner (unbilled C. Montague Shaw) and tells him, "we'll go there tonight". Marge, surrounded by eight hostesses, is asked by one, "what can we do to please him?" and answers, "he doesn't want to be pleased, he's looking for an excuse to close us up". As the sarong-clad girls leave, one of them, Diane (Rita Quigley) tells Marge, "oh, I suppose it's silly of me but I feel so self-conscious in this costume" and Marge responds, "I know how it is when your modesty's taking a beating, don't let it get you down".