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, 2h20
Directed by PadmarajanGenres Drama,
RomanceActors Mohanlal,
Thilakan,
Vineeth,
Shari,
Kaviyoor PonnnammaRating84%
Namukku Parkkan Munthiri Thoppukal is a warm and lyrical motion picture centered around a Malayalee Syrian Christian-Nasrani ("Nazarene") family. It was based on the Malayalam novel Nammukku Graamangalil Chennu Raappaarkkaam (Let us go and dwell in the villages) by K. K. Sudhakaran (1986). The title of the film and novel is based upon a passage from Biblical book of The Song of Solomon or Song of Songs, Chapter 7:12: "Let us get up early to the vineyards." The protagonist quotes this passage at one point during the film. It stars Mohanlal, Shari, Thilakan, Vineeth, and Kaviyoor Ponnamma. The film is especially noted for the brilliant performance of Thilakan and also for the flowing and warm thematic music by Johnson. Mohanlal's portrayal of Solomon has brought out one of the most matured romantic characters in Malayalam Cinema., 2h
Genres Drama,
RomanceActors Thilakan,
Monisha Unni,
Manoj K. Jayan,
Prashanth,
Vinaya Prasad,
Nedumudi VenuRating78%
In this Indian story, based on a Kerala legend, a pious and self-disciplined master carpenter of a supposedly mixed-caste background, moves easily in his world, building temples and then carving the stone statues which embellish them. He is at home in his traditional world, is at peace with his inner self and the social mores of the time. By way of contrast, he begets a son who is of rebellious nature and questioning of the traditional social hierarchies of the time. He falls in love with the daughter of a royal household which ultimately leads to his demise.Genres DramaActors Mohini,
Vineeth,
Manoj K. Jayan,
Nedumudi Venu,
Thilakan,
Ravi MenonRating70%
Unnimaya (Mohini), a young girl is married to Palakunnath Namboothiri ( Jagannatha Varma), a man in his sixties. She is his fourth wife. Unnimaya is an educated girl hailing from Kizhakkedath Mana, a progressive family in Kerala. Due to various social and economic factors, she is compelled to marry Palakunnath Namboothiri, a rich gentleman. Coming from a progressive household, Unnimaya finds it hard to adjust with the severe orthodox practices at her new home. The sudden death of her husband brings her face-to-face with the customary rituals practiced among Namboothiri community towards widowed women. She realizes that her widowhood makes her almost a shunned individual - one who cannot participate in any celebrations, or even attend any music/dance events or performances. Kunjunni Namboothiri (Manoj.K.Jayan), the elder son of Palakkunath, is the only person who shows compassion and support towards her. Kunjunni is actively involved in reformation among the Namboothiris and is considered as a rebel among the orthodox community. Unnimaya meets Madhavan (Vineeth), an upcoming Kathakali artist, and falls in love with him. They share some intimate moments, and later Unnimaya realizes that she is pregnant. The orthodox Namboothiri community is shocked when it learns about her pregnancy and decides to excommunicate her through Smarthavicharam. A group of senior Namboothiris, under the leadership of Moothedath Bhattathiri (Thilakan), conducts a series of rituals, first to extract the name of the one who impregnated her, and then later, to throw her out of the community. Unnimaya expects Madhavan to come save her, but he is unable to muster the courage to rescue her. Realizing that he is a coward and that she cannot expect him to deliver her out of the situation, Unnimaya decides to stand up to the orthodox Namboothiris. She answers their questions with clarity and confidence, angering them further. Ultimately, the decision is made to excommunicate her, and all the necessary rituals are completed. Kunjunni arrives as her savior. He gives her shelter at his home. The progressive Yogakshema Sabha, that he is part of, finds his ways too bohemian and dismisses him from the group. Madhavan, realizing his mistake, arrives to accept Unnimaya, but now she shows him the door declaring that he is not the father of her unborn child, and that the fathers are Ajuna, Bhima, Nala (the heroic characters performed by Madhavan as part of his dance performances). Unnimaya involves herself in social service and becomes a Congress volunteer deciding to do something for the downtrodden society. , 1h52
Directed by P. G. ViswambharanActors Thilakan,
Kaviyoor Ponnnamma,
Vineeth,
Innocent,
Anju,
K. P. A. C. LalithaRating75%
Kochuraman (V. K. Sreeraman) is the village toddy collector with a well-built body and a strong personality. Kochuraman leads a simple and happy life with his wife and son Kochuvava. Manorama Thampuratti is the daughter of a feudal lord of the ruling family in the village. Thampuratti falls for Kochuraman and tries to gain his attention ignoring the vast communal gap between them and manage to seduce Kochuraman in to her bedroom. The feudal lord who comes to know his daughter's misadventures results in Kochuraman being brutally murdered for entering into an illicit relationship with his daughter and Manorama thampuratti is paralysed for rest of her life by a deadly kick of the Thampuran in his rage. Kochuvava witnesses his father's severed body lying in the pool of blood under a coconut tree and despite his young age he swears revenge upon his father's murderers and grows up into a ruthless patriarch amassing huge wealth in sometimes illegal ways and ends up buying everything in the village including the kovilakam of his arch enemies. For Kochuvava (Thilakan) nothing is more important than money and revenge in his life and even his wife (Kaviyoor Ponnamma) and son (Vineeth) are secondary when it comes to that. In the blindness revenge as he bullies up everything and anything who dares to stand up to him. Despite being uneducated he manages the modernisation around him in his own ways and manages his empire in ruthless efficiency. He plans to exact his ultimate vengeance by starting an illicit arrack business from the kovilakam, to drive out the last residents of the kovilakam after which he plans to dig a pond where the kovilalkam stands today. For Kochuvava drinking a handful of water from that pond will mark his completion of his vengeance. However, this evil plan is strongly resented by his son who also happens to be in love with the younger Kochuthampuratti (Anju) of the kovilakam. The film ends in a bitter tragedy for Kochuvava who finally succumbs to a defeat in life and realises there are more things to life than money, power or revenge., 1h52
Directed by G. AravindanGenres DramaActors Nedumudi Venu,
Sreenivasan,
Thilakan,
Vineeth,
M. S. Thripunithura,
KunjandiRating71%
The time is the mid-fifties, when the Indian states were being reorganised. The place is a remote village in Kerala. There is a palpable hum of excitement as the village Panchayath, led by the Brahmin landlord, is determined to bring the benefits of electricity to this backward place.Directed by V. M. VinuGenres DramaActors Mammootty,
Sangeetha,
Thilakan,
Kaviyoor Ponnnamma,
Sangita,
RaasiRating42%
Pallavoor Devanarayana Pothuval aka Devan (Mammootty) who is a talented drummer. People flock to the festivals just to see him play the drums with utmost devotion. His father opposes his relationship with a girl belonging to a lower caste and forces him to marry a girl of his choice Vasundhara (Sangeetha). Unable to bear his decision she commits suicide. He leads a very glum life with Vasundhara though she loves him and takes good care of him. He gets injured while trying to save his teacher’s daughter from some miscreants and is taken to an Ayurvedic hospital.