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P.O. Box Tinto Brass is a film of genre Comedy directed by Tinto Brass with Tinto Brass

P.O. Box Tinto Brass (1995)

P.O. Box Tinto Brass
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Length 1h21
Directed by
Genres Comedy
Rating51% 2.57112.57112.57112.57112.5711

Fermo posta Tinto Brass is a 1995 Italian comedy film-erotic film directed by Tinto Brass and set in vignettes.

Synopsis

Tinto Brass and his secretary Lucia (Cinzia Roccaforte) are in the Venice office of the director. Lucia reads letters (one accompanied by a videocassette) sent to Brass by seven of his female fans from around Italy and they reflect on these women's sexual fantasies. Tinto Brass uses his own name and is mentioned as an erotic film master.

Actors

Tinto Brass

(Tinto Brass)
Cinzia Roccaforte

(Lucia)
Source : Wikidata

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Suggestions of similar film to P.O. Box Tinto Brass

There are 11 films with the same actors, 25 films with the same director, 37150 with the same cinematographic genres, 7308 films with the same themes (including 2665 films with the same 2 themes than P.O. Box Tinto Brass), to have finally 70 suggestions of similar films.

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In London, the beautiful Venetian Carla Burin (Yuliya Mayarchuk) is an intern at the front desk of an hotel. She is looking for an apartment to allow her boyfriend Matteo (Jarno Berardi) to join her there. The real estate agent, Moira (Francesca Nunzi), a bisexual, rents her a loft with a view of the Thames, with "intimate conditions." When the hot-tempered, jealous Matteo finds a nude picture of Carla and letters from her former French ex-lover Bernard (Mauro Lorenz), Carla and Matteo have a row on the telephone. Angry at Mateo, Carla sleeps with Moira. Matteo, desperate, comes to London, where he finds Moira naked in Carla's apartment. He confronts Carla about all her past infidelities and refuses her invitation to perform fellatio on him before leaving. After a walk in the park, where he sees lots of sexual activity, he changes his mind. Carla shows up with a written account of her infidelities, but Matteo declares he no longer needs to know.
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