Connection
Past, Present, and Future is a film of genre Drama directed by Shyam Benegal with Leela Naidu
Past, Present, and Future (1985)
If you like this film, let us know!
Add to a movie listTrikal (1985) (Past, Present and Future) is an Indian movie written and directed by Shyam Benegal, set in Goa during the early 1960s (pre liberation) Period. The film starred yester years actress, Leela Naidu, in a comeback role after many decades.
The film was selected for the Indian Panorama at Filmotsav 1986, and for the Indian Film Retrospective, Lisbon 1986. It was later invited to the London Film Festival 1986
Actors
Leela Naidu
(Dona Maria Souza-Soares)
Anita Kanwar
(Sylvia (Anna's mother))
Neena Gupta
(Milagrenia)
Soni Razdan
(Aurora)
Dalip Tahil
(Leon Gonsalves)
Comments
Leave comment :
Suggestions of similar film to Past, Present, and Future
There are 233 films with the same actors, 23 films with the same director, 62401 with the same cinematographic genres (including 4029 with exactly the same 2 genres than Past, Present, and Future), to have finally 70 suggestions of similar films.If you liked Past, Present, and Future, you will probably like those similar films :
The Market Place (1983)
, 2h47Directed by Shyam Benegal
Genres Drama, Comedy, Romance
Themes Films about sexuality, Erotic films, Films about prostitution
Actors Shabana Azmi, Naseeruddin Shah, Kulbhushan Kharbanda, Smita Patil, Neena Gupta, Amrish Puri
Rating74%
For years an aging Rukmini Bai (Shabana Azmi) has been the Madame of a brothel in Hyderabad, India. One day she gets the news that she now has a new landlord in Mr. Gupta (Kulbhushan Kharbanda), whose daughter is to marry the mayor's son Sushil, shortly. Led by City Councillor, Shantidevi, the people in this town demand that this brothel be moved elsewhere, preferably on the outskirts of the town, and they do succeed, compelling Rukmini to move with her women to their new location, which happens to be near the Dargah of Baba Karak Shah. Ironically, this attracts a lot of people, and the patronage to Rukmini's bordello increases. Then complications set in when Sushil refuses to marry his father's choice, childlike Malti, and wants to marry Zeenat (Smita Patil) - a prostitute, not entirely by choice and seeking for a better existence, who resides with Rukmini.
Ankur: The Seedling (1974)
, 2h5Directed by Shyam Benegal
Genres Drama
Themes Films about music and musicians, Musical films, Bollywood
Actors Shabana Azmi, Anant Nag, Priya Tendulkar, Vijay Tendulkar, Dalip Tahil
Rating77%
Ankur is a film that analyzes human behavior in general and heavily stresses characterization (though the story is not fictional). The story revolves around two characters, Lakshmi and Surya. Ankur is also there.
The Churning (1976)
, 2h14Directed by Shyam Benegal
Origin Inde
Genres Drama
Themes Films about music and musicians, Politique, Musical films, Political films, Bollywood
Actors Kulbhushan Kharbanda, Smita Patil, Girish Karnad, Amrish Puri, Naseeruddin Shah, Mohan Agashe
Rating76%
The film traces the origins of the movement through its fictionalised narrative, based around rural empowerment, when a young veterinary surgeon, played by Girish Karnad, a character based on then, National Dairy Development Board (NDDB) chief, the 33-year-old Verghese Kurien, who joined hands with local social worker, Tribhovandas Patel, which led to the setting up a local milk cooperative, in Anand, Gujarat.
The Essence (1987)
, 2h20Directed by Shyam Benegal
Genres Drama
Actors Shabana Azmi, Om Puri, Kulbhushan Kharbanda, Neena Gupta, Mohan Agashe, Pallavi Joshi
Rating68%
The Obsession (1978)
, 2h21Directed by Shyam Benegal
Genres Drama, War
Themes Political films
Actors Shabana Azmi, Shashi Kapoor, Jennifer Kendal, Nafisa Ali, Naseeruddin Shah, Ismat Chughtai
Rating75%
The story is set around the Indian Mutiny of 1857. Javed Khan (Shashi Kapoor) is a feckless feudal chieftain with a Muslim Pathan heritage, whose world revolves around breeding carrier pigeons. His younger brother-in-law, Sarfaraz Khan (Naseeruddin Shah) is politically awakened and actively plots the fight against the British. Freedom fighters attack the local British administrators while they are in Sunday Worship at Church, massacring them all. Miriam Labadoor, Jennifer Kendal) manages to escape with her daughter, Ruth (Nafisa Ali) and mother. The three women seek refuge with the wealthy Hindu family of Lala Ramjimal (Kulbhushan Kharbanda). Lala is torn between his loyalty for India and his privileged position under the British. However, matters are taken out of his hand by Javed Khan who barges into Lala's house and forcibly takes Ruth and her family to his own house. This leads to jealousy on part of his wife, Firdaus (Shabana Azmi) and anger on part of his brother, who ultimately gives in to the Pathan tradition of offering hospitality and sanctuary (Nanawatai) even to uninvited guests. Various situations ensue due to cultural misunderstandings in the domestic routine of the Muslim household with its new English guests. Javed falls in love with Ruth, and wants to marry her but is opposed bitterly by her mother. Noticing intense feelings of Javed for her daughter Ruth, Miriam Labadoor (mother) cleverly makes an agreement with Javed that she would only give her daughter’s hand to Javed if British were defeated. At first instance, Javed is hesitant but accepts the offer when again Miriam asks him if he has misgivings in his war against the British. There are simmerings of a love affair under the watchful suspicious eyes of Firdaus.
The Role (1977)
, 2h22Directed by Shyam Benegal
Genres Drama, Biography, Musical
Themes Films about films, Films about music and musicians, Films about television, Musical films, Bollywood
Actors Smita Patil, Amol Palekar, Anant Nag, Amrish Puri, Naseeruddin Shah, Dina Pathak
Rating73%
Bhumika tells the life story of an actress, Usha (Smita Patil), who is the granddaughter of a famous female singer of the old tradition from Devadasi community of Goa. Usha's mother is married to an abusive and alcoholic Brahmin. Following his early death, and over her mother's objections, Usha is taken to Bombay by family hanger-on Keshav Dalvi (Amol Palekar) to audition successfully as a singer in a Bombay studio: the first step in a process, watched approvingly by Usha's doting grandmother and with horror by her mother, that will eventually carry her to on-camera adolescent stardom, and to an ill-starred love marriage with Keshav. Usha’s motives for stubbornly pursuing this relationship (culminating in a pre-marital pregnancy) with the unattractive and much older Keshav — who appears to have lusted after her since childhood — are not spelled out. Presumably she feels indebted to him for his loyalty to her family (of which he frequently reminds her) and for her own worldly success; she is also a headstrong girl who clearly enjoys her acting career and is bent on challenging her uptight mother (who opposes the match because Keshav does not belong to their caste, just as she opposes cinema itself because of its presumed un-respectability).
Night's End (1975)
, 2h20Directed by Shyam Benegal
Genres Drama, Crime
Themes Films about music and musicians, Films about sexuality, Rape in fiction, Musical films, Bollywood
Actors Shabana Azmi, Naseeruddin Shah, Girish Karnad, Smita Patil, Anant Nag, Amrish Puri
Rating75%
Vishwam (Naseeruddin Shah) is the youngest brother of the powerful and influential village Zamindar (Amrish Puri). The Zamindar will not hesitate to do anything for the welfare and protection of his family, which also includes bending the law to his own advantage. The shy and quiet Vishwam is married to Rukmani (Smita Patil) and, unlike his brothers, does not indulge in alcohol or women, nor does he have any bad habits. Then the village gets a new schoolmaster (Girish Karnad), who has a wife, Sushila (Shabana Azmi). When Vishwam sees her for the first time, he is unable to take his eyes off her, and unable to get her out of his mind. Sushila does not reciprocate his attentions. Then one night, while the schoolmaster is enjoying a quiet dinner with his family, the bell rings and the two older brothers of Vishwam grab Sushila and take her forcibly when she goes to answer the door. Several people are present, but no one dares to raise a hand nor even a voice to stop this abduction. The distraught schoolteacher, who is denied justice by everyone from the local police officer to the district collector, is helped by the old priest (Satyadev Dubey) and finally they succeed in mobilizing the villagers and they slaughter their oppressors. In the end the frenzied villagers also kill the innocent Rukmani as well as Sushila whom her husband tried to rescue with the help of the rebellious villagers.
The Seventh Horse of the Sun (1992)
, 2h10Directed by Shyam Benegal
Genres Drama, Romance
Themes Films about films
Actors Rajit Kapur, Amrish Puri, Virendra Saxena, Neena Gupta, Rajeshwari Sachdev, Pallavi Joshi
Rating79%
Zubeidaa (2001)
, 2h33Directed by Shyam Benegal
Genres Drama, Historical, Musical, Romance
Themes Films about music and musicians, Films about television, Musical films, Political films, Bollywood, Films about royalty
Actors Karisma Kapoor, Rekha, Manoj Bajpayee, Amrish Puri, Farida Jalal, Rahul Singh
Rating64%
Zubeidaa is the story of Riyaz's (Rajit Kapoor) search to understand his mother, who is not known to him, as he was brought up by his grandmother in the absence of his mother. His mother's name was Zubeidaa (Karisma Kapoor) and she was the only daughter of a filmmaker named Suleman Seth (Amrish Puri). Zubeidaa acts in films secretly, but when her father finds out he forbids her to carry on and quickly arranges her marriage to Mehboob Alam (Vinod Sharawat). Things seem happy for her when she gives birth to Riyaz. However, a disagreement arises between Suleman and Mehboob's father, and Mehboob divorces Zubeidaa few days after she gives birth.
, 3h42Directed by Shyam Benegal
Genres Drama, Biography, Action, Historical
Themes Spy films, Political films, Alternate history films
Actors Sachin Khedekar, Kulbhushan Kharbanda, Rajit Kapur, Divya Dutta, Kelly Dorji, Arif Zakaria
Rating75%
Set up in British Raj, after a political disagreement with Mahatma Gandhi, Bose's arrest and subsequent release sets the scene for his escape to Germany, via Afghanistan and the Soviet Union. A few days before his escape, he sought solitude and, on this pretext, avoided meeting British guards and grew a beard on the night of his escape. He dresses himself as a Pathan to avoid being identified. Bose escapes from under British surveillance at his house in Calcutta on 19 January 1941, accompanied by his nephew Sisir K. Bose in a car.