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Qaidi (1940)

Qaidi
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Qaidi (meaning The Prisoner) is a Bollywood film directed by S.F. Hasnain. It was released in 1940. It stars
Madhuri and Mehtab.



^ Narwekar, Sanjit (1994). Directory of Indian film-makers and films. Flicks Books. Retrieved 23 July 2012.

^ "-". Gomolo.com. Retrieved 23 July 2012.

^ Rajadhyaksha, Ashish; Willemen, Paul (1999). Encyclopaedia of Indian cinema. British Film Institute. Retrieved 23 July 2012.

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Trailer of Qaidi

Bluray, DVD

Streaming / VOD

Source : Wikidata

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Suggestions of similar film to Qaidi

There are 12 films with the same actors, to have finally 12 suggestions of similar films.

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Uttam (Sohrab Modi) is a rich cotton merchant who lives in a mansion with his wife Damyanti (Mehtab). Uttam's younger brother Ram (Sailesh Kumar), who is engaged to Seth Dhanichand’s (Wasti) elder daughter Gauri (Shahida), also lives with them. Damyanti's opportunistic brother, Dwarkadas (K. N. Singh) is in partnership with Uttam. Uttam loses his merchandise in a fire and becomes financially destitute, though continuing to live in the big mansion. Ram's engagement is called off by Dhanichand. Dwarkadas breaks off his partnership with Uttam and gets his son engaged to Dhanichand's younger daughter. Uttam attends the engagement ceremony but is humiliated and accused of stealing money. He is also beaten up on his way home by some thugs sent by Dwarkadas. The film the n follows Uttam's slow rise back again financially while Dhanichand and Dwarkadas now face poverty.
Jhansi Ki Rani, 2h28
Directed by Sohrab Merwanji Modi
Genres Drama, Historical
Themes Films based on mythology, Films about religion
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The Asura King Hiranyakashipu, having been granted the boon of immortality by Brahma, projects himself as Supreme Being, even beyond Vishnu, whom he wants to avenge for killing his brother Hirnayaksha. After years of penance Brahma grants Hiranyakashipu his boon where he asks not to be killed by man or animal, on earth or space, inside the house or outside, and neither at dawn or at night. In his arrogance he aims for filicide when his son Prahlada rejects him as the supreme power, worshipping only Vishnu as the true God. He makes several attempts at killing Prahlad, one of them by burning him on the pyre. Prahlad is inadvertently saved when Holika's, (sister of Hiranyakashipu) fire-proof veil lands on him and Holika gets burnt instead. Hiranyakashipu is further angered when Prahlad, on being asked if Vishnu exists in the pillar of the palace too, answers He is everywhere. Hiranyakashipu smashes the pillar and a half man half lion form appears. It is Narsimha (Vishnu’s Avatar). The enraged Narsimha stands on the threshold and places the King on his thighs. It is twilight time indicating neither day nor night making Hiranyakashipu no longer invincible. With his talons he rips Hiranyakashipu’s abdomen apart, thereby killing him. Before leaving he installs Prahlad as the new King.
Jhansi Ki Rani, 2h28
Directed by Sohrab Merwanji Modi
Genres Drama, Historical
Actors Sohrab Merwanji Modi, Mehtab, Sapru, Srinath
Rating68% 3.4070553.4070553.4070553.4070553.407055
Rajguru (Sohrab Modi) decides that Jhansi should get its proper recognition in history. He comes across a young girl Manu (the young Rani Lakshmibai) played by Baby Shikha. Her father has been hit by a carriage driven by an English driver. She gathers a few children to confront the driver. This and her confrontation with an elephant impresses the Rajguru who takes her in hand, shaping her into becoming a determined leader. He arranges for her, at the age of nine, to marry the much-older ruler of Jhansi, Gangadhar Rao (Mubarak), who is about fifty years, and become Queen.
Kanoon
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Directed by Abdur Rashid Kardar
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Ashok and Usha are friends in college who fall in love with each other. They have a common issue which unites them; the social evil of young girls forcibly married off to older men. Ashok has strong reasons as he is ashamed of his father who is married a girl younger than Ashok. Lala Dinanath, Usha's father is heavily in debt to Seth Hirachand. Hirachand's son, Ramesh, who studies in college with Usha has fallen in love with her. He does not know that his father intends marrying Usha in lieu of the debt her father owes Hirachand. His attraction for Usha causes a source of anguish for Hansa, the family Munim's (accountant) daughter, and hence are in service to Hirachand. Hansa and Ramesh have been childhood friends with a vague understanding of marriage between them.
Leatherface, 2h46
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A state chieftain (M. Zahur) rules over his people in a despotic manner. Samar (P. Jairaj) becomes the hero-bandit to fight the chief. He dons a leather mask, and along with the help of his dog Tiger and horse Bahadur he ventures out to set things right. He also has the help of a group of wayfarers, and Dulari (Shirin), the inn-keeper. Samar falls in love with the Chieftain's sister Ila (Mehtab). Following several action scenes, Samar is able to rid the state of its tyrannical ruler and marry Ila.
Shama
Shama (1946)

Genres Drama
Actors Mehtab