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Rendu Rella Aaru is a film directed by Jandhyala with Rajendra Prasad
Rendu Rella Aaru (1986)
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Add to a movie listDirected by Jandhyala
Rating75%
Rendu Rellu Aaru is a 1985 Telugu comedy film directed by Jandhyala Subramanya Sastry and produced by industrialist Kasaraneni Shanthi Kumar.
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Suggestions of similar film to Rendu Rella Aaru
There are 284 films with the same actors, 11 films with the same director, to have finally 70 suggestions of similar films.If you liked Rendu Rella Aaru, you will probably like those similar films :
Aha Naa Pellanta! (1987)
Directed by Jandhyala
Genres Comedy
Actors Rajendra Prasad, Rajani, Kota Srinivasa Rao, Nutan Prasad, Srihari, Brahmanandam
Rating89%
Krishna Murthy (Rajendra Prasad) is son of industrialist Satyanarayana (Nutan Prasad). Satyanarayana is worried about Krishna Murthy's marriage, so much so that he imagines every young woman who happened to be seen by him as his daughter-in-law. Krishna Murthy meets Padma (Rajani) in his friend's marriage and cupid strikes them. Krishna Murthy is afraid of revealing his love for Padma to his father directly as he fears his father may reject it out rightly. His initial attempts to reveal his love life to his father through letters are thwarted by his butler in fear for Satyanarayana's life. Desperate to reveal the love matter to Satyanarayana, Krishnamurthy then tries various gimmicks and at last is successful. A panicked Satyanarayana inquires about the family background of Padma and finds out that she is the daughter of Lakshmipathy (Kota Srinivasa Rao), a noted miser in his village. Aware of his father's concerns, Krishnamurthy reassures Satyanarayana and lands in Lakshmipathy's house posing as a miser. Krishnamurthy's pretense and pranks beget intended effect in Lakshmipathy and brings him closer to Padma. A marriage proposal from Sudhakar (Subhaleka Sudhakar), who is accompanied by his two glutton brothers much to the chagrin of Lakshmipathy, for Padma ends in Lakshmipathy favoring Krishnamurthy. Elated with the turn of events, Krishnamurthy prepares for marriage with Padma and invites Satyanarayana. However, his plans turn soar as Lakshmipathy, in his greed for money, abuses Krishnamurthy assuming that he is from poor family, before Satyanarayana confronts Lakshmipathy. A dejected Krishnamurthy requests Satyanarayana to give him one more chance to teach Lakshmipathy a lesson. Krishnamurthy, along with 'aragundu' Brahmanandam (Brahmanandam), a disgruntled butler of Lakshmipathy set about to transform Lakshmipathy. Krishnamurthy tacitly arranges for three different marriage proposals, starting with Sudhakar, with each proposer agreeing to offer more bride price than the earlier proposer. Overcome with greed for money, Lakshmipathy agrees to get her daughter married with each one of them. At the time of marriage with the bridegroom who offered the highest bride price, the other two bridegrooms also appear at the same time and question Lakshmipathy. An embarrassed Lakshmipathy is censured by Padma for his greed.
Babai Abbai (1985)
, 2h2Directed by Jandhyala
Genres Drama, Comedy, Musical, Romance
Actors Nandamuri Balakrishna, Suthi Veerabhadra Rao, Suthivelu, Rajendra Prasad, Kota Srinivasa Rao, Chitti Babu
Rating69%
Nelavanka (1983)
Directed by Jandhyala
Actors Gummadi Venkateswara Rao, J. V. Somayajulu, Rajesh, Tulasi, Suthivelu, Suthi Veerabhadra Rao
Srirama Raju (Gummadi) is the zamindar of the village. Raheem (J.V. Somayajulu), his classmate and a friend, also works as his carriage-driver. The zamindar has two daughters Savitri (Rajyalakshmi) and Lalitha (Tulasi) and a son Ravi (Eswara Rao). Savitri is a born mute, while Tulasi goes to college. Tulasi meets Kiran (Kiran) who traps her in the name of love and later marries Savitri for money. Raheem's son Saleem (Rajesh) rescues Lalitha from Kiran. A couple of villagers who had grudges on Raheem create Hindu-Muslim clashes between the otherwise peaceful villagers. How all issues were resolved and the price they had to pay, to regain peace in the village as well as in their lives, forms the rest of the story.
Sita Rama Kalyanam (1985)
, 2h17Directed by Jandhyala
Actors Nandamuri Balakrishna, Rajani, Gollapudi Maruti Rao, Kongara Jaggaiah, 'Subhalekha' Sudhakar, Rama Prabha
The story starts with a conflict between two villages Ramapuram and Raghavapuram for Lord Rama statues. In that conflict, Raja's father who is the president of Ramapuram has been killed by Govindaiah brother-Subbaramaiah. Taking into that mind Raja's elder brother Rangayya kills Subbaramaiah and is sentenced to jail. After few years, Raja falls in love with one of his colleague in college without knowing that she is Subbaramayya's daughter, her name is Vara Laxmi. But their love was not accepted neither by Laxmi's brother Hari nor by Govindayya. The rest of the film is all about how Raja struggles to marry Lakshmi with creating relationship between both the families.
Rendu Jella Seetha (1983)
Directed by Jandhyala
Actors Purnima, Ramchandra Narayanji Dwivedi, Allu Rama Lingiah, Naresh Vijaya, Saakshi Ranga Rao, Suthivelu
Rating64%
Srivariki Premalekha (1984)
Directed by Jandhyala
Genres Comedy, Romance
Actors Naresh Vijaya, Suthi Veerabhadra Rao, Nutan Prasad, Suthivelu, Subbaraya Sarma Uppaluri, Sangeetha
Rating75%
The comedy film revolves around a blind Love letter (Prema Lekha) written by Swarna (Poornima) to Ananda Rao (Naresh), who works in the office of Melkote. He pledges to marry the girl who wrote the letter and tries to find her with the help of his friends. His father Parandhamayya (Suthi Veerabhadra Rao) is highly abusive and openly scolds him. His office colleague tries to exploit his innocence and introduces Soni (Mucherla Aruna) as that girl. His brother nuthan prasad help him solve the problem and find out the truth. Ananda Rao and Swarna finally marry.
Chantabbai (1986)
Directed by Jandhyala
Genres Comedy
Actors Suhasini Maniratnam, Kongara Jaggaiah, Allu Aravind, Chandra Mohan, Allu Rama Lingiah, Saakshi Ranga Rao
Rating81%
Panduranga Rao (Chiranjeevi) who likes to be known as 'James Pond' is a bumbling private detective working for a Private Detective Agency. Bowled over by her innocence and good nature, Pandu falls in love with Jwala (Suhasini Mani Ratnam) who works as a telephone device cleaner for various businesses. One day, Jwala is accused of murdering a businessman for diamonds and arrested, Pandu gets her out on bail and eventually finds out that his own boss (Raavi Kondala Rao) was the murderer and sends him to jail. Impressed by this, Jwala's friend, Dr. Nischala (Mucherla Aruna) requests Pandu to investigate and bring back her long-lost brother who was born out of wedlock to her father (Kongara Jaggayya). After some investigation, Pandu introduces a young man (Chandramohan) as Chantabbai- the lost son. But another young man(Sudhakar) shows up as Chantabbai. The rest of the story is all about how Pandu solves the case and finds the real Chantabbai, where Chantabbai is none other than Chiranjeevi (Pandu Ranga Rao aka "James Pond"), James Pond never wanted to reveal that he's the one missing son of Nischala's father, and also while the fact was known by his sister, he explains the troubles and pains that he had faced in the past and in his childhood life.
Babai Hotel (1992)
Directed by Jandhyala
Actors Brahmanandam, Hanumantha Rao, Maathu (Madhavi), Kota Srinivasa Rao, Suthivelu, Dharmavarapu Subramanyam
Rating69%
Mudda Mandaram (1981)
Directed by Jandhyala
Actors Ramchandra Narayanji Dwivedi, Annapoorna, Suthivelu, Pradeep
Ananda Bhairavi (1983)
, 2h23Directed by Jandhyala
Themes Dance films
Actors Girish Karnad, Kanchana, J. V. Ramana Murthi, Mukku Raju, Rajesh, Suthi Veerabhadra Rao
Rating77%
This is a movie which gives you an idea about the origin of Kuchipudi dance. It is about the people who considered a girl performing "Kuchipudi" dance an embarrassment and about a man who is fighting tooth and nail to pass on the heritage of "Kuchipudi". He finally manages to find a girl who he trains in "Kuchipudi". As girls learning Kuchipudi was not accepted in that era he gets outcast from his caste, place and also the religious places.