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Ride of the Valkyrie is a film of genre Comedy directed by Peter Brook released in USA on 21 december 1979 with Zero Mostel
Ride of the Valkyrie (1979)
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Add to a movie listRide of the Valkyrie is a 1967 British short comedy film directed by Peter Brook and starring Julia Foster, Zero Mostel, and Frank Thornton.
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Suggestions of similar film to Ride of the Valkyrie
There are 36 films with the same actors, 9 films with the same director, 36902 with the same cinematographic genres, to have finally 70 suggestions of similar films.If you liked Ride of the Valkyrie, you will probably like those similar films :
Lord of the Flies (1963)
, 1h32Directed by Peter Brook
Origin United-kingdom
Genres Drama, Science fiction, Thriller, Social science fiction, Adventure
Themes L'adolescence, Films about education, Films about children, Seafaring films, Transport films, Films based on Robinson Crusoe, L'enfance marginalisée, Political films, Dystopian films, Films about school violence
Actors James Aubrey, Nicholas Hammond, Hugh Edwards
Rating68%
A group of British schoolboys, living in the midst of a war, are evacuated from England. Their airliner is shot down by briefly glimpsed fighter planes and ditches near a remote island.
King Lear (1953)
, 1h13Directed by Peter Brook
Origin USA
Genres Drama, Historical
Themes Political films, Films based on plays, Films based on works by William Shakespeare, Films about royalty
Actors Orson Welles, Natasha Parry, Alan Badel, Arnold Moss, Bramwell Fletcher, Beatrice Straight
Rating3%
Tell Me Lies (1968)
Directed by Peter Brook
Genres Drama, Musical theatre, Documentary
Themes Politique, Political films
Actors Mark Jones, Henry Woolf, Glenda Jackson, Ian Hogg, Patrick Wymark, Eric Allan
Rating67%
A young couple, Bob Lloyd and Pauline Munro see a photo in a magazine of a baby mutilated by napalm and it changes their lives. They ask is London aware, is London concerned?
The Mahabharata (1989)
Directed by Peter Brook
Origin Portugal
Genres Drama, War
Themes Films about music and musicians, Films based on mythology, Films about religion, Musiques du monde, Musical films, Mythologie hindoue
Actors Andrzej Seweryn, Georges Corraface, Vittorio Mezzogiorno, Bruce Myers, Mallika Sarabhai, Yoshi Oida
Rating80%
In general terms, the story involves epic incidents between two warring families, the Pandavas (representing the good side) and the Kauravas (representing the bad side). Both sides, being the offspring of kings and gods, fight for dominion. They have both been advised by the god Krishna to live in harmony and abstain from the bloody lust for power. Yet their fights come to threaten the very order of the Universe. The plot is framed by a dialogue between the Brahmin sage Vyasa and the Hindu deity Ganesha, and directed towards an unnamed Indian boy who comes to him inquiring about the story of the human race.
King Lear (1971)
, 2h17Directed by Peter Brook
Origin United-kingdom
Genres Drama
Themes Théâtre, Political films, Films based on plays, Films based on works by William Shakespeare, Films about royalty
Actors Paul Scofield, Irene Worth, Cyril Cusack, Susan Engel, Alan Webb, Søren Elung Jensen
Rating71%
Marat/Sade (1967)
, 1h56Directed by Peter Brook
Origin United-kingdom
Genres Drama, Historical, Musical
Themes Films about writers, Political films, Films based on plays, French Revolution films
Actors Patrick Magee, Ian William Richardson, Michael Williams, Clifford Rose, Glenda Jackson, Freddie Jones
Rating74%
À l'asile de Charenton, le marquis de Sade met en scène une pièce sur la mort de Jean Paul Marat, en utilisant les patients comme acteurs.
Seven Days… Seven Nights (1960)
, 1h30Directed by Peter Brook
Origin Italie
Genres Drama, Romance
Themes Films about music and musicians, Films about sexuality, Films about classical music and musicians
Actors Jeanne Moreau, Jean-Paul Belmondo, Pascale de Boysson, Jean Deschamps, Didier Haudepin, Colette Régis
Rating68%
Dans une ville portuaire, une jeune mère bourgeoise, Anne Desbaresdes, rencontre un ancien ouvrier de l'usine que gère son mari. Par le biais de conversations entre oisifs, qui s'étirent lors de fins d'après-midi dans un café, Anne confronte sa vie rangée à une passion basée sur un idéal développé tout au long du film. Le récit s'ouvre en effet sur un meurtre passionnel sur lequel l'héroïne va ressasser des questions nécessairement sans réponse.
The Beggar's Opera (1953)
, 1h34Directed by Peter Brook
Origin United-kingdom
Genres Historical, Musical, Crime
Themes Films about music and musicians, Théâtre, Musical films, Films about capital punishment, Films based on plays, Films based on operas
Actors Laurence Olivier, Dorothy Tutin, Hugh Griffith, George Rose, Stuart Burge, Stanley Holloway
Rating60%
In the 1700s, a beggar is tossed into London's Newgate jail, along with a pile of papers upon which his unfinished opera is scribbled. The beggar boasts to the other prisoners that his opera, unlike others of the day, is about a real person, the dashing highwayman Captain Macheath, who, dressed in a red coat, holds off the world with a pistol in each hand, seduces women with five notes of a tune, and generally leaps from misfortune. To the beggar's disappointment, the other prisoners point out that his hero Macheath is among them, in irons and behind bars, and Macheath, who is scheduled to be executed the next morning, admits that there is "no arguing with reality." Taking the first page of the opera, Macheath begins singing, and the beggar, encouraged by Macheath's good voice, urges him to continue, until the following story, the beggar's opera, is sung for the prison inmates: While riding to London, feeling merry and free, Macheath robs a carriage, and steals a kiss and a locket from a maiden. Later, in London, Macheath's wife, Polly Peachum, pines for him. Polly's parents, shopkeepers Mr. Peachum and his wife, are scandalized to learn from their employee Filch that Polly has secretly married the highwayman. To make the best of the situation, as they are always eager to make money, they urge her to lure Macheath into a trap and collect the reward for his capture. Meanwhile, outside of town, Macheath encounters a carriage ridden by Newgate's jailor Mr. Lockit, Lockit's daughter Lucy and Mrs. Trapes, whom Lockit is wooing. Lucy, who met Macheath when he was once imprisoned, scolds him for taking her virtue without making good on his promise to wed. When Macheath rides off, Mrs. Trapes suggests that Lucy betray him for the reward and give the money to her father. Later, during a tryst in a hayloft, Polly warns Macheath that her parents are mounting an ambush. Macheath escapes with Polly's help after a swashbuckling fight, then hides in a back room of a tavern, where he is unable to resist socializing with the prostitutes, whom he considers friends. However, prostitute Jenny Diver has been bribed by Peachum and Lockit to betray him, and with the help of her colleagues, Macheath is soon captured. From his jail cell, Macheath urges Lucy to steal the jail keys and set him free, promising to marry her in return, but then Polly shows up and he is forced to introduce the women to each other. During the night, Lucy steals the keys and releases him, but later Polly sneaks back and, finding Macheath gone from the cell, screams in anguish without thinking, thus drawing attention to his escape. Meanwhile, Macheath disguises himself in the stolen cape and gloves of a lord and slips into a gaming house to avoid making good his promise to unite with Lucy. However, the proprietor recognizes the cape and alerts Lockit and Peachum about the impostor wearing it. Back at the jail, Polly is accused of freeing Macheath and is locked in Lucy's room, where Lucy, after losing track of Macheath, attempts to drug her. When they hear the recaptured Macheath being returned to prison, Lucy and Polly proceed to Macheath's cell and demand that he choose between them. He refuses, as he will soon be hanged and sees no reason to disappoint either of them. The next morning, riding atop his coffin as it is carted through the streets to the gallows, Macheath waves farewell to the friendly crowd that has gathered to see him off. At the gallows, after kissing both Lucy and Polly goodbye, Macheath is blindfolded and awaits his fate, and the opera comes to its incomplete end. The real Macheath, who is still in the jail, protests that he should not have to hang twice. After pondering the complaint, the beggar agrees and yells for Macheath's reprieve. The rest of the prisoners join in the chant and mob the turnkey, who comes to investigate the ruckus, allowing Macheath to escape. The highwayman steals a horse from the cart containing his coffin and when safely out of London, sings that his freedom has been returned because of a beggar's opera.
Meetings with Remarkable Men (1979)
, 1h48Directed by Peter Brook
Origin USA
Genres Drama, Biography
Themes Films about music and musicians, Philosophie, Musiques du monde, Musical films
Actors Dragan Maksimović, Terence Stamp, Martin Benson, Athol Fugard, Colin Blakely, Warren Mitchell
Rating71%
La vie de Georges Gurdjieff, de sa jeunesse jusqu'à ses voyages initiatiques à la recherche de la Sagesse. On suit sa quête spirituelle en Asie centrale, notamment à Boukhara, et dans le désert de Gobi, où il découvre différentes disciplines comme la musique et la danse lui permettant encore de progresser.
Rhinoceros (1974)
, 1h41Directed by Tom O'Horgan
Origin USA
Genres Drama, Comedy, Comedy-drama, Fantasy
Themes Films about magic and magicians, Théâtre, Films based on plays
Actors Gene Wilder, Zero Mostel, Karen Black, Joe Silver, Marilyn Chris, Howard Morton
Rating57%
The residents of a large town are inexplicably turning into rhinoceroses. Stanley (Gene Wilder), a mild-mannered office clerk, watches the bizarre transformations from a bemused distance. But soon the strange occurrences invade his personal space, as his neighbor and best friend John (Zero Mostel) and his girlfriend Daisy (Karen Black) become part of the human-into-rhinoceros metamorphosis that is taking place. Eventually, Stanley realizes that he may be the only human left amidst the new rhinoceros majority.