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Suggestions of similar film to Sludge
There are 8959 with the same cinematographic genres, 4640 films with the same themes (including 1 films with the same 6 themes than
Sludge), to have finally
70 suggestions of similar films.
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Sludge, you will probably like those similar films :
, 21minutes
Directed by Sohan RoyGenres DocumentaryThemes Environmental films,
Documentary films about environmental issues,
Documentary films about historical events,
Documentary films about technology,
Disaster filmsRating72%
The Banqiao Dam in China, with its 492 million cubic meters of water, has a similar capacity to the Mullaperiyar Dam, with 443 million cubic meters. When it was destroyed by torrential rains in 1975, it claimed the lives of 250,000 people. This documentary is based on the possibility of a similar disaster happening to the Mullaperiyar Dam in India., 1h30
Directed by Simon HiltonGenres DocumentaryThemes Environmental films,
Seafaring films,
Transport films,
Documentary films about environmental issues,
Documentary films about historical events,
Documentary films about nuclear technology,
Documentary films about technology,
Disaster films,
Films about earthquakesRating81%
The film spans from March 11, 2001 to September 19, 2011, starting with Noland's own experience in the Tōhoku Earthquake and tsunami, Fukushima Daiichi nuclear disaster followed by volunteer activities in Ofunato Genres DocumentaryThemes Environmental films,
Seafaring films,
Transport films,
Documentary films about environmental issues,
Documentary films about historical events,
Documentary films about nuclear technology,
Documentary films about technology,
Disaster films,
Films about earthquakesRating67%
Surviving the Tsunami brings together social, environmental, and personal perspectives of the national catastrophe of the Fukushima nuclear meltdown. In the documentary, Kyoko Miyake travels back to her hometown in Namie, Fukushima, to revisit her old life and assess the trauma still lingering from the disaster. She revisits Namie, her mother's hometown and meets the people who depended on the success of the nuclear plant for their livelihood. The film also follows Bunsei Watanabe and Kyoko Miyake's Aunt Kuniko, two people who hope for the rejuvenation of Namie, despite the disaster that has occurred. Despite having lost family, friends, and jobs due to the meltdown and subsequent fear of the contamination zone, these two individuals are determined to rebuild their towns and neighborhoods and bring back the sense of community they once had. The film follows the residents of Namie, with emphasis on the experiences of Aunt Kuniko, as they come to terms with the reality of living in or near the "radiation zone" left in the wake the plant's nuclear meltdown. Surviving the Tsunami offers a different perspective on Japanese culture, national identity, human adaption, and global nuclear energy and proliferation. , 1h5
Origin FranceGenres DocumentaryThemes Environmental films,
La mondialisation,
Films about the labor movement,
Documentary films about business,
Documentary films about environmental issues,
Documentary films about technology,
Documentaire sur le monde du travail,
Disaster filmsRating75%
Using interviews and overlays of graphics and text, the film presents the current problems facing industrial agriculture. It explores why in the interviewees' view the current industrial model is not up to the task of feeding the world's people. According to the film every calorie of energy contained in a food source currently takes between 10 and 20 calories of crude oil in the production of fertilizers and transportation to produce, leading to a strong dependence of the cost of food on oil prices. As a result of peak oil and increasing oil prices this dependence will lead to ever increasing food prices. According to the film, this dependence already represents a significant weak-spot in the global food supply chain. Additionally, agriculture is already responsible for 40% of greenhouse gas emissions, contributing to climate change. Furthermore, the film argues that the overuse of inorganic fertilizers has been responsible for the loss of soil fertility and threatens the complete loss of usable soil within the next decades through soil erosion and sinking crop yields. These effects, according to the film, can only be partly mitigated by the increased use of those same fertilizers. The loss of workplaces, the concentration of land in the hands of a few (allegedly a farm closes every 23 minutes in France) as well as the dependence on large corporations are enumerated as side effects of the industrialisation of agriculture since the 1920s. Companies, such as Monsanto and Bayer, control everything from seed stock to fertilizers and the necessary chemical mixes for hybrid plants, thereby controlling the entire supply chain. The film argues that this development was supported through subsidies from the World Bank. Interviews with Vandana Shiva, the founder of the Transition Towns movement Rob Hopkins and various agricultural experts serve to argue this viewpoint. The dependence on crude oil is illustrated through the example of the wholesale food market in Rungis., 18minutes
Origin USAGenres DocumentaryThemes Environmental films,
Documentary films about environmental issues,
Documentary films about historical events,
Documentary films about nuclear technology,
Documentary films about technology,
Disaster filmsRating69%
The beginning of the film starts with DeLeo, Bisson and Surkov driving through Kiev. This is introduced as the beginning of their journey to Pripyat, near the ground zero of Chernobyl. Once they reach the outpost outside the exclusion zone, we see that the area surrounding Pripyat is very deserted and dark. Once in the city, we see Surkov's old home, which he explains has been robbed of almost all its belongings due to looters. Yet there are still some mementos in the old apartment, including the wallpaper he and his mother put up, the training bars his father bought for him, an old rubber ball he claims was his favorite and a white horse poster plastered on the wall of his old bedroom. The pain he feels is evident. When he sees an old calendar on a door, he rips a large portion off, claiming "the year ended on April 26th". Outside the door of the apartment, he remarks how he wishes he could stay forever. He throws his old ball through the door and walks out of the apartment complex. The film ends with Surkov snapping some twigs in an old courtyard and then an image of the car they traveled in leaving the exclusion zone.