Stade 81 (also known as Starting Blocks) is a 1981 documentary short film written and directed by Jaco Van Dormael. The short film was shot in 1981 in Sweden, Canada and United Kingdom. Stade 81 is a documentary about the first Special Olympics. The film received various awards, including the Caducee d'Or at the 1982 Rennes International Film Festival. In 2011, it appeared at the Sottodiciotto Filmfestival held in Turin in the retrospective dedicated to Van Dormael.
There are 8 films with the same director, 8971 with the same cinematographic genres, 4182 films with the same themes (including 21 films with the same 3 themes than Stade 81), to have finally 70 suggestions of similar films.
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, 2h22 Directed byRomolo Marcellini GenresDocumentary ThemesSports films, Documentary films about sports, Films about the Olympic Games ActorsBing Crosby Rating67% 142 minutes of the film speak of events and athletes that have characterized the 1960 Summer Olympics in Rome. From the absolute protagonist Wilma Rudolph, called the black gazelle, to Livio Berruti, the first white to win the 200 meters, to the deeds of Ethiopian marathon runner Abebe Bikila, who won the marathon racing barefoot.
Directed byMatt Norman GenresDocumentary ThemesSports films, Documentary films about sports, Films about the Olympic Games, Documentary films about historical events Rating75% The film provides an insight into an incident at the 1968 Summer Olympics which saw two United States athletes, Tommie Smith and John Carlos, give the black power salute from the victory dais after the 200 metres final. The film focuses on the third man on the dias, silver medal winner Peter Norman, who showed his support for Smith and Carlos by donning an "Olympic Project for Human Rights" (OPHR) badge on his way to the podium. It was also Norman who suggested to Smith and Carlos that they share the black gloves used in their salute, after Carlos had left his gloves in the Olympic Village. This is the reason for Smith raising his right fist, while Carlos raised his left. Asked later about his support of Smith and Carlos' cause by the world's press, Norman said he opposed his country's government's White Australia policy.