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Suggestions of similar film to Statues Also Die
There are 13 films with the same actors, 67 films with the same director, 8961 with the same cinematographic genres, 9766 films with the same themes (including 22 films with the same 7 themes than
Statues Also Die), to have finally
70 suggestions of similar films.
If you liked
Statues Also Die, you will probably like those similar films :
, 32minutes
Directed by Alain ResnaisOrigin FranceGenres War,
Documentary,
HistoricalThemes Films about racism,
Films about religion,
Documentary films about racism,
Documentary films about law,
Documentary films about war,
Documentary films about historical events,
Documentaire sur une personnalité,
Documentary films about religion,
Political films,
Films about Jews and Judaism,
Documentary films about World War IIActors Michel BouquetRating85%
Night and Fog is a documentary that alternates between past and present and features both black-and-white and color footage. The first part of Night and Fog shows remnants of Auschwitz while the narrator Michel Bouquet describes the rise of Nazi ideology. The film continues with comparisons of the life of the Schutzstaffel to the starving prisoners in the camps. Bouquet then addresses the sadism inflicted upon the doomed inmates, including torture, scientific and medical "experiments", executions, and prostitution. The next section is shown completely in black-and-white, and depicts images of gas chambers and piles of bodies. The final topic of the film depicts the liberation of the country, the discovery of the horror of the camps, and the questioning of who was responsible for them., 4h
Directed by Chris MarkerOrigin FranceGenres War,
Documentary,
HistoricalThemes Politique,
Documentary films about politics,
Political filmsActors Yves Montand,
François Périer,
Jorge Semprún,
Simone SignoretRating78%
The film features many interviews with French communist leaders, students, and sociologists. The Prague Spring of 1968 is featured, with footage of a Fidel Castro speech in which he explains his political support for the Soviet invasion of Czechoslovakia while questioning the legality of the action. Other sections deal with the rise of Salvador Allende, Minamata poisoning in Japan, and the Watergate Scandal in the US. There are many subtle references to cats throughout the film, as well as brief shots of raccoons., 43minutes
Directed by Chris MarkerOrigin FranceGenres DocumentaryThemes Films about the labor movement,
Documentary films about politics,
Documentaire sur le monde du travail,
Political filmsRating68%
Le film relate la grève dans l'usine de textiles Rhodiacéta de Besançon, en mars 1967, au travers des témoignages des ouvriers sur leurs conditions de travail et motivations. Cette grève a pris un aspect particulier de par l'assimilation du plan culturel du plan social : les revendications ne tournent plus seulement autour de l'entreprise (salaires ou sécurité de l’emploi), mais aussi sur le mode de vie que la société imposait notamment à la classe ouvrière. Les ouvriers grévistes qui occupent l'usine ont à leur disposition du matériel pour filmer les événements, grâce à Chris Marker, Jean-Luc Godard ainsi que Bruno Muel. Comme le Mai rampant italien, cette grève est une sorte d'avant-coureur de la vague de fond de mai 68., 1h56
Directed by Claude Lelouch,
Chris Marker,
Alain Resnais,
Joris Ivens,
Jean-Luc Godard,
Agnès Varda,
William KleinOrigin FranceGenres Drama,
War,
DocumentaryThemes French war films,
Politique,
Documentary films about war,
Documentary films about historical events,
Political filmsActors Bernard Fresson,
Karen Blanguernon,
Jean-Luc Godard,
Maurice Garrel,
Marie-France Mignal,
Agnès VardaRating72%
Sept façons différentes de présenter les armées nord-vietnamiennes en pleine guerre contre les Etats-Unis. Un conflit opposant les riches aux pauvres sur fond d'indignation ou parfois d'indifférence de la part de l'opinion publique mondiale., 1h46
Directed by Chris MarkerOrigin FranceGenres Science fiction,
War,
Documentary,
RomanceThemes Films about computing,
Jeu,
Documentary films about war,
Documentary films about historical events,
Films about video games,
Cyberpunk films,
AnticipationActors Catherine Belkhodja,
Chris Marker,
Nagisa ŌshimaRating69%
Kenji Tokitsu, expert en sports de combat et auteur de la Voix du do, et Nagisa Oshima, cinéaste, sont interviewés. (partie documentaire du film)., 1h40
Directed by Chris MarkerOrigin FranceGenres Science fiction,
DocumentaryThemes Films set in Africa,
Seafaring films,
Transport filmsActors Florence Delay,
Arielle Dombasle,
Kim Novak,
James Stewart,
Charlotte Kerr,
Alexandra StewartRating76%
Le film est construit autour du discours d'un cameraman fictif, Sandor Krasna, rédacteur de lettres lues tout au long du film par Florence Delay. Dans ses écrits, il va traiter successivement du temps, de la mémoire, de la fragilité humaine face aux séismes du Japon ou encore face à la famine, menace constante au Cap Vert ou en Guinée-Bissau. Le cinéaste voyage alors aux « deux pôles extrêmes de la survie » tel qu'il le dit lui-même. Il montrera non pas les difficultés pour ces sociétés à s'en sortir, mais plutôt leur façon de vivre et d'exister au-delà de ce qui peut leur coûter la vie. Car comme il l'annonce : « Moi, ce que je veux vous montrer, ce sont les fêtes de quartier »., 28minutes
Directed by Chris MarkerOrigin FranceGenres Science fiction,
Fantastic,
RomanceThemes Post-apocalyptic films,
Films about religion,
Transport films,
Time travel films,
Transport en Île-de-France,
Films set in the future,
Political films,
Dystopian films,
Alternate history films,
Arme nucléaire,
Disaster films,
PhotographieActors Jean Négroni,
Hélène Châtelain,
William Klein,
André Heinrich,
Ligia BraniceRating81%
A man (Davos Hanich) is a prisoner in the aftermath of World War III in post-apocalyptic Paris where survivors live underground in the Palais de Chaillot galleries. Scientists research time travel, hoping to send test subjects to different time periods "to call past and future to the rescue of the present". They have difficulty finding subjects who can mentally withstand the shock of time travel. The scientists eventually settle upon the prisoner; his key to the past is a vague but obsessive memory from his pre-war childhood of a woman (Hélène Chatelain) he had seen on the observation platform ("the jetty") at Orly Airport shortly before witnessing a startling incident there. He had not understood exactly what happened but knew he had seen a man die., 1h27
Directed by Jacques Doillon,
Alain Resnais,
Jean RouchOrigin FranceGenres Comedy,
ActionThemes Films about anarchism,
Politique,
Political films,
Histoire de FranceActors Daniel Auteuil,
Josiane Balasko,
Romain Bouteille,
Isabelle de Botton,
Madeleine Bouchez,
Christian ClavierRating62%
The film narrates a utopian abandonment, consensual and festive of the market economy and high productivity. The population decides on a number of resolutions beginning with "We stop everything" and the second "After a total downtime will be revived—reluctantly—that the services and products including lack will prove intolerable. Probably: water to drink, electricity for reading at night, the TSF to say "This is not the end of the world, this is an 01, and now a page of Celestial Mechanics". The implementation of these resolutions is the first day of a new era, Year 01. The Year 01 is emblematic of the challenge of the 1970s and covers such diverse topics as ecology, negation of authority, free love, communal living, rejection of private property and labor., 1h31
Directed by Alain Resnais,
Jean LéonOrigin FranceGenres Drama,
Historical,
RomanceThemes Seafaring films,
Transport films,
Aviation films,
Political films,
Arme nucléaireActors Emmanuelle Riva,
Eiji Okada,
Bernard FressonRating77%
Hiroshima mon amour concerns a series of conversations (or one enormous conversation) over a 36-hour long period between a French actress (Emmanuelle Riva), referred to as She, and a Japanese architect (Eiji Okada), referred to as He. They have had a brief relationship, and are now separating. The two debate memory and forgetfulness as She prepares to depart, comparing failed relationships with the bombing of Hiroshima and the perspectives of people inside and outside the incidents. The early part of the film recounts, in the style of a documentary but narrated by the so far unidentified characters, the effects of the Hiroshima bomb on August 6, 1945, in particular the loss of hair and the complete anonymity of the remains of some victims. He had been conscripted into the Japanese army and his family was in Hiroshima on that day.