Stolen is a 2009 Australian documentary film that uncovers slavery in the Sahrawi refugee camps controlled by the Polisario Front located in Algeria and in the disputed territory of Western Sahara controlled by Morocco, written and directed by Violeta Ayala and Dan Fallshaw. It had its world premiere at the 2009 Sydney Film Festival, where a controversy started after one of the participants in the documentary, Fetim, a black Sahrawi, was flown to Australia by the Polisario Liberation Front to say she wasn't a slave. The POLISARIO, avowing that it doesn’t condone slavery and needing to safeguard its image on the world stage to support its independence fight, began an international campaign against the film. It put out its own video denouncing Stolen, in which several people who Ayala and Fallshaw interviewed say they were coerced or paid by the Australian duo. On May the 2nd 2007, while filming in the refugee camps Ayala and Fallshaw were detained by the Polisario Front and Minurso and the Australian ministry of foreign affairs negotiated their release. "The Polisario Front officials criticised the interest the two journalists took in black members of the Sahrawi population, Reporters Without Borders has learned. Ayala told the press freedom organisation that she saw cases of enslavement. “The fact that they are fighting for their independence does not mean that Polisario’s leaders can allow themselves to commit such human rights violations,” she said. “It is our duty as journalists to denounce such practices. We originally went there to work on the problem of separated families. But during our stay, we witnessed scenes of slavery.”
In 2008 Human Rights Watch published a report confirming that vestiges of slavery still affects the black minority in the Polisario refugee camps and in Western Sahara, the report included a manumission document signed by the POLISARIO’s Ministry of Religious and Cultural Affairs.
Stolen has screened in more than 80 film festivals worldwide including 2009 Toronto International Film Festival, IDFA, Seattle IFF, Stranger Than Fiction, Glasgow Film Festival, MIFF, One World Film Festival, Docaviv, It's All True, Singapore IFF, Cleveland IFF, Norwegian Short Film Festival, Frontline Club Liberation Season, and Amnesty International Film Festival.
Stolen television premiere on PBS World as part of the Afropop Series hosted by Academy Award nominee actress Gabourey Sidibe was initially scheduled for February 5, 2013. Due to the controversy around the film, the broadcast was pushed back. "There’s been significant pressure placed on PBS to not show "Stolen" from US-based lobbyists (US law firm Foley Hoag have been paid the best part of $1,000,000 annually by the Algerian government since 2007 to lobby in the US on issues related to Western Sahara) for the Algerian government, who back the Polisario. It was this pressure on PBS that prompted WGBH to carry out their own investigation and present the "Stolen" two-hour special".
Stolen premiered nationwide on February 26 on PBS, 2013 with a special report carried by journalist Phillip Martin that included an interview led by WGBH journalist Callie Crossley with the directors, followed by a panel discussion whether slavery exists in Western Sahara with Eric Goldstein (Deputy Director, Middle East and North Africa Division Human Rights Watch), Madeline Campbell (Professor of Urban Studies, Worcester State University) and Bakary Tandia (Mauritanian Anti-Slavery Activist).
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, 1h26 OriginUSA GenresDocumentary, Historical ThemesFilms about slavery, Films about racism, Documentary films about racism, Documentary films about law, Documentary films about historical events, Documentaire sur une personnalité Rating68% The film focuses on the descendants of the DeWolf family, a prominent slave trading family from Rhode Island from 1769 to 1820, and the legacy of the slave trade in the North of the United States. The film follows ten family members as they retrace the triangle trade starting at Linden Place in Bristol, Rhode Island, the hometown of the DeWolfs. The family has been prominent in local businesses and banking, as academics, in the local Episcopal and other institutions, and organizing the Bristol Fourth of July Parade. The film goes with the family to Ghana, where the slaves were purchased and where they meet with current residents, and to Cuba, where James DeWolf owned three sugar and coffee plantations in the 19th century.
Paths of lives are crossed in one village in the West Bank. Along the broken water pipelines, villagers walk on their courses towards an indefinite future. Israel that controls the water, supplies only a small amount of water, and when the water streams are not certain nothing can evolve. The control over the water pressure not only dominates every aspect of life but also dominates the spirit. Bil-in, without spring water, is one of the first villages of the West Bank where a modern water infrastructure was set up. Many villagers took it as a sign of progress, others as a source of bitterness. The pipe-water was used to influence the people so they would co-operate with Israel’s intelligence. The rip tore down the village. Returning to the ancient technique of collecting rainwater-using pits could be the villagers’ way to express independence but the relations between people will doubtfully be healed.
This movie depicts Frantz Fanon's life. A psychiatrist from Martinique, he became a spokesman for the anti-colonialist struggle. In 1952, Frantz Fanon wrote Black Skin, White Masks, an analysis of racism and the ways in which its victims internalize it. In the 50s, he aided the rebels of the Algerian anti-colonial war. Expelled from Algeria in 1956, he moved to Tunis, Tunisia, where he wrote for the rebel newspaper El Moudjahid, founded one of Africa's first psychiatric clinics and wrote several books on decolonization. He died from leukemia in Washington, D.C., at the age of 36.