The Arm Behind the Army is a propaganda film produced by the US Army Signal Corps in 1942 to encourage the home front to participate in war production.
The film begins with a short outline of American military history, noting that each war has advanced military technology a little further, from the muskets of 1776, to the tanks and airplanes of the First World War. The various arms of the US Army are introduced: infantry, artillery, air corps, signal corps. These are Uncle Sam's fist, the narrator notes, and behind it is American labor "Uncle Sam's muscle" the arm behind the army.
The narrator notes "Behind the desks, behind the drawing board, behind the benches, on the assembly lines, American industry is making the greatest production effort in history to supply our armed forces with the weapons of war."
The film briefly explains how dissention among Austrian and Czech management and labor led to the ruin of both, and how French factories were left idle while France fell. It noted the terrible working conditions in Axis-occupied territory, the coerced labor, the ending of old-age benefits, unions and "all the advances that labor every made." The film ends with a picture of a soldier and a picture of an industrial worker superimposed on a battlefield, noting that wherever the soldier is, the worker is there too.
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, 45minutes Directed byJohn Huston OriginUSA GenresWar, Documentary, Historical ThemesPolitique, Documentary films about war, Documentary films about historical events, Political films, Documentary films about World War II, United States Armed Forces in films ActorsJohn Huston, Walter Huston Rating63% Cette contribution à l'effort de guerre américain, réalisée en Technicolor, est une sorte de poème impressionniste faisant une description minutieuse de la position géographique des lieux et surtout des conditions de vie des soldats. Avec une équipe du Signal Corp., Huston se rendit pendant l'automne et l'hiver 1942 dans les îles Aléoutiennes, point de départ des raids américains sur les bases japonaises de Attu et de Kiska. C'était un archipel balayé par des tempêtes continuelles dont les images donnent une vision terrifiante des conditions de vie des soldats et d'atterrissage des avions. Par cette description humaine, Huston montre sa profonde admiration, non pour la guerre en elle-même mais pour le courage des hommes qui y étaient mêlés.