The Artist and the City (Portuguese: O Pintor e a Cidade) is a 1956 short Portuguese documentary film directed by Manoel de Oliveira. The film shows a series of watercolor paintings by Portuguese artist António Cruz of what he sees while walking through different parts of the city of Porto. It was the first color film directed by Oliveira.
Suggestions of similar film to The Artist and the City
There are 36 films with the same director, 8968 with the same cinematographic genres, 2806 films with the same themes (including 3 films with the same 3 themes than The Artist and the City), to have finally 70 suggestions of similar films.
If you liked The Artist and the City, you will probably like those similar films :
, 18minutes Directed byManoel de Oliveira OriginPortugal GenresDocumentary ThemesDocumentary films about cities Rating71% Les pénibles activités quotidiennes sur les quais du fleuve Douro, lors de son passage à travers la ville de Porto : chargements, déchargements, circulation, vente de poissons...
, 1h18 OriginUSA GenresDocumentary ThemesDocumentary films about the visual arts, Documentaire sur une personnalité, Documentary films about cities Rating74% In a Dream is a documentary about Philadelphia-based artist Isaiah Zagar that was filmed and directed by his son, Jeremiah. Isaiah is famous for his complex, highly detailed mosaics, which cover 50,000 square feet (4,600 m) of South Philly with elaborate designs made from tiles and mirror pieces. These mosaics chronicle his relationship with his wife, Julia, and make him a dominant figure in the city’s arts scene. Zagar reveals many personal details of his life during the film, including revelations about his childhood and the existence of an adulterous relationship that threatens to tear his family apart.
, 1h34 Directed byManoel de Oliveira OriginPortugal GenresDrama, Documentary Rating70% The inhabitants of Curalha, a small village in western Portugal, perform the Passion of Jesus every year according to text from about the 16th century, a tradition upon which Oliveira stumbled during the production of a film in 1963. The film is also remembered for "a furious apocalyptic montage that links Christ's death to the violence and lunacy of the Vietnam era".