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Suggestions of similar film to The Bell of Chornobyl
There are 8965 with the same cinematographic genres, 4136 films with the same themes (including 8 films with the same 6 themes than
The Bell of Chornobyl), to have finally
70 suggestions of similar films.
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The Bell of Chornobyl, you will probably like those similar films :
, 1h20
Directed by Carlos RodríguezGenres DocumentaryThemes Environmental films,
Documentary films about environmental issues,
Documentary films about historical events,
Documentary films about nuclear technology,
Documentary films about technology,
Disaster filmsRating63%
The Spanish film crew led by Carlos Rodriguez is following the life stories of three children - Lidia Pidvalna, Anastasia Pavlenko, and Andriy Kovalchuk - whose lives were drastically changed after an explosion at the Chernobyl Nuclear Power Station on April 26, 1986. Through the documentary, the children and their families "living perilously close to the exclusion zone around the destroyed station recount their fears, dreams, fantasies, and hopes for the future." Each child holds a "Chernobyl certificate" which bestows access to government grants and aid and is a gruesome reminder of their existential reality., 1h30
Directed by Simon HiltonGenres DocumentaryThemes Environmental films,
Seafaring films,
Transport films,
Documentary films about environmental issues,
Documentary films about historical events,
Documentary films about nuclear technology,
Documentary films about technology,
Disaster films,
Films about earthquakesRating81%
The film spans from March 11, 2001 to September 19, 2011, starting with Noland's own experience in the Tōhoku Earthquake and tsunami, Fukushima Daiichi nuclear disaster followed by volunteer activities in Ofunato , 18minutes
Origin USAGenres DocumentaryThemes Environmental films,
Documentary films about environmental issues,
Documentary films about historical events,
Documentary films about nuclear technology,
Documentary films about technology,
Disaster filmsRating69%
The beginning of the film starts with DeLeo, Bisson and Surkov driving through Kiev. This is introduced as the beginning of their journey to Pripyat, near the ground zero of Chernobyl. Once they reach the outpost outside the exclusion zone, we see that the area surrounding Pripyat is very deserted and dark. Once in the city, we see Surkov's old home, which he explains has been robbed of almost all its belongings due to looters. Yet there are still some mementos in the old apartment, including the wallpaper he and his mother put up, the training bars his father bought for him, an old rubber ball he claims was his favorite and a white horse poster plastered on the wall of his old bedroom. The pain he feels is evident. When he sees an old calendar on a door, he rips a large portion off, claiming "the year ended on April 26th". Outside the door of the apartment, he remarks how he wishes he could stay forever. He throws his old ball through the door and walks out of the apartment complex. The film ends with Surkov snapping some twigs in an old courtyard and then an image of the car they traveled in leaving the exclusion zone., 30minutes
Origin UkraineGenres Documentary,
HistoricalThemes Environmental films,
Documentary films about environmental issues,
Documentary films about historical events,
Documentary films about nuclear technology,
Documentary films about technology,
Disaster filmsRating74%
Twenty-five years have passed since Valeriy Starodumov worked as a dosimeter scout in September 1986. Valeriy worked at the epicenter of the explosion, the reactor's operation area, which was the most radioactive part of the site. The protagonist, a direct participant in the operation, went to the roof himself and brought people there after a failed attempt to clear the area with robots. At the government level, it was decided to assign soldiers and cadets of military schools to the task of cleaning the roofs. Unique pictures of the events of 1986 are widely used in the film. "Chernobyl.3828" is dedicated to people who saved the world from the radioactive contamination at the cost of their health and life.Genres DocumentaryThemes Environmental films,
Seafaring films,
Transport films,
Documentary films about environmental issues,
Documentary films about historical events,
Documentary films about nuclear technology,
Documentary films about technology,
Disaster films,
Films about earthquakesRating67%
Surviving the Tsunami brings together social, environmental, and personal perspectives of the national catastrophe of the Fukushima nuclear meltdown. In the documentary, Kyoko Miyake travels back to her hometown in Namie, Fukushima, to revisit her old life and assess the trauma still lingering from the disaster. She revisits Namie, her mother's hometown and meets the people who depended on the success of the nuclear plant for their livelihood. The film also follows Bunsei Watanabe and Kyoko Miyake's Aunt Kuniko, two people who hope for the rejuvenation of Namie, despite the disaster that has occurred. Despite having lost family, friends, and jobs due to the meltdown and subsequent fear of the contamination zone, these two individuals are determined to rebuild their towns and neighborhoods and bring back the sense of community they once had. The film follows the residents of Namie, with emphasis on the experiences of Aunt Kuniko, as they come to terms with the reality of living in or near the "radiation zone" left in the wake the plant's nuclear meltdown. Surviving the Tsunami offers a different perspective on Japanese culture, national identity, human adaption, and global nuclear energy and proliferation. , 1h35
Directed by Errol MorrisOrigin USAGenres War,
Documentary,
HistoricalThemes Environmental films,
Documentary films about environmental issues,
Documentary films about war,
Documentary films about historical events,
Documentary films about nuclear technology,
Documentary films about technology,
Political filmsActors Errol MorrisRating80%
The overall plot of the film focuses on the interviews of former Secretary of defense, Robert McNamara, who was interviewed for about 20 hours by the director of the documentary, Errol Morris, through a special device called the "Interrotron" which projects images of interviewer and interviewee on two-way mirrors in front of their respective cameras so each appears to be talking directly to the other. Use of this device is intended to convey actual interaction with each other and direct eye contact with the viewer.