The Clock is an art installation by video artist Christian Marclay. It is a looped 24-hour montage that functions as a clock. Its scenes are selected from cinema and television history, with real-time references to the time of day.
Marclay developed the idea for The Clock while working on his 2005 piece Screen Play. With the support of the White Cube gallery, he assembled a team to find footage, which he edited together over the course of three years. Marclay debuted The Clock at White Cube's London gallery in 2010. The work garnered critical praise, winning the Golden Lion at the 2011 Venice Biennale. Its six editions were purchased by major museums, allowing it to attract a widespread following.
, 43minutes OriginCanada GenresDocumentary ThemesTransport films, Documentary films about historical events, Documentary films about technology ActorsLeonardo DiCaprio Rating75% Mai 2009 : La navette Atlantis, avec à son bord sept astronautes part pour une mission de réparation et de mise à niveau du télescope spatial Hubble. D'une durée de 13 jours, cette mission permet l'installation d'une caméra à grand champ (WFC-3) et d'un spectrographe des origines cosmiques (COS) ; la réparation des instruments ACS et de l'instrument STIS ; ainsi que le remplacement des batteries, gyroscopes et de l'instrument FGS. À bord de l'appareil, une caméra IMAX 3D a permis à l'équipe de filmer la mission.
, 4h Directed byBruce Beresford OriginUSA GenresDrama, Documentary, Crime ThemesGangster films ActorsEmile Hirsch, Holliday Grainger, Dale Dickey, William Hurt, Sarah Hyland, Holly Hunter Rating64% The two-part TV movie is based on the true story of Clyde Barrow and Bonnie Parker. Barrow, a charismatic convicted armed robber, sweeps Parker – a young and impressionable, petite, small-town waitress, who is already married – off her feet. In the early 1930s, the two embark on one of the most infamous crime sprees in American history.
, 1h27 GenresDocumentary ThemesMedical-themed films, Documentary films about health care, Political films, HIV/AIDS in film ActorsWilliam Hurt Rating76% The film is set in the late 90s and early 2000s. The director describes how protective patent laws enabled Western pharmaceutical companies to make antiretroviral drugs so costly that only the rich could afford them. This action claimed the lives of more than ten million AIDS sufferers in Africa and the global south.