Search a film or person :
FacebookConnectionRegistration
The Great Resistance is a quebecois film of genre Documentary directed by Denys Desjardins

The Great Resistance (2007)

The Great Resistance
If you like this film, let us know!
  • Infos
  • Casting
  • Technical infos
  • Photos
  • Videos
  • Film quotes
  • Characters
  • Music
  • Awards

The Great Resistance (French: Au pays des colons) is a 2007 documentary by Quebec film director Denys Desjardins. This length feature is produced by the National Film Board of Canada (NFB).

Synopsis

In the 1930s, in the throes of the Great Depression, the government of Quebec relocated more than 80,000 citizens to found a new settlement in the virgin forests of Quebec’s Abitibi region. After enduring backbreaking work to clear the land, however, many left, seeking a better life in the city or as labourers for the large corporations that had come to exploit the North’s valuable resources. The Lalancette family, however, have persisted in forging their future on the land from one generation to the next, earning their keep from farming, and defying the constraints of globalization and the mining and forestry companies that control the area. Revisiting the heritage of Quebec filmmakers who documented Abitibi, following in the footsteps of Pierre Perrault, among others, this documentary traces a defining chapter of Quebec history and raises fundamental questions about regional development.

Trailer of The Great Resistance

Bluray, DVD

Streaming / VOD

Source : Wikidata

Comments


Leave comment :

Suggestions of similar film to The Great Resistance

There are 13 films with the same director, 8957 with the same cinematographic genres, 1934 films with the same themes (including 16 films with the same 5 themes than The Great Resistance), to have finally 70 suggestions of similar films.

If you liked The Great Resistance, you will probably like those similar films :
Boris Lehman, filmmaker, 23minutes
Directed by Denys Desjardins
Origin Quebec
Genres Documentary
Themes Documentary films about business, Documentary films about the film industry, Documentaire sur une personnalité
Actors Gérard Courant, Dominique Noguez

Coined one of the most intimate and obstinate filmmakers in Belgium, Boris Lehman acts in, directs, produces, and distributes his films, single-handedly incarnating the essence of a creator who manages to survive on the fringes of his industry. From Brussels to Paris, friends, filmmakers, critics, and crew offer their understanding of a man for whom life is a reason to film, and film, a reason to live.
My Eye for a Camera, 1h15
Directed by Denys Desjardins
Origin Canada
Genres Documentary
Themes Films about films, Documentary films about business, Documentary films about the film industry, Documentaire sur une personnalité, Autobiographical documentary films
Actors Jacques Leduc

Fascinated by the power of the camera and obsessed with the theories of Russian film pioneer Dziga Vertov, a filmmaker decides to get a camera eye to replace the real eye he lost as a child. This visionary quest begins on the operating table where a surgeon grafts a prototype ocular implant into his eye socket. Seeking a microscopic camera that could be incorporated into his artificial eye so he could secretly film whatever he sees, the filmmaker explores the futuristic technology that could make this possible, while revisiting chapters of his own past.
Live Before the Letter, 50minutes
Directed by Denys Desjardins
Origin Quebec
Genres Documentary
Themes Films about films, Documentary films about business, Documentary films about the film industry, Documentaire sur une personnalité
Actors Denys Arcand, Roman Kroitor, Roger Blais, Michel Brault, Marcel Carrière, Fernand Dansereau
Rating64% 3.2314353.2314353.2314353.2314353.231435
Where does cinéma vérité come from? Who were its predecessors and what did they create? Compelled by the urge to get closer to the people in front of the camera, cinema vérité sprouted in a context of unprecedented creative freedom. Avant-garde techniques and the pioneering filmmakers behind them, notably National Film Board of Canada icon Michel Brault, set the stage for a new movie-making philosophy born in the ‘50s and ‘60s, a philosophy whose influence lives on in virtually every facet of today’s media.
From NFB to Box-Office, 1h35
Directed by Denys Desjardins
Origin Quebec
Genres Documentary
Themes Films about films, Documentary films about business, Documentary films about the film industry
Actors Denys Arcand, Paule Baillargeon, Roger Blais, Michel Brault, Marcel Carrière, Fernand Dansereau

Partant de la fondation de l’Office national du film du Canada en 1939, ce film met en valeur le travail des artisans du cinéma qui cherchent à réaliser des longs métrages de fiction à l’intérieur de cette institution
The Private Life of Cinema, 4h
Directed by Denys Desjardins
Origin Quebec
Genres Documentary
Themes Films about films, Documentary films about business, Documentary films about the film industry
Actors Denys Arcand, Paule Baillargeon, Roger Blais, Michel Brault, Marcel Carrière, Fernand Dansereau

An in-depth two part exploration of the evolution of the private film industry, through the eyes of more than 50 industry professionals. Part one : Artists and professionals from both social and commercial cinema tell the story of the struggle to build a private but Statefunded film industry. Part two : Managers, politicians and professionals talk about the origins of the majors funding institutions and discuss the perverse effects of building a cultural industry on the basis of performance metrics, revenues and private profits.
Voices of Transition, 1h5
Origin France
Genres Documentary
Themes Environmental films, La mondialisation, Films about the labor movement, Documentary films about business, Documentary films about environmental issues, Documentary films about technology, Documentaire sur le monde du travail, Disaster films
Rating75% 3.788443.788443.788443.788443.78844
Using interviews and overlays of graphics and text, the film presents the current problems facing industrial agriculture. It explores why in the interviewees' view the current industrial model is not up to the task of feeding the world's people. According to the film every calorie of energy contained in a food source currently takes between 10 and 20 calories of crude oil in the production of fertilizers and transportation to produce, leading to a strong dependence of the cost of food on oil prices. As a result of peak oil and increasing oil prices this dependence will lead to ever increasing food prices. According to the film, this dependence already represents a significant weak-spot in the global food supply chain. Additionally, agriculture is already responsible for 40% of greenhouse gas emissions, contributing to climate change. Furthermore, the film argues that the overuse of inorganic fertilizers has been responsible for the loss of soil fertility and threatens the complete loss of usable soil within the next decades through soil erosion and sinking crop yields. These effects, according to the film, can only be partly mitigated by the increased use of those same fertilizers. The loss of workplaces, the concentration of land in the hands of a few (allegedly a farm closes every 23 minutes in France) as well as the dependence on large corporations are enumerated as side effects of the industrialisation of agriculture since the 1920s. Companies, such as Monsanto and Bayer, control everything from seed stock to fertilizers and the necessary chemical mixes for hybrid plants, thereby controlling the entire supply chain. The film argues that this development was supported through subsidies from the World Bank. Interviews with Vandana Shiva, the founder of the Transition Towns movement Rob Hopkins and various agricultural experts serve to argue this viewpoint. The dependence on crude oil is illustrated through the example of the wholesale food market in Rungis.
Food Beware: The French Organic Revolution, 1h52
Directed by Jean-Paul Jaud
Origin France
Genres Documentary
Themes Cooking films, Environmental films, Films about the labor movement, Documentaire sur la cuisine, Documentary films about business, Documentary films about environmental issues, Documentaire sur la malbouffe, Documentary films about health care, Documentaire sur le monde du travail, Documentary films about nature
Rating67% 3.366413.366413.366413.366413.36641
Our Children Will Accuse Us tells the story of an initiative in Barjac, a commune located in the Gard department in southern France, that decided to introduce organic produce into the town's school cafeteria. The film depicts without concessions the environmental tragedy which threatens the young generation: the poisoning of our country sides by agricultural pesticides (76 000 tons of pesticides used each year in France) and the harm caused to public health and safety.
We Feed the World, 1h36
Directed by Erwin Wagenhofer
Origin Austria
Genres Documentary
Themes Cooking films, Environmental films, La mondialisation, Films about the labor movement, Documentaire sur la cuisine, Documentary films about business, Documentaire sur l'altermondialisme, Documentary films about environmental issues, Documentaire sur la malbouffe, Documentaire sur le monde paysan, Documentary films about health care, Documentaire sur le monde du travail
Rating74% 3.7436653.7436653.7436653.7436653.743665
Avec We Feed the World, le documentariste Erwin Wagenhofer propose aux spectateurs un regard sur l'agriculture mondiale moderne. En passant par la Roumanie, l'Autriche, le Brésil, la France et l'Espagne, son enquête se focalise sur la manière dont est fabriqué ce qui arrive dans notre assiette. Il montre que la domination du Nord sur le Sud est prégnante. Comment est-il possible qu'en Afrique l'on achète des produits européens ou asiatiques comme le poulet thaïlandais ? Le réalisateur présente une face peu connue de la mondialisation : en achetant un poulet industriel, on contribue au défrichement de l'Amazonie car le Brésil déforeste pour cultiver le soja qui sert à nourrir les volailles élevées en batterie (90 % de la production de soja du Brésil est exportée). Le documentaire souligne également la différence entre industrie agroalimentaire et petite exploitation. We Feed the World adopte un style « coup de poing » visant à éveiller les consciences.