The Men Who Lost China is a documentary film created by Mitch Anderson. Released in 2013, the documentary explores the United States' attitude towards China following the 1911 Chinese Revolution and the First World War, and how this and the attitude of other Western nations at the time helped shape China's national identity and in particular, its foreign policy and alignment with the former Soviet Union.
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The documentary opens with scenes of the violence at the event, depicting fighting between protesters and Jewish students attempting to enter the venue. This is followed by an interview with student Samir Elitrosh, a leader of the Solidarity for Palestinian Human Rights and the leader of anti-Israel violence who was later suspended. It also features interviews with Concordia's Hillel president Yoni Petel and Concordia rector Frederick Lowy, and concludes with a discussion of what it sees as the growing trend of anti-Israel activities on North American campuses.
, 30minutes Directed byChris Marker, Alain Resnais OriginFrance GenresDocumentary ThemesFilms set in Africa, Films about racism, Documentary films about racism, Documentary films about law, Documentary films about historical events, Documentary films about politics, Political films ActorsJean Négroni Rating74% The film exhibits a series of sculptures, masks and other traditional art from Sub-Saharan Africa. The images are frequently set to music and cut to the music's pace. The narrator focuses on the emotional qualities of the objects, and discusses the perception of African sculptures from a historical and contemporary European perspective. Only occasionally does the film provide the geographical origin, time period or other contextual information about the objects. The idea of a dead statue is explained as a statue which has lost its original significance and become reduced to a museum object, similarly to a dead person who can be found in history books. Interweaved with the objects are a few scenes of Africans performing traditional music and dances, as well as the death of a disemboweled gorilla.
OriginUnited-kingdom GenresDocumentary ThemesDocumentary films about historical events, Documentary films about politics, Political films ActorsVasile Albineț, Martin Hancock, Jan Pearson, Jonny Phillips, Ed Stoppard Rating73% In 1794, French revolutionary Maximilien Robespierre produced the world's first defense of "state terror" - claiming that the road to virtue lay through political violence. This film combines drama, archive and documentary interviews to examine Robespierre's year in charge of the Committee of Public Safety - the powerful state machine at the heart of Revolutionary France. Contesting Robespierre's legacy is Slavoj Žižek, who argues that terror in the cause of virtue is justifiable, and Simon Schama, who believes the road from Robespierre ran straight to the gulag and the 20th-century concentration camp. The drama, based on original sources, follows the life-and-death politics of the Committee during "Year Two" of the new Republic. It was a year which gave birth to key features of the modern age: the thought crime; the belief that calculated acts of violence can perfect humanity; the notion that the interests of "mankind" can be placed above those of "man"; the use of policemen to enforce morals; and the use of denunciation as a political tool.
Ten years after shooting Kafi's Story British filmmaker Arthur Howes reentered in Sudan clandestinely to find out what had happened to the Nuba peoples of Torogi.
, 1h25 OriginUSA GenresDocumentary, Historical ThemesSports films, Documentary films about sports, Ice hockey films, Documentary films about war, Documentary films about historical events, Documentary films about politics, Political films, Sports d'hiver Rating75% Dans une première partie Red Army traite du recrutement et de la formation des joueurs professionnels de hockey sur glace durant l'ère soviétique. Puis il suit l'histoire de l'équipe nationale dans les années 1980 à travers le parcours des cinq joueurs vedettes de l'époque avec une emphase sur la carrière de Viatcheslav Fetissov le joueur le plus célèbre de cette formation. Tous ces joueurs faisaient partie du club Armée Rouge de Moscou rattaché à l'Armée soviétique. Les thèmes traités dans le documentaire portent sur le poids de la propagande soviétique, le caractère dictatorial des entraineurs mais également sur la finesse du jeu des joueurs soviétiques. Enfin, à travers le destin des joueurs vedettes, il montre les conséquences de la Pérestroïka et de l'éclatement de l'Union soviétique sur le sport professionnel soviétique.