The Tree That Remembers is a 2002 animated documentary by Iranian filmmaker Masoud Raouf, exploring the lives of former political prisoners like himself who had been active in the democratic movement during the days of the Shah of Iran, only to face imprisonment and torture under the Islamic regime after the 1979 Iranian revolution.
Produced by the National Film Board of Canada, awards for the film included the Silver Award for Best Canadian Documentary at Hot Docs, as well as a Golden Sheaf Award for Best Social Documentary at the Yorkton Film Festival.
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In 1939, the end of the Spanish Civil War forced thousands of men, women and children to flee Francoist Spain. The French administration in Algeria opened refugee camps to take them in. Seventy years later, a young Algerian investigates the past. Despite the absence of archives and files, the traces of these camps have survived the collective oblivion and still appear in current Algeria.
, 1h16 OriginUSA GenresDocumentary ThemesFilms set in Africa, Films about immigration, Documentary films about law, Documentary films about war, Documentary films about historical events, Documentaire sur une personnalité Rating72% In 2006, producer/director Lisa F. Jackson travelled alone to the war zones of the Democratic Republic of the Congo documenting the plight of women and girls impacted by the conflicts there. She was "afforded privileged access" to the realities of life in Congo, and found "examples of resiliency, resistance, courage and grace". In a 2008 interview with NPR, Jackson said "I knew going to eastern Congo as a white woman alone in the bush with a video camera that I might as well have landed from a spaceship." Jackson had been a victim of gang rape thirty years earlier, and shared this experience with the survivors she interviewed. Much of the film features these women recounting their stories, which have left them "traumatised and isolated - shunned by society and their families, and suffering life-long health effects, including HIV." Context and background are discussed in interviews with doctors, politicians, peacekeepers, activists and priests. Jackson visits a clinic devoted to treating women with traumatic injury due to sexual violence, particularly cases of vesicovaginal and rectovaginal fistula. In addition, Jackson went out into the bush to interview some of the perpetrators, soldiers who spoke without apparent conscience about the women they had raped, and their often bizarre justifications. "You really can say that there's a culture of impunity in the Congo, where none of these men will face arrest for what they've confessed to me on videotape," Jackson noted. The focus of the film, though, is the stories of the victims, "who just poured their hearts out to me with these stories, including over and over again, please take these stories to someone who will make a difference.