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The Wanderers is a film of genre Drama directed by Kon Ichikawa with Yoshi Katō

The Wanderers (1973)

The Wanderers
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Length 1h40
Directed by
Genres Drama,    Comedy
Rating64% 3.2241153.2241153.2241153.2241153.224115

The Wanderers (股旅 or Matatabi) is a 1973 feature-length Japanese film directed by Kon Ichikawa.

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Suggestions of similar film to The Wanderers

There are 16 films with the same actors, 32 films with the same director, 87058 with the same cinematographic genres (including 11832 with exactly the same 2 genres than The Wanderers), to have finally 70 suggestions of similar films.

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A married television executive has many mistresses. Nine of the mistresses and his wife band together and plan to kill him. His wife tells him they are planning to kill him and they fake his death at a meeting of all ten women using a pistol loaded with blanks and a tomato.
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Directed by Kon Ichikawa
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Un producteur de télévision projette de se débarrasser des dix femmes avec lesquelles il a entretenu une liaison. Bien mal lui en prend : celles-ci, maîtresses trompées et malheureuses, se solidarisent et trament un complot afin de l'assassiner. Une comédie grinçante…
A Woman's Testament, 1h40
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This is a series of three stories revolving around women. The first story is about a young woman who works in a Tokyo nightclub. She has what seems like a good plan for a strong financial future; she is investing in a company on the one hand, and on the other, taking action to snare the son of the company's owner in marriage. In the second story, a young woman is employed by a real estate agent in order to convince male clients to invest in worthless property, usually by bathing with them. The last story is about a widowed geisha who has no financial worries. But when she falls in love with a forger, she opts to wait for him after he is sent to prison. This causes trouble for her in family and society, but she ignores them despite the pressure.
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Hekiro et Gen sont frère et sœur, ils s'entendent bien malgré un foyer peu chaleureux. Le père, un écrivain qui connait un certain succès, passe ses journées enfermé dans son bureau à travailler ses manuscrits. La belle-mère, une bigote chrétienne, est atteinte d'une forme sévère de rhumatismes qui la fait souffrir du pied et de la main gauche. Gen est une jeune fille au fort tempérament et responsable, elle supplée sa belle-mère handicapée dans les tâches quotidiennes et s'occupe avec affection de son frère Hekiro. Ce dernier, ne trouve pas sa place dans ce foyer et fait les 400 coups, entre bagarres au lycée, vol, dettes qu'il contracte dans une salle de billard ou chez un loueur de hors-bord. Cependant, malgré la confiance entre frère et sœur, certains problèmes surgissent. Quand Hekiro est atteint d'une tuberculose incurable, il s'attriste de voir sa sœur envisager de se marier. Le jour de sa mort, elle tâche de supporter courageusement le chagrin et la fatigue.
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A man who suspects his wife is having an affair with his daughter's fiance places the two in dangerous situations in order to satisfy his voyeuristic curiosity.
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A female reporter, Nagako Kita (Machiko Kyo) is fired for writing about police corruption. To make money she hides while a weekly magazine publishes photos of her, and offers a prize to the person who discovers her. A group of three bank embezzlers, So Yamamura, Eiji Funakoshi, and Sotoji Mukui (Fujio Harumoto) employ Mukui's younger sister Fukiko as a fake employee at the bank and plan to make her disappear when the real woman appears again and blame the crime on her.
An Actor's Revenge, 1h53
Directed by Kon Ichikawa
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Three men, Sansai Dobe (Ganjirō Nakamura), Kawaguchiya (Saburō Date) and Hiromiya (Eijirō Yanagi) are responsible for the deaths of seven-year-old Yukitarō’s mother and father. Yukitarō is adopted and brought up by Kikunojō Nakamura (Chūsha Ichikawa), the actor-manager of an Osaka kabuki troupe. The adult Yukitarō (Kazuo Hasegawa) becomes an onnagata, a male actor who plays female roles. He takes the stage name Yukinojō. Like many of the great onnagata, particularly of the seventeenth and eighteenth centuries, he wears women’s clothes and uses the language and mannerisms of a woman offstage as well as on. Many years later, the troupe pays a visit to Edo, where the three men responsible for his parents’ deaths now live. Yukinojō brings about their deaths by means of various stratagems, then, apparently overcome by what he has done, retires from the stage and disappears, no-one knows where. The events of the film are coolly observed and sardonically commented on by the Robin-Hood-like thief Yamitarō, also played by Hasegawa.