U.N. Me is a documentary film about the United Nations by first-time filmmakers Ami Horowitz and Matthew Groff, which premiered at the International Documentary Film Festival Amsterdam in November 2009.
The documentary – or "docutainment" according to Horowitz – which began production in 2006, is a critique that depicts the United Nations as an organization that has drifted from its founding principles to the point where it now "enables evil and sows global chaos." The film follows Horowitz and Groff as they travel and look to expose the numerous scandals and cases of abuse of the U.N. Through interviews with involved parties and archived footage, they provide a look into events such as a shooting that has gone forgotten, where UN soldiers opened fire on unarmed protestors and the “Oil-for-Food” program. Also featured is evidence of the use of UN funds and equipment to support terrorist activity through complacency or complicity, including video footage of insurgents loading assault rifles and RPGs into a UN vehicle to make an escape.
Some scenes of U.N. Me were shot inside the United Nations headquarters building in New York City.
, 55minutes Directed byAnne Aghion ThemesFilms set in Africa, Films about racism, Documentary films about racism, Documentary films about law, Documentary films about war, Documentary films about historical events, Documentaire sur une personnalité, Documentary films about politics, Political films Rating66% The first film in this award-winning trilogy ventures into the rural heart of the African nation of Rwanda. Follow the first steps in one of the world’s boldest experiments in reconciliation: the Gacaca (Ga-CHA-cha) Tribunals. These are a new form of citizen-based justice aimed at unifying this country of 8 million people after the 1994 genocide which claimed over 800,000 lives in 100 days. While world attention is focused on the unfolding procedures, award-winning documentarian Anne Aghion bypasses the usual interviews with politicians and international aid workers, skips the statistics, and goes directly to the emotional core of the story, talking one-on-one with survivors and accused killers alike. In this powerful, compassionate and insightful film, with almost no narration, and using only original footage, she captures first-hand how ordinary people struggle to find a future after cataclysm.
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In this documentary, the filmmaker Rehad Desai takes us on an intimate journey mapped out by the scars etched into his family's life from having a father who was intensely involved in politics. Barney Desai was a political hero during South Africa's struggle for freedom, yet as a father he was damagingly absent emotionally. Rehad spent most of his young life in exile and became politically active himself. On this intensely personal journey into his past, Rehad realizes he is following in his fathers footsteps as he reviews his relationship with his own estranged teenage son.