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Suggestions of similar film to Warming Up Yesterday's Lunch
There are 8 films with the same actors, 61578 with the same cinematographic genres, to have finally
70 suggestions of similar films.
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Warming Up Yesterday's Lunch, you will probably like those similar films :
, 1h35
Directed by Kamen KalevOrigin BulgarieGenres Drama,
Thriller,
RomanceActors Thure Lindhardt,
Laetitia Casta,
Alejandro Jodorowsky,
Rousy Chanev,
Olivier Claverie,
Elli MedeirosRating49%
Sophie and Daneel, both in their early thirties, are a close and passionate couple living in Paris. Sophie initiates a surprise journey to Bulgaria. Daneel explicitly refuses to go, but Sophie insists and finally convinces him to leave. When they arrive, Sophie discovers that Daneel was born there..., 4h48
Directed by Ludmil StaikovGenres Drama,
HistoricalActors Rousy Chanev,
Iossif Surchadzhiev,
Anya Angelova Pencheva,
Konstantin Kotsev,
Velko Kanev,
Đoko RosićRating89%
Ottoman Empire, 1668. Köprülü Fazıl Ahmed Pasha concentrates his war efforts on the Cretan War, which inspires him to further subdue the Sultan's Christian subjects. One of the targets is Elindenya, a village located in a Rhodope valley where the Christians enjoy a de facto autonomy thanks to the local Muslim overlord Süleyman Agha's rule. A sipahi regiment is dispatched to the valley with the mission of converting the Christian population to Islam, by force if necessary. The extraordinary thing is that the regiment is led by Kara Ibrahim, a devshirme from Elindenya and although Süleyman Agha, feeling that his self-ordained rule is at stake, objects to forced conversions, Kara Ibrahim seems to be in favour of harsh measures against the locals, including his own family., 1h33
Directed by Arsen Anton OstojićOrigin CroatieGenres Drama,
War,
Thriller,
ComedyThemes Political filmsActors Alma Prica,
Mustafa Nadarević,
Rousy Chanev,
Olga Pakalovic,
Miraj Grbic,
Samuel FinziRating79%
In 1977, fifteen years before the Bosnian War ravaged their lives, Halima’s (Alma Prica) niece Safija (Olga Pakalović) became pregnant by Slavomir (Mijo Jurišić), a Serb man. Beaten and ostracized by her Bosniak family, Safija gave the infant boy to the childless Halima to raise, telling Slavomir it was stillborn. Twenty-three years later, the devastating war has ended. Bodies are being identified through DNA samples and returned to families for burial. Halima’s husband is found, but the boy cannot be returned to her without a blood sample. And that would have to come from Safija who ran away years ago and married Slavomir. When Halima finally locates her, Safija refuses the blood test because she is afraid her husband will discover her deception. And other deceptions could be uncovered as well, including the shocking identity of the soldier who took Halima’s husband and the boy to their deaths.