Il s'agit d'un film choral à l'humour absurde dont le scénario est teinté de surréalisme. Les situations alternent entre le naïf et le grotesque. L'action se situe dans un village près d'Albacete.
The film is about an expedition down the Amazon and Orinoco rivers in 1560 by Spanish soldiers searching for the fabled city of gold, El Dorado. Taking some followers and family along on the journey, they descend into madness and battle the environment and each other.
In Spain of the 1960s, a poor family of quinquis (mercheros), a nomadic ethnic group with a tradition as old as that of the gitanos (gypsies) of Spain and of obscure origins, live as poor nomads. They craft tin goods and repair metal. The son, Eleuterio Sánchez Rodriguez, nicknamed "El Lute", steals some chickens and is condemned to six months in jail.
Candela, who is loved by Carmelo, marries José in a pre-arranged marriage decided by their respective fathers. José is in love with the flirtatious Lucía and dies defending her honor. Carmelo is mistakenly arrested for the killing, and spends several years in prison. After being released, he declares his love for Candela.
Estefania Sánchez, known as Fanny Pelopaja for her bleach blond hair, is a cold-blooded woman who recently has been released from jail after serving a three-year sentence. She has built up a new life for herself working in a gas station. However, she has been waiting all this time to take revenge from a corrupt and brutal police officer, Andrés Gallego. A phone call from one of her old cronies informs her that Andrés is working in Barcelona as a security guard for an armored car company. Fanny leaves everything behind and takes the road back to Barcelona.
This film tells the story of a little girl (Sonsoles Aranguren) living somewhere in the north of Spain and fascinated by the secrets of the south seemingly buried in the traits of her father (Omero Antonutti). In her childhood, Estrella's father is a mysterious world. Growing up, she finds out that he once had a sweetheart (Aurore Clément), and that he's still in love with her.
Paul Marnac (Paul Naschy) and his infirm wife Geneviève (Julia Saly) move to his childhood estate in the French countryside. The estate is also the site of the castle inhabited by Paul's ancestor Alaric de Marnac, who was known for brutally slaughtering anyone whom he suspected of infidelity. There is a legend that Alaric rises from the grave to continue his deeds. The estate is currently inhabited by Paul's aunt Maville (Lola Gaos) and cousin Julie (Frances Ondiviela, billed as Pat Ondiviela). Right after Paul and Geneviève arrive, mysterious things begin to happen. Geneviève begins to wonder if the legend about Alaric is true.
Un groupe de danseurs de flamenco met en scène une version très hispanisée de l'œuvre de Prosper Mérimée. Durant les préparations et l'exécution de l'œuvre, Antonio, le chorégraphe, tombe amoureux de Carmen qui en est la danseuse principale. L'œuvre dansée et la vie réelle commencent alors à se mêler.
The past is a riddle to Juan (Inaki Aierra), the playwright. He is tormented by it - by memories of the elderly father who went off, and the young mother who committed suicide, and he has written a play, Sweet Hours, which contains the key scenes of his early life. The play is in rehearsal and he attends the sessions, watchful and absorbed. He is searching for something. Juan slips in and out of the actor reconstructions and his own memories. Finally, light dawns on Juan, he dredges up the repressed material, and his Oedipus Complex is resolved.
The film is set in Madrid during the postwar period, beginning in 1942. The population suffers the consequences of the civil war. A group of members of a social gathering meet every day in the café La Delicia.
Anna, a modern day Parisian psychologist, is researching the cases of women who committed suicide in the 20th Century. She becomes fascinated by the story of Antonieta Rivas Mercado, a Mexican writer and social activist who committed suicide inside Notre Dame Cathedral in Paris. To find more about Antonieta's story, Anna travels to Mexico and interviews people who knew her. She receives her first clues about Antonieta's life from Juana, a Mexican librarian who frames the live of Antonieta Rivas Mercado within a stormy period of Mexico's history, the political turmoil of the 1910s-1920s.