Though Okuzaki ultimately holds Emperor Hirohito accountable for all the suffering of the war, ("I hate irresponsible people...the most cowardly man in Japan, is the Emperor Hirohito"), he painstakingly tracks down former soldiers and officers, coaxing them into telling him about the deaths, often abusing them verbally and at times physically in the process (at one point, Okuzaki states that "violence is my forte"). The people he talks to give different accounts of what transpired almost 40 years earlier, some saying that those killed were executed for desertion after the war was already over, while others state that they were shot for cannibalizing New Guinea indigenous people.
This film explores the reactions and response of New York City's artistic community to the ravages of the AIDS epidemic and other issues of homosexuality. Activist interview include representatives from the many arts organizations that have alerted the public to the crisis through performance art, music, theater and literature. Even with the gentler voices, the film’s undercurrent is an angry demand for action and recognition.
In Dialogues with Madwomen, filmmakers Allie Light and Irving Saraf have seven "madwomen" — including Light herself — into telling their stories. Using a mixture of home movies, archival footage of psychiatric wards, re-enactments, and interviews with their subjects, Light and Saraf have created a complex, moving portrait of women in whom depression, schizophrenia, and multiple personalities coexist with powerful, sometimes inspired levels of creativity.
The film describes the organization and its history. It presents a series of interviews with NAMBLA members who describe their feelings towards boys and justifications for such feelings.