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A. Bhimsingh is a Actor, Director, Scriptwriter, Producer and Editor Indian born on 15 october 1924

A. Bhimsingh

A. Bhimsingh
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Nationality Inde
Birth 15 october 1924
Death 16 january 1978 (at 53 years) at Chennai (Inde)

A. Bhimsingh or Bhim Singh (1924–1978) was a film maker, producer, editor and writer from the Tamil Film Industry. He has directed films in Tamil, Malayalam, Telugu and Hindi. He was born on October 15, 1924 in Chittoor district, Andhra Pradesh. His film career started as an assistant editor with the film making duo Krishnan-Panju, in the late 1940s. He became assistant director and then promoted as director. His films mainly dealt with family relationships. He made a series of films all of which started with the Tamil syllable pa Pasamalar and Pava Mannippu are notable among them.
Source : Wikidata

Filmography of A. Bhimsingh (45 films)

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Actor

Anbe Aaruyire
Anbe Aaruyire (1975)
, 2h13
Directed by A. C. Tirulokachandar
Genres Drama
Actors Sivaji Ganesan, Manjula Vijayakumar, Sundarrajan, Nagesh, V K Ramasamy, Thangavelu

R. Sattanathan (Major Sundarrajan) a leading criminal lawyer and Bangalore Ramaswamy (V. K. Ramasamy), Sattanathan's professional competitor were once friends but now foes. Sattanathan has vowed that he will win a case against Ramaswamy at least once in his lifetime, for which he even makes his son Saravanan (Sivaji Ganesan) study law, so that if not him at least his son will defeat Ramaswamy. But contrary to Sattanathan's expectation Saravanan falls in love with Ramaswamy's daughter Devi (Manjula). Helping them in their love is Ramesh (Nagesh) Ramaswamy's nephew. A lot of hilarious incidents and confusions follow before the lovers are united.
Cinema Paithiyam
Cinema Paithiyam (1975)
, 2h32
Directed by Muktha Srinivasan
Genres Drama, Comedy
Actors Jaishankar, Jayachitra, Sowcar Janaki, V K Ramasamy, Kamal Haasan, Sundarrajan
Rating55% 2.7746452.7746452.7746452.7746452.774645
Adhering to its title 'Cinema Paithiyam', the movie depicts and traces the life and transformation of Jaya (Jayachitra) from the reel world to the real world. So obsessed is she with movies and the movie world, that she worships the popular film hero Jai Shankar, believing all that he portrays on screen, to be his real self. He becomes the ideal man of her dreams, and she even tattoos his name in her arm. Hell breaks loose when she refuses to marry the boy Natarajan (Kamalhaasan) arranged by her brother and her sister-in-law. At his juncture, steps in her Uncle, who takes it upon himself to show her the true world, by taking her on a trip around the real life of a star.

Director

Yaaron ka Yaar
Yaaron ka Yaar (1977)

Directed by A. Bhimsingh
Actors Shatrughan Sinha, Yunus Parvez, Leena Chandavarkar, Prem Nath, Helen Khan, Achala Sachdev
Rating65% 3.294973.294973.294973.294973.29497
Nathu(Prem Nath) is untouchable. He takes water from common pond which is objected by some Pandits. Jaimal Singh(Ramayan Tiwari) orders his goons to teach Nathu a lesson. Goons beat him and burn the complete society. Nathu's wife was pregnant. By the time Nathu reaches hime, Nathu's wife had already left. Nathu takes Jaimal's son and runs away. In the end, movie takes a dramatic turn and all unite happily.
Sila Nerangalil Sila Manithargal
Sila Nerangalil Sila Manithargal (1975)
, 2h10
Directed by A. Bhimsingh
Genres Drama
Actors Lakshmi Narayan, Sreekanth, Nagesh, Neelakantan (a) Neelu, Rajasulochana, Sukumari
Rating72% 3.6249853.6249853.6249853.6249853.624985
Ganga, a college student from an 'orthodox' Tamil Brahmin family, has a sexual encounter with a stranger who offers her lift on a rainy day. Ganga is uncertain about her participation in the event. She, overcome by guilt and self-loathing, construes the event as rape. Her disillusioned face forces out a 'confession' to her mother about what happened earlier. Overhearing this, Ganga's brother, who's the 'bread' winner of the family, disowns and evicts her from the house (in Sri Rangam). She then moves in with her uncle—mother's elder brother in Madras—who assures full support in continuing her education. After successful graduation she gets employed in a private firm and grows to take the top managerial position. Ganga until then lives a single life resisting the pressure to lie about the 'incident' (which, presumably, would ruin her life with another man). Her assumed status as a 'spoilt' woman also implicitly encourages her lecherous uncle to make sexual advances.