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Josef Wirsching is a Director of Photography and Cinematography Allemand born on 22 march 1903 at Munich (German)

Josef Wirsching

Josef Wirsching
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Nationality German
Birth 22 march 1903 at Munich (German)
Death 11 june 1967 (at 64 years) at Mumbai (Inde)

Josef Wirsching (22 March 1903 –11 June 1967) sometimes credited as Joseph Wirsching, was a German cinematographer, who became a pioneer in cinematography who contributed to the heritage of cinema and photography in Cinema of India and its improvement into a scientific art of expression. His association with Indian cinema started in 1925, when he worked with another German, Franz Osten, in the Indo-European collaboration, The Light of Asia. Thereafter he settled in India, went on to work in over 20 films with Bombay Talkies and subsequently with Kamal Amrohi in Mahal (1949), Dil Apna Aur Preet Parayi (1960) and his masterpiece Pakeezah (1972), though he died while it was still under production.

Usually with

Ashok Kumar
Ashok Kumar
(6 films)
Devika Rani
Devika Rani
(5 films)
Himanshu Rai
Himanshu Rai
(4 films)
Bimal Roy
Bimal Roy
(2 films)
Source : Wikidata

Filmography of Josef Wirsching (10 films)

Display filmography as list

Cameraman

Pakeezah
Pakeezah (1972)
, 2h6
Directed by Kamal Amrohi (Amrohvi)
Origin Inde
Genres Drama, Musical, Melodrama, Romance
Themes Films about music and musicians, Films about sexuality, Erotic films, Films about prostitution, Musical films, Bollywood, Erotic thriller films
Actors Meena Kumari, Raaj Kumar, Ashok Kumar, Florence Ezekiel Nadira, Sapru, Kamal Kapoor
Roles Director of Photography
Rating71% 3.5927353.5927353.5927353.5927353.592735
This movie is about the tawaif Sahibjaan (Meena Kumari), who is born to a courtesan, Nargis (also Meena Kumari). After being spurned by her lover Shahabuddin's (Ashok Kumar) family, Nargis is driven to a graveyard where she gives birth to Sahibjaan secretly. Nargis dies during childbirth and her sister Nawabjaan (Veena)- a brothel madam - brings her up as her own. Unable to break away from the vicious circle, Sahibjaan grows up to be a beautiful and popular dancer/singer. Forest ranger Salim Ahmed Khan (Raaj Kumar), enthralled by her beauty and innocence, eventually convinces her to elope with him, which she does. But trials and tribulations await Sahibjaan as she is recognized by men wherever she goes in the company of Salim. When Salim renames her Pakeezah (pure of heart) and takes her to a cleric to be legally married, she refuses and returns to the brothel. Salim eventually decides to marry someone else and invites Sahibjaan to dance at his wedding; she agrees. During this event, Nawabjaan recognises Shahabuddin and calls him to witness the irony of the situation: It is his own daughter dancing and entertaining his family.
Maa
Maa (1952)
, 2h20
Directed by Bimal Roy
Genres Drama, Romance
Actors Bharat Bhushan, Shyama, Leela Chitnis, Nazir Hussain, Mehmood Ali, Achala Sachdev
Roles Director of Photography
Rating68% 3.4285053.4285053.4285053.4285053.428505
Chanderbabu (Nazir Hussain), a retired postmaster, lives in the village with his wife and two sons, Rajan (Paul Mahendra) and Bhanu (Bharat Bhushan). He continues to live there and work for the Zamindar (landowner), while his children are getting their education. Rajan is studying for his law exam. He is married to a girl (Padma) from a wealthy family whose haughty ways alarm and frighten him. Bhanu, the younger brother is fun-loving but studious. He gets influenced by the Nationalist Movement in the campus and stops his education in the last year of college. His father is disappointed and feels that Rajan is the one they can depend upon in their old age. Bhanu meets Meena (Shyama), and the two fall in love. Meera's father, Ramnarayan, is the school Principal and is impressed by Bhanu. He decides to get Meera married to Bhanu.
Sangram
Sangram (1950)
, 2h19
Directed by Gyan Mukherjee
Genres Drama
Actors Ashok Kumar, Nalini Jaywant, Shashi Kapoor, Tabassum
Roles Director of Photography
Rating65% 3.2842853.2842853.2842853.2842853.284285
A cop brings up his motherless son, spoiling him by succumbing to even his unnecessary demands, resulting in his getting familiar with ruffians and even gambling. The boy Kunwar (Shashi Kapoor) even once carries his father's pistol and fires it at a chum in a fit of rage. Timely help from father (Nawab) saves him from the lock-up.
Mahal
Mahal (1949)
, 2h45
Directed by Kamal Amrohi (Amrohvi)
Genres Drama, Horror, Romance
Themes Films about religion, Ghost films
Actors Ashok Kumar, Madhubala, Kanu Roy
Roles Director of Photography
Rating68% 3.433893.433893.433893.433893.43389
Cruiser Emden, 1h25
Genres War
Themes Political films
Actors Werner Fuetterer, Fritz Greiner, O. E. Hasse, Willy Kaiser-Heyl, Will Dohm, John Mylong
Roles Director of Photography
Rating67% 3.379443.379443.379443.379443.37944
The Light of Asia, 1h37
Directed by Himanshu Rai
Origin German
Genres Drama
Themes Films about religion, Films about Buddhism
Actors Himanshu Rai, Seetha, Seeta Devi
Roles Director of Photography
Rating64% 3.231773.231773.231773.231773.23177
A tale from India about the origin of the Buddha, Prem Sanyas depicts the story of Prince Siddhartha Gautama (portrayed by director Himansu Rai), the man who became the Buddha, as he journeys from privilege and seclusion to awareness of the inevitability of life's suffering, finally renouncing his kingdom to seek enlightenment.

Team

Sangram
Sangram (1950)
, 2h19
Directed by Gyan Mukherjee
Genres Drama
Actors Ashok Kumar, Nalini Jaywant, Shashi Kapoor, Tabassum
Roles Cinematography
Rating65% 3.2842853.2842853.2842853.2842853.284285
A cop brings up his motherless son, spoiling him by succumbing to even his unnecessary demands, resulting in his getting familiar with ruffians and even gambling. The boy Kunwar (Shashi Kapoor) even once carries his father's pistol and fires it at a chum in a fit of rage. Timely help from father (Nawab) saves him from the lock-up.
Mahal
Mahal (1949)
, 2h45
Directed by Kamal Amrohi (Amrohvi)
Genres Drama, Horror, Romance
Themes Films about religion, Ghost films
Actors Ashok Kumar, Madhubala, Kanu Roy
Roles Cinematography
Rating68% 3.433893.433893.433893.433893.43389
Nirmala
Nirmala (1938)

Genres Drama, Musical
Actors Devika Rani, Ashok Kumar
Roles Cinematography
Rating56% 2.843272.843272.843272.843272.84327
Nirmala (Guldaban) est une petite fille qui aime ses poupées et joue à la maman lorsque sa propre mère (Saroj Borkar) a le dos tourné. Adulte (Devika Rani), elle n'a rien perdu de sa passion pour les enfants et rêve de devenir mère à son tour. Pour l'instant, elle vient d'être admise à l'université. Pourtant ses parents voient venir le moment de lui trouver un mari. Rajnikhant son père (P.F. Pithawala), avait promis autrefois la main de Nirmala à Loknath (M. Nazir), le fils de son meilleur ami. Pensant bien faire, il conclut l'alliance matrimoniale et demande à l'astrologue de déterminer la date des noces.
Jeevan Naiya, 2h20
Genres Drama
Actors Devika Rani, Ashok Kumar
Roles Cinematography

Janmabhoomi
Genres Drama, Romance
Actors Devika Rani, Ashok Kumar
Roles Cinematography
Rating61% 3.0694853.0694853.0694853.0694853.069485
Protima Devi (Devika Rani) is in love with Dr. Ajoy Kumar Ghosh (Ashok Kumar), whom she has already accepted as her husband (eventhough they are not married yet). Ajoy is living in a village, where he is the only doctor.
Jawani Ki Hawa
Genres Thriller, Crime, Romance
Actors Devika Rani
Roles Cinematography