Mohammed Lakhdar-Hamina (Arabic: محمد الأخضر حمينة‎; born in M'sila in 26 February 1934) is an Algerian film director. He is best known for his 1975 film Chronicle of the Years of Embers. He is one of the most prominent figures in contemporary Arabic cinema.

Biography

Born on 26 February 1934 at M’Sila, Algeria, Lakhdar began his studies in his native country. He first became interested in the world of cinema at the Lycée Carnot in Cannes, France. After beginning studies of agriculture and law at French universities, he deserted the French army in 1958 and joined the anti-French Algerian resistance in Tunisia, where he worked for the provisional Algerian government in exile. His film career began as he joined the Algerian Maquis (guerrillas). In 1959, the Algerian National Liberation Front (FLN) sent him to Prague, where he pursued his cinematography studies at the cinema school, Film and TV School of the Academy of Performing Arts in Prague, the Czech academy for cinema and television. However, he quit his studies in order to work for the Barrandov Studios. In 1960 he joined the Service Cinema, created by the Algerian government in exile. In 1959, the Algerian ministry of information in exile commissioned Lakhdar-Hamina, together with Djamel Chanderli and Pierre Chaulet, to produce a movie about Algeria’s predicament under French colonialism. The documentary film, titled Djazzaïrouna (Our Algeria), aimed at portraying the goals pursued by the Algerian nationalist guerrilla movement, the Maquis. In 1961, Lakhdar-Hamina collaborated with Chanderli in the movie Yasmina, which tells the story of a refugee girl who must flee her village following its destruction. Lakhdar-Hamina collaborated again with Chanderli in the 1962 The people’s voice and 1961 The guns of freedom. Upon Algerian independence in 1962, he returned to his homeland where, together with his colleagues from Tunisian exile, he founded the Office des actualités algériennes, of
which he was director from 1963 until its dissolution in 1974. From 1981 until 1984 he acted as director of the Office National pour le Commerce et l’Industrie Cinématographique.