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Satyadev Dubey is a Actor, Director, Scriptwriter and Poem Indian born on 19 march 1936 at Bilaspur, Chhattisgarh (Inde)
Satyadev Dubey (19 March 1936 – 25 December 2011) was an Indian theatre director, actor, playwright, screenwriter, and film actor and director. He was awarded the Sangeet Natak Akademi Award in 1971.
He won the 1978 National Film Award for Best Screenplay for Shyam Benegal's Bhumika and 1980 Filmfare Best Dialogue Award for Junoon. In 2011, he was honoured with the Padma Bhushan by the Government of India.
He produced Girish Karnad's first play Yayati, and also his noted play Hayavadana, Badal Sarkar's Ebang Indrajit and Pagla Ghoda, Chandrashekhara Kambara’s Aur Tota Bola (Jokumaraswamy in original Kannada), Mohan Rakesh’s Aadhe Adhure, Vijay Tendulkar’s Khamosh! Adalat Jaari Hai, and A Raincoat For All Occasions and Jean Anouilh's Antigone in 2007.
He is credited with the discovery of Dharmavir Bharati’s Andha Yug, a play that was written for radio; Dubey saw its potential, sent it across to Ebrahim Alkazi at National School of Drama, and the rest is history, in modern Indian theatre. Wwhen staged in 1962, Andha Yug brought in a new paradigm in Indian theatre of the times.
He made two short films Aparichay ke Vindhachal (1965) and Tongue In Cheek (1968), and directed a Marathi feature film, Shantata! Court Chalu Aahe (1971), based on Vijay Tendulkar's play, which in turn is based on Friedrich Dürrenmatt's story "Die Panne".
Source : Wikidata
Satyadev Dubey
Nationality Inde
Birth 19 march 1936 at Bilaspur, Chhattisgarh (Inde)
Death 25 december 2011 (at 75 years) at Mumbai (Inde)
Awards Padma Bhushan, National Film Award for Best Screenplay, Sangeet Natak Akademi Award
Birth 19 march 1936 at Bilaspur, Chhattisgarh (Inde)
Death 25 december 2011 (at 75 years) at Mumbai (Inde)
Awards Padma Bhushan, National Film Award for Best Screenplay, Sangeet Natak Akademi Award
Satyadev Dubey (19 March 1936 – 25 December 2011) was an Indian theatre director, actor, playwright, screenwriter, and film actor and director. He was awarded the Sangeet Natak Akademi Award in 1971.
He won the 1978 National Film Award for Best Screenplay for Shyam Benegal's Bhumika and 1980 Filmfare Best Dialogue Award for Junoon. In 2011, he was honoured with the Padma Bhushan by the Government of India.
Biography
Satyadev Dubey was born in Bilaspur district of the then Madhya Pradesh in 1936. He moved to Mumbai with the aim of becoming a cricketer, but ended up joining the Theatre Unit, a theatre group run by Ebrahim Alkazi, which also ran a school for many budding artists. Later when Alkazi left for Delhi to head the National School of Drama, he took over the Theatre Unit, and went on to produce many important plays in the Indian theatre.He produced Girish Karnad's first play Yayati, and also his noted play Hayavadana, Badal Sarkar's Ebang Indrajit and Pagla Ghoda, Chandrashekhara Kambara’s Aur Tota Bola (Jokumaraswamy in original Kannada), Mohan Rakesh’s Aadhe Adhure, Vijay Tendulkar’s Khamosh! Adalat Jaari Hai, and A Raincoat For All Occasions and Jean Anouilh's Antigone in 2007.
He is credited with the discovery of Dharmavir Bharati’s Andha Yug, a play that was written for radio; Dubey saw its potential, sent it across to Ebrahim Alkazi at National School of Drama, and the rest is history, in modern Indian theatre. Wwhen staged in 1962, Andha Yug brought in a new paradigm in Indian theatre of the times.
He made two short films Aparichay ke Vindhachal (1965) and Tongue In Cheek (1968), and directed a Marathi feature film, Shantata! Court Chalu Aahe (1971), based on Vijay Tendulkar's play, which in turn is based on Friedrich Dürrenmatt's story "Die Panne".
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Filmography of Satyadev Dubey (16 films)
Actor
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Ata Pata Lapatta (2012)
, 2h8Directed by Rajpal Yadav, Rajpal Yadav
Genres Musical
Themes Musical films
Actors Asrani, Rajpal Yadav, Om Puri, Rajpal Yadav, Ashutosh Rana, Amit Behl
Roles Pagla Baba
Rating55%
Manav Chaturvedi (Rajpal Yadav) files a police complaint of robbery where the entire house has gone missing. Chaturvedi is suspected of abolishing his own house in order to claim the insurance money. The case comes to the media's attention and soon becomes a topic of everyone's interests. Due to media pressure, authorities are forced to acknowledge the robbery. The film focuses on the loopholes of governance, bureaucracy and the attitude of people in power.
Maya Memsaab (1993)
, 2h51Directed by Ketan Mehta
Origin Inde
Genres Drama, Romance
Themes Films about music and musicians, Films about sexuality, Films about suicide, Erotic films, Musical films, Madame Bovary, Bollywood
Actors Deepa Sahi, Farooq Sheikh, Raj Babbar, Shahrukh Khan, Paresh Rawal, Raghubir Yadav
Rating54%
Young, beautiful and intelligent Maya (Deepa Sahi) lives with her father in a palatial mansion in rural India. When her father suffers stroke, she calls for local Dr.Charu Das, who arrives on his bicycle and prescribes treatment for her father. He comes pretty often, more on the pretext of seeing her than her father. Eventually they get married. Years pass by and Charu is busy engrossed in treating patients, leaving Maya alone to ponder her own fate and life. And it is not long before a young man named Rudra enters her life and an affair follows. This does not last long, as a much younger man Lalit (Shah Rukh Khan) now enters her life and they begin a passionate affair. But again, Maya is not satisfied as she longs for more than bodily needs and it is perhaps this that leads to her sudden death, leaving two investigators to probe who or what really killed Maya.
Pita (1991)
, 2h30Directed by Govind Nihalani
Genres Drama
Actors Satyadev Dubey, Dina Pathak, Irrfan Khan
Rating69%
In disagreement with his husband on how her daughter should be raised and what she should become, the central character of a woman thinks that if she declares her husband insane she would be able to decide for her daughter. Acting on this she sows seeds of confusion in the mind of his husband that he might not be the father of their daughter. The husband starts to believe and actually goes insane and his wife gets the custody of their daughter.
The Sage from the Sea (1978)
, 2h17Directed by Shyam Benegal
Genres Drama
Actors Smita Patil, Vanisri, Anant Nag, Amrish Puri, Satyadev Dubey, Sulabha Deshpande
Roles Ramanayye Master
Rating72%
Night's End (1975)
, 2h20Directed by Shyam Benegal
Genres Drama, Crime
Themes Films about music and musicians, Films about sexuality, Rape in fiction, Musical films, Bollywood
Actors Shabana Azmi, Naseeruddin Shah, Girish Karnad, Smita Patil, Anant Nag, Amrish Puri
Roles Priest (Pujari)
Rating75%
Vishwam (Naseeruddin Shah) is the youngest brother of the powerful and influential village Zamindar (Amrish Puri). The Zamindar will not hesitate to do anything for the welfare and protection of his family, which also includes bending the law to his own advantage. The shy and quiet Vishwam is married to Rukmani (Smita Patil) and, unlike his brothers, does not indulge in alcohol or women, nor does he have any bad habits. Then the village gets a new schoolmaster (Girish Karnad), who has a wife, Sushila (Shabana Azmi). When Vishwam sees her for the first time, he is unable to take his eyes off her, and unable to get her out of his mind. Sushila does not reciprocate his attentions. Then one night, while the schoolmaster is enjoying a quiet dinner with his family, the bell rings and the two older brothers of Vishwam grab Sushila and take her forcibly when she goes to answer the door. Several people are present, but no one dares to raise a hand nor even a voice to stop this abduction. The distraught schoolteacher, who is denied justice by everyone from the local police officer to the district collector, is helped by the old priest (Satyadev Dubey) and finally they succeed in mobilizing the villagers and they slaughter their oppressors. In the end the frenzied villagers also kill the innocent Rukmani as well as Sushila whom her husband tried to rescue with the help of the rebellious villagers.
Director
Directed by Satyadev Dubey
Actors Amrish Puri, Amol Palekar, Sulabha Deshpande
Rating76%
A group of teachers plan to stage a play in a village. When a cast-member does not show up, a local stagehand is asked to replace him. An improvised, free-flowing 'rehearsal' is arranged and a mock trial is staged to make the novice understand court procedures. A (mock) charge of infanticide is leveled against Miss Benare, another cast-member.
Scriptwriter
The Market Place (1983)
, 2h47Directed by Shyam Benegal
Genres Drama, Comedy, Romance
Themes Films about sexuality, Erotic films, Films about prostitution
Actors Shabana Azmi, Naseeruddin Shah, Kulbhushan Kharbanda, Smita Patil, Neena Gupta, Amrish Puri
Roles Writer
Rating74%
For years an aging Rukmini Bai (Shabana Azmi) has been the Madame of a brothel in Hyderabad, India. One day she gets the news that she now has a new landlord in Mr. Gupta (Kulbhushan Kharbanda), whose daughter is to marry the mayor's son Sushil, shortly. Led by City Councillor, Shantidevi, the people in this town demand that this brothel be moved elsewhere, preferably on the outskirts of the town, and they do succeed, compelling Rukmini to move with her women to their new location, which happens to be near the Dargah of Baba Karak Shah. Ironically, this attracts a lot of people, and the patronage to Rukmini's bordello increases. Then complications set in when Sushil refuses to marry his father's choice, childlike Malti, and wants to marry Zeenat (Smita Patil) - a prostitute, not entirely by choice and seeking for a better existence, who resides with Rukmini.
Vijeta (1982)
Directed by Govind Nihalani
Themes Transport films, Aviation films
Actors Shashi Kapoor, Rekha, Amrish Puri, Supriya Pathak, Kunal Kapoor, Om Puri
Roles Writer
Rating76%
Vijeta (The Victor) is the coming-of-age story of Angad (Kunal Kapoor). Confused like any other teenager trying to find himself and caught in between the marital problems of his Maharashtrian mother Neelima (Rekha) and Punjabi father Nihal (Shashi Kapoor), it is time for him to decide what he wants to do with his life. Angad chooses to become a fighter pilot with the Indian Air Force. What follows is his struggle to become a victor both with his self and the outer world. Angad is attracted to Anna Verghese (Supriya Pathak), who is the daughter of his flying instructor (Amrish Puri). Angad must learn to adapt to flying, leaving his mom and dad for long periods of time, as well as try and woo Anna who helps him overcome his fears and realize his potential as a fighter pilot. Nihal is a clean shaven Sikh, Neelima is a Hindu, Angad is a Sikh and Anna a Christian, while Angad's fellow officers represent all religion.
Kalyug (1981)
, 2h32Directed by Shyam Benegal
Genres Drama
Actors Shashi Kapoor, Rekha, Raj Babbar, Urmila Matondkar, Supriya Pathak, Kulbhushan Kharbanda
Rating77%
The film is tale of intrigue, plots and the inevitable war between the two families. Ramchand and Bhishamchand were two pioneering brothers in business. Bhishamchand, a lifelong bachelor, brought up the two sons of Ramchand upon his demise. He also gave the family business a firm foundation. Khubchand (Vinod Doshi), the elder son of Ramchand begets two sons, Dhanraj (Victor Banerjee) and Sandeepraj (Akash Khurana). Puranchand, Khubchand's younger brother, had died a few years ago. His three sons are Dharamraj (Raj Babbar), Balraj (Kulbhushan Kharbanda) and Bharatraj (Anant Nag). Another player in the game is Karan (Shashi Kapoor), an orphan brought up by Bhishamchand. A series of events take place that bring the long hidden feud between the two families to light. Despite Bhishamchand's efforts to mediate between the two, the situation gets out of hand and events take a tragic turn. Dhanraj's men accidentally kill the young son of Balraj and to take revenge Bharatraj murders Karan. Quite a few skeletons from the family cupboard are brought into the open that only adds to the tensions and hatred, finally culminating in the destruction of the two families, making us ponder on the brittleness of our moral fabric.
Aakrosh (1980)
, 2h24Directed by Govind Nihalani
Origin Inde
Genres Drama
Themes Films about music and musicians, Politique, Films about racism, Musical films, Political films, Bollywood
Actors Naseeruddin Shah, Smita Patil, Amrish Puri, Om Puri, Mohan Agashe, Reema Lagoo
Roles Writer
Rating78%
Allegedly based on a true incident reported on page 7 of a local newspaper, the film was a scathing satire on the corruption in the judicial system and the victimization of the underprivileged by the able and the powerful.
The Obsession (1978)
, 2h21Directed by Shyam Benegal
Genres Drama, War
Themes Political films
Actors Shabana Azmi, Shashi Kapoor, Jennifer Kendal, Nafisa Ali, Naseeruddin Shah, Ismat Chughtai
Rating75%
The story is set around the Indian Mutiny of 1857. Javed Khan (Shashi Kapoor) is a feckless feudal chieftain with a Muslim Pathan heritage, whose world revolves around breeding carrier pigeons. His younger brother-in-law, Sarfaraz Khan (Naseeruddin Shah) is politically awakened and actively plots the fight against the British. Freedom fighters attack the local British administrators while they are in Sunday Worship at Church, massacring them all. Miriam Labadoor, Jennifer Kendal) manages to escape with her daughter, Ruth (Nafisa Ali) and mother. The three women seek refuge with the wealthy Hindu family of Lala Ramjimal (Kulbhushan Kharbanda). Lala is torn between his loyalty for India and his privileged position under the British. However, matters are taken out of his hand by Javed Khan who barges into Lala's house and forcibly takes Ruth and her family to his own house. This leads to jealousy on part of his wife, Firdaus (Shabana Azmi) and anger on part of his brother, who ultimately gives in to the Pathan tradition of offering hospitality and sanctuary (Nanawatai) even to uninvited guests. Various situations ensue due to cultural misunderstandings in the domestic routine of the Muslim household with its new English guests. Javed falls in love with Ruth, and wants to marry her but is opposed bitterly by her mother. Noticing intense feelings of Javed for her daughter Ruth, Miriam Labadoor (mother) cleverly makes an agreement with Javed that she would only give her daughter’s hand to Javed if British were defeated. At first instance, Javed is hesitant but accepts the offer when again Miriam asks him if he has misgivings in his war against the British. There are simmerings of a love affair under the watchful suspicious eyes of Firdaus.
The Sage from the Sea (1978)
, 2h17Directed by Shyam Benegal
Genres Drama
Actors Smita Patil, Vanisri, Anant Nag, Amrish Puri, Satyadev Dubey, Sulabha Deshpande
Roles Dialogue
Rating72%
Hira Aur Patthar (1977)
Directed by Vijay Bhatt
Genres Drama
Actors Shashi Kapoor, Shabana Azmi, Asit Sen, Ashok Kumar, Bindu, Asrani
Rating58%
Bhumika (1977)
, 2h22Directed by Shyam Benegal
Genres Drama, Biography, Musical
Themes Films about films, Films about music and musicians, Films about television, Musical films, Bollywood
Actors Smita Patil, Amol Palekar, Anant Nag, Amrish Puri, Naseeruddin Shah, Dina Pathak
Roles Concepteur de dialogues
Rating73%
Bhumika tells the life story of an actress, Usha (Smita Patil), who is the granddaughter of a famous female singer of the old tradition from Devadasi community of Goa. Usha's mother is married to an abusive and alcoholic Brahmin. Following his early death, and over her mother's objections, Usha is taken to Bombay by family hanger-on Keshav Dalvi (Amol Palekar) to audition successfully as a singer in a Bombay studio: the first step in a process, watched approvingly by Usha's doting grandmother and with horror by her mother, that will eventually carry her to on-camera adolescent stardom, and to an ill-starred love marriage with Keshav. Usha’s motives for stubbornly pursuing this relationship (culminating in a pre-marital pregnancy) with the unattractive and much older Keshav — who appears to have lusted after her since childhood — are not spelled out. Presumably she feels indebted to him for his loyalty to her family (of which he frequently reminds her) and for her own worldly success; she is also a headstrong girl who clearly enjoys her acting career and is bent on challenging her uptight mother (who opposes the match because Keshav does not belong to their caste, just as she opposes cinema itself because of its presumed un-respectability).
Night's End (1975)
, 2h20Directed by Shyam Benegal
Genres Drama, Crime
Themes Films about music and musicians, Films about sexuality, Rape in fiction, Musical films, Bollywood
Actors Shabana Azmi, Naseeruddin Shah, Girish Karnad, Smita Patil, Anant Nag, Amrish Puri
Roles Dialogue
Rating75%
Vishwam (Naseeruddin Shah) is the youngest brother of the powerful and influential village Zamindar (Amrish Puri). The Zamindar will not hesitate to do anything for the welfare and protection of his family, which also includes bending the law to his own advantage. The shy and quiet Vishwam is married to Rukmani (Smita Patil) and, unlike his brothers, does not indulge in alcohol or women, nor does he have any bad habits. Then the village gets a new schoolmaster (Girish Karnad), who has a wife, Sushila (Shabana Azmi). When Vishwam sees her for the first time, he is unable to take his eyes off her, and unable to get her out of his mind. Sushila does not reciprocate his attentions. Then one night, while the schoolmaster is enjoying a quiet dinner with his family, the bell rings and the two older brothers of Vishwam grab Sushila and take her forcibly when she goes to answer the door. Several people are present, but no one dares to raise a hand nor even a voice to stop this abduction. The distraught schoolteacher, who is denied justice by everyone from the local police officer to the district collector, is helped by the old priest (Satyadev Dubey) and finally they succeed in mobilizing the villagers and they slaughter their oppressors. In the end the frenzied villagers also kill the innocent Rukmani as well as Sushila whom her husband tried to rescue with the help of the rebellious villagers.