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Sreelekha Mitra is a Actor Indian born on 30 august 1971 at Kolkata (Inde)

Sreelekha Mitra

Sreelekha Mitra
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Birth name Sreelekha Mitra
Nationality Inde
Birth 30 august 1971 (53 years) at Kolkata (Inde)

Sreelekha Mitra (Bengali: শ্রীলেখা মিত্র) (born 30 August 1971) is a Bengali Indian actress of TV and films. She has won an Anandalok Award (2006) and BFJA Award (2007) for acting. She is also a judge in a Bengali standup comedy show, Mirakkel. Mitra appeared in a Coca-Cola ad with Aamir Khan.

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Source : Wikidata

Filmography of Sreelekha Mitra (21 films)

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Actress

Chaar
Chaar (2014)

Directed by Sandip Ray
Genres Drama
Actors Saswata Chatterjee, Abir Chatterjee, Koel Mallick, Paran Bandopadhyay, Sreelekha Mitra, Sudipta Chakraborty
Roles Anita / Kadambanila "Kadu" Chatterjee
Rating69% 3.4911353.4911353.4911353.4911353.491135
Chaar film contains four short stories by different writers: "Bateswarer Abodan" by Parasuram, "Porikkha" by Sharadindu Bandyopadhyay, "Kagtarua" by Satyajit Ray and "Dui Bondhu" by Satyajit Ray.
Ashchorjyo Prodeep, 2h
Directed by Anik Dutta
Genres Drama, Comedy
Actors Saswata Chatterjee, Rajatava Dutta, Manoj Mitra, Mumtaz Sorcar, Sreelekha Mitra, Paran Bandopadhyay
Roles Jhumur Gupto
Rating70% 3.541443.541443.541443.541443.54144
This is a modern day fantasy tale and deals with contemporary consumerist society and consumerist trends.
Bhooter Bhabishyat, 2h3
Directed by Anik Dutta
Genres Comedy, Horror comedy, Horror
Themes Comedy horror films
Actors Sabyasachi Chakrabarty, Parambrata Chatterjee, Paran Bandopadhyay, Swastika Mukherjee, Samadarshi Dutta, George Baker
Roles Madhumita Sanyal
Rating80% 4.045984.045984.045984.045984.04598
Bhooter Bhabishyat - though it is a ghost story, it is meant to be a comic entertainer. The story is about a haunted house which is being pulled down and being replaced with a swanky shopping mall. Apparently, the ghosts who belong to different era consider this as their home so what happens later on shapes the rest of the story.
Mahanagar@Kolkata
Directed by Suman Mukhopadhyay
Genres Drama
Actors Anjan Dutt, Sreelekha Mitra, Chandan Roy Sanyal, Rituparna Sengupta
Roles Kamalini
Rating64% 3.2204953.2204953.2204953.2204953.220495
Director Suman Mukhopadhyay has strung three stories of Nabarun Bhattacharya Ek Tukro Nyloner Dori, Amar Kono Bhoy Nei Toh and Angshik Chandragrahan to create this film. The story of the film revolves around the people and their life of Kolkata metropolitan city. The film explores the different worlds of Manmatha, Jagadish, Biren, Rohit, Rongili and Kamalini. Manmatha and Jagadish belong to different economic and social class. Biren is jobless. Rohit is an NRI, Kamalini is wife of Rohit. Rohit has a relationship with Rangili, another woman.
Houseful
Houseful (2009)

Directed by Bappaditya Bandopadhyay
Genres Drama, Comedy
Actors Prosenjit Chatterjee, Sreelekha Mitra, Rita Dutta Chakraborty
Rating62% 3.1247353.1247353.1247353.1247353.124735
Nikhil (Prosenjit Chatterjee) is in distress over his failures. His personal circumstances are in shambles and he's defaulted on most of his obligations. His assistant asks him to make a commercial film on the lines of a Tamil film to revive his career. He refuses and decides to make his own film by producing it himself. He convinces his father to mortgage their house. He receives a call from Subhash one day who provides him with finance, but in return he would have to accept the actress of the man’s choice. Nikhil agrees and they start shooting with Sujata, better known as Nandita (Rimjhim Gupta).
Antaratama
Antaratama (2008)

Actors Sreelekha Mitra, Chiranjeet Chatterjee
Roles Soudamini

This film, a big screen adaptation of Sarat Ch. Chattopadhyay’s SWAMI is about a girl Soudamini (Srilekha Mitra) who is an educated girl and stays in the village with her mother, a widow and her uncle who is very close to her and in like a father to her as she has lost father before. Her mother desperately wants to get her married though her uncle is willing to give more time to find a suitable groom for her. One day Naren (Shyamal Akash), son of the Jamindar arrives after years though Soudamini fails to recognize him. Gradually they bond together and fall in love. Meanwhile her uncle comes across a good marriage proposal and goes to the groom’s house and fix Soudamini’s marriage. On his way back he falls seriously ill and dies. Before his death, he makes his sister promise him that she should only get her daughter named to Ghanashyam (Chiranjit) the groom-to-be of Soudamini whom he had met and liked though he was not qualified. Soudamini gets married to Ghanashyam as she had waited long enough for Naren who had away, but did not return. After her marriage Soudamini discovers that several family members who reside with her husband her all dependent on Ghanashyam and live off him yet don’t care the list about him or his whereabouts of them needs are fulfilled the only exception being her widow young sister-in-law who is very close to Ghanashyam. Naren comes back and discovers Soudamini is married. He turns up at Ghanashyam’s house as he turns out to a friend of Nikhil, Ghanashyam’s younger brother. Soudamini’s mother-in-law sees Soudamini talking to Naren and informs Ghanashyam, buthe doesn’t tell Soudamini anything. Soudamini discovers a letter one day which says that her house in her village has been burned down due to a fire and also she discovers her jewellery missing. She confronts Ghanashyam this issues and insults him. But he is as usual calm and composed and doesn’t tell her the worth. Naren asks her to join him and leave the house forever one night. Soudamini is confronted by Bishnupriya, her sister-in-law, who tells her the worth regarding the house and the jewellery. Soudamini nevertheless goes with Naren but she feels guilty midway and wants to come back. Naren asks her to reconsider her decision but she is adamant. Naren deserts her and goes away. She decides to drown herself, but prevented from doing so by her husband.
Tolly Lights
Directed by Arjun Chakraborty
Actors Sreelekha Mitra, Arjun Chakraborty, Abhishek Chatterjee, Biswajit Chakraborty, Barun Chanda, Kamalika Banerjee
Rating59% 2.96642.96642.96642.96642.9664
Sreelekha plays the role of a home-maker who falls into the glamour world of films by chance
Hello Kolkata
Actors Swastika Mukherjee, Amitabh Bhattacharjee, Sreelekha Mitra, Sudip Mukherjee, Rudranil Ghosh, Samapika Debnath
Roles Sheila
Rating60% 3.006843.006843.006843.006843.00684
The film explores the relationship of 4 couples. Raima (Swastika Mukherjee), married to Pratik (Amitabha Bhattacharya), has reached a critical phase in her marriage because he, an alcoholic, tortures her with physical and mental violence. Pratik is a BPO manager and much though Raima tries to hold on because of their daughter, her patience has almost reached finishing point. Partha (Sudip Mukherjee), branch manager in an insurance firm, is married to Sheila (Sreelekha Mitra). While Partha places his corporate team under constant stress by reason of his ruthless ambitions, Sheila fails to cope with the reality of her inability to conceive. Anjali (Maitreyee Mitra), a BPO Team Leader working under Pratik, is about to marry Rahul (Indrajeet), an IT professional. Rahul's ambition is to reach the US for better prospects. His sudden decision to switch over to a job in Bangalore pushes the relationship to a crisis, driving the engagement to breaking point. Animesh (Rudranil Ghosh), an insurance executive in a private firm, always fails to reach his sales target. He fails to meet the rising financial demands his wife Geeta (Samapika Debnath) and son Nayan place on him. The family is headed towards a grave disaster till hope makes its presence felt at the end of the dark tunnel.
Kantatar - Barbed Wire, 1h59
Directed by Bappaditya Bandopadhyay
Genres Drama
Actors Sreelekha Mitra, Sudip Mukherjee, Rudranil Ghosh
Rating57% 2.8850452.8850452.8850452.8850452.885045
Kantatar (Barbed Wire) revolves around the journey of Sudha (Sreelekha Mitra),A socio-political-love drama, Kantatar centers on an illegal immigrant’s search for identity and her effort to survive sake and in search of an identity, moves from one man to another and from one religion to another. The sudden threat of cross border terrorism entirely changes the socio-political situation in a remote village close to the frontier, the army rolls into town, and the drastic changes take their toll on inter-personal relationships as they are marred by suspicion, competition and fear. Sudha takes refuge in a temporary weather camp just outside the village. She develops a physical relationship with Binod (Sudip Mukherjee), the weather balloonist, whose job it is to take note of the frequent change of wind direction. But soon Sudha's identity comes into question and she is seen as a suspect. Her dream of a secure shelter is once again threatened. This is a beautiful and engaging film, which luxuriates in the story and its location. The visual poetry and unfettered exploration of the ongoing conflict on the borders of India and Bangladesh come together with great impact and insight. There are brilliant touches of both satire and social comment, which go to show that Bappaditya Bandhopadhay has a lot to say about today's India. Sudha’s hard life consists of weaving herself in and out of different relationships with men and dabbling in various religions. The immediate threat of attack entirely changes the climate of her remote border village, and as the army rolls into town, inter-personal relationships are drastically affected. Suspicion, competition and fear start to grip the villagers. Sudha takes refuge in a temporary weather camp just outside the village. Binod, a meteorologist working in the village, becomes fascinated by Sudha, and they soon begin a physical relationship. But when Sudha's identity is called into question, she is seen as a terrorist suspect. Her dreams of security are once again threatened. Kantatar is visually engaging, luxuriating in the lush locales where it was filmed. Director Bappaditya Bandhopadhay relies on both satire and social comment to tell his story, all the while exploring the ongoing conflict on the borders of India and Bangladesh. Modern India is portrayed with great impact and insight.
A Tale of a Naughty Girl, 1h30
Directed by Buddhadev Dasgupta
Origin Inde
Genres Drama
Themes Films about sexuality, Erotic films, Films about prostitution, Erotic thriller films
Actors Rituparna Sengupta, Samata Das, Tapas Paul, Ram Gopal Bajaj, Pradip Mukherjee, June Malia
Rating64% 3.2357153.2357153.2357153.2357153.235715
Based on a short story by Bengali writer Prafulla Roy, the central idea developed by director Dasgupta, tells the story of a girl, Lati (Samata Das), whose mother Rajani (Rituparna Sengupta) is a prostitute living and working in a brothel in rural India. Rajani plans to offer her daughter to an older man, a rich husband and protector to her daughter. Lati, however, wants to return to school and finish her studies. Unwilling to pay such a price for material success, she runs away to Calcutta. The discovery of this new world is described parallel to other stories of emancipation, such as that of three young prostitutes, of an aged couple going nowhere and man's landing on the moon. In a surrealistic approach typical of the director, a clumsy cat and an intelligent donkey are also present in the film.
Annadata
Annadata (2002)

Directed by Rabi Kinagi Adhikari
Actors Prosenjit Chatterjee, Sreelekha Mitra, Abdur Razzak, Rajesh Sharma, Bharat Kaul, Anuradha Ray
Roles Barsha
Rating78% 3.921173.921173.921173.921173.92117
Honest businessman Amar Chowdhury (Rajak) had a happy family with his wife, two sons, daughters-in-law and a daughter. He reared Sankar (Prasenjit), an orphan boy as his own son. Sankar looked after each and every need of this family. Amar Chowdhury won the post of president of the mill owners' association by defeating strong competitor Rudraprasad Sen (Dulal Lahiri) . Out of grief, Rudraprasad Sen burnt the factory of Amar Chowdhury with the help of Vikram (Arun Banerjee), and made every effort to make him pennyless. In that helpless situation, Arun Chowdhury's sons insulted and deserted him. They also slandered Sankar. Amar Chowdhury drove Sankar out by showing false anger. Sankar achieved his goal of becoming an actor with the help of Kesto da (Sunil Mukherjee), a production manager. After the completion of Chowdhury Villa Shanti Devi (Anuradha Roy) died out of grief. Sankar became rich and artfully saved 'Chowdhury Villa' from Rudraprasad Sen.