Trois visages (en persan : سه رخ, Se rokh) est un film dramatique iranien écrit et réalisé par Jafar Panahi, sorti en 2018. Le film est en sélection officielle au Festival de Cannes 2018 et reçoit le prix du scénario.
Synopsis
Une actrice iranienne tente de venir en aide à une jeune fille recluse dans un village isolé où les traditions continuent de dicter la vie locale.
There are 7 films with the same actors, 8 films with the same director, 61741 with the same cinematographic genres, to have finally 70 suggestions of similar films.
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, 1h46 Directed byJafar Panahi, Kambuzia Partovi OriginIran GenresDrama ActorsKambuzia Partovi, Maryam Moqadam, Jafar Panahi Rating64% An unnamed screenwriter (Kambozia Partovi) arrives at a secluded three-story villa on the Caspian Sea. He secretly brings along his pet dog named "Boy". Dogs are considered unclean under Islamic rule and the writer intends to hide "Boy" from authorities as he tries to get some writing done. The writer shaves his head to disguise his identity and covers all the windows in the villa with black, opaque material.
, 1h15 Directed byJafar Panahi, Mojtaba Mirtahmasb OriginIran GenresDocumentary ThemesFilms about films, Documentary films about law, Documentaire sur une personnalité ActorsJafar Panahi, Mojtaba Mirtahmasb Rating73% Panahi is under house arrest, awaiting the result of his appeal of a six-year prison sentence and twenty-year ban on film-making, leaving the country or giving media interviews for "propaganda against the regime". Bored and desperate that this verdict may mean his artistic death, he starts documenting his life. He begins filming himself in his apartment, then calls his friend and collaborator, Mirtahmasb, who arrives at the apartment and takes over the camera. Banned from film making and determined to save at least some of his artistic visions, Panahi reads some of the scenario from the movie he was planning to make. Upon hearing fireworks marking the ancient Iranian festival Chaharshanbe Suri that precedes the Persian new year, Nouruz, and other suspicious noises resembling gunshots, he gets scared and quickly stops this project. He turns on the TV to hear the news. We see news about the tsunami in Japan and later it is announced that Iran's president has banned any fireworks and bonfires that used to mark Chaharshanbe Suri.
, 1h28 Directed byJafar Panahi OriginIran GenresDrama, Comedy, Comedy-drama, Documentary ThemesFeminist films, Politique, Sports films, Association football films, Political films Rating72% Most of the characters in the film are not named.
A girl disguises herself as a boy to go attend the 2006 World Cup qualifying match between Iran and Bahrain. She travels by bus with a group of male fans, some of whom notice her gender, but do not tell anyone. At the stadium, she persuades a reluctant ticket tout to sell her a ticket; he only agrees to do so at an inflated price. The girl tries to slip through security, but she is spotted and arrested. She is put in a holding pen on the stadium roof with several other women who have also been caught; the pen is frustratingly close to a window onto the match, but the women are at the wrong angle to see it.
, 1h37 Directed byJafar Panahi OriginIran GenresDrama, Crime ActorsMehran Rajabi Rating73% The movie opens with a scene inside a jeweler’s shop, which the main character, Hussein, appears to be attempting to rob. Hussein tries to force The Jeweler, to give him the key to the safe at gunpoint. The Jeweler refuses, and manages to trigger the alarm. Hussein then shoots The Jeweler, and, after some deliberation, takes his own life as well. The rest of the movie proceeds to tell Hussein’s story.
, 1h25 Directed byJafar Panahi OriginFrance GenresDrama ThemesFilms about families, Children's films ActorsAida Mohammadkhani, Fereshteh Sadre Orafaiy Rating75% It is the eve of the Iranian New Year. The film opens in a Teheran market where seven-year-old Razieh (Aida Mohammadkhani) and her mother are shopping. Razieh sees a goldfish in a shop and begins to nag her hurrying mother to buy it for the festivities instead of the skinny ones in her family's pond at home. Almost all of the film's major characters are briefly seen in this market scene, though they won't be introduced to the viewer until later. On their way home, mother and daughter pass a courtyard where a crowd of men has gathered to watch two snake charmers. Razieh wants to see what is happening but her mother pulls her daughter away, telling her that it is not good for her to watch these things.
, 1h25 Directed byJafar Panahi OriginIran GenresDrama ThemesFeminist films, Pregnancy films, Political films ActorsFereshteh Sadre Orafaiy Rating73% The film begins in a maternity ward of a hospital, where the mother of Solmaz Gholami is upset to learn that her daughter has just given birth to a girl, even though the ultrasound indicated that the baby would be a boy. Worrying that her in-laws will force their son to divorce her daughter, she tells another daughter to call her uncles.
, 1h35 Directed byJafar Panahi OriginIran GenresDrama ActorsAida Mohammadkhani Rating74% Mina, a first-grader, finds her mother has failed to pick her up from school. The movie is about her endeavor to find her way home amidst the noise, confusion and chaos of Tehran. Mina is dressed in school uniform (with a head scarf), has one arm in a cast and is holding a school bag in the other. She meets a lot of people on her way and most of them try to help her while others are surprisingly apathetic to her situation. Eventually, the movie takes a turn when the girl looks into the camera for the first time, breaking the fourth wall, and someone shouts from off-screen, "Mina, don't look into the camera!" The movie is a real life capture of events thereon (or that is how it seems). Mina announces that she doesn't want to act in the movie any more and wants to go home. In the end she goes home after returning the microphone.
, 1h22 Directed byJafar Panahi OriginIran GenresDocumentary ThemesPrison films, Transport films, Films about the labor movement, Films about automobiles, Films about capital punishment, Road movies ActorsJafar Panahi Rating72% Le réalisateur Jafar Panahi, se faisant passer pour un chauffeur du nom d'Aghayé Panahi (en persan : آقای پناهی, Mr. Panahi) se trouve au volant d’un taxi partagé dans la capitale iranienne de Téhéran dans lequel il a installé une caméra. Cette caméra filme une succession d’archétypes iraniens variés qui prennent tous place à bord du taxi, les personnages étant plus ou moins conscients du stratagème orchestré par le cinéaste. Hommes ou femmes, jeunes ou vieux, riches ou pauvres, traditionalistes ou modernistes, aussi bien vendeur de vidéos pirates que défenseur des droits de l'homme, tous se retrouvent tour à tour dans le véhicule. Chaque personnage propose un portrait iranien spécifique et est également porteur d’un thème de société. Le film se termine par le vol de la caméra du taxi.
, 1h30 Directed byMassoud Bakhshi GenresDrama ActorsBabak hamidian, Behnaz Jafari Rating64% Arash is an Iranian scholar in Europe who is visiting his mom in Shiraz, Iran. He is also lecturing a course in sociology at the same time. His parents are divorced long time ago and he hasn't visited his father who is living in Tehran for a very long time, until suddenly his niece visits him and informing his father's hospitalization in Tehran and persuade him to visit his father. At the same time due to some unexpected problems he cannot get his passport to leave the country on time. While Arash is going to Tehran is reviewing his memories of bad treatment with his father,and the way his mother and brother also treated in the worse situation. He also remembers the memories of his brother who fled from home due his father's misbehavior. Later on his brother joind to the Iranian volunteer forces in Iran-Iraq war and soon after got killed in the war.