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Suggestions of similar film to Closed Curtain
There are 5 films with the same actors, 9 films with the same director, 61631 with the same cinematographic genres, to have finally
70 suggestions of similar films.
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Closed Curtain, you will probably like those similar films :
, 1h40
Directed by Jafar PanahiOrigin IranGenres DramaActors Behnaz Jafari,
Jafar PanahiRating69%
Une actrice iranienne tente de venir en aide à une jeune fille recluse dans un village isolé où les traditions continuent de dicter la vie locale., 1h15
Directed by Jafar Panahi,
Mojtaba MirtahmasbOrigin IranGenres DocumentaryThemes Films about films,
Documentary films about law,
Documentaire sur une personnalitéActors Jafar Panahi,
Mojtaba MirtahmasbRating73%
Panahi is under house arrest, awaiting the result of his appeal of a six-year prison sentence and twenty-year ban on film-making, leaving the country or giving media interviews for "propaganda against the regime". Bored and desperate that this verdict may mean his artistic death, he starts documenting his life. He begins filming himself in his apartment, then calls his friend and collaborator, Mirtahmasb, who arrives at the apartment and takes over the camera. Banned from film making and determined to save at least some of his artistic visions, Panahi reads some of the scenario from the movie he was planning to make. Upon hearing fireworks marking the ancient Iranian festival Chaharshanbe Suri that precedes the Persian new year, Nouruz, and other suspicious noises resembling gunshots, he gets scared and quickly stops this project. He turns on the TV to hear the news. We see news about the tsunami in Japan and later it is announced that Iran's president has banned any fireworks and bonfires that used to mark Chaharshanbe Suri., 1h22
Directed by Jafar PanahiOrigin IranGenres DocumentaryThemes Prison films,
Transport films,
Films about the labor movement,
Films about automobiles,
Films about capital punishment,
Road moviesActors Jafar PanahiRating72%
Le réalisateur Jafar Panahi, se faisant passer pour un chauffeur du nom d'Aghayé Panahi (en persan : آقای پناهی, Mr. Panahi) se trouve au volant d’un taxi partagé dans la capitale iranienne de Téhéran dans lequel il a installé une caméra. Cette caméra filme une succession d’archétypes iraniens variés qui prennent tous place à bord du taxi, les personnages étant plus ou moins conscients du stratagème orchestré par le cinéaste. Hommes ou femmes, jeunes ou vieux, riches ou pauvres, traditionalistes ou modernistes, aussi bien vendeur de vidéos pirates que défenseur des droits de l'homme, tous se retrouvent tour à tour dans le véhicule. Chaque personnage propose un portrait iranien spécifique et est également porteur d’un thème de société. Le film se termine par le vol de la caméra du taxi., 1h25
Directed by Jafar PanahiOrigin IranGenres DramaThemes Feminist films,
Pregnancy films,
Political filmsActors Fereshteh Sadre OrafaiyRating73%
The film begins in a maternity ward of a hospital, where the mother of Solmaz Gholami is upset to learn that her daughter has just given birth to a girl, even though the ultrasound indicated that the baby would be a boy. Worrying that her in-laws will force their son to divorce her daughter, she tells another daughter to call her uncles., 1h25
Directed by Jafar PanahiOrigin FranceGenres DramaThemes Films about families,
Children's filmsActors Aida Mohammadkhani,
Fereshteh Sadre OrafaiyRating75%
It is the eve of the Iranian New Year. The film opens in a Teheran market where seven-year-old Razieh (Aida Mohammadkhani) and her mother are shopping. Razieh sees a goldfish in a shop and begins to nag her hurrying mother to buy it for the festivities instead of the skinny ones in her family's pond at home. Almost all of the film's major characters are briefly seen in this market scene, though they won't be introduced to the viewer until later. On their way home, mother and daughter pass a courtyard where a crowd of men has gathered to watch two snake charmers. Razieh wants to see what is happening but her mother pulls her daughter away, telling her that it is not good for her to watch these things., 1h35
Directed by Jafar PanahiOrigin IranGenres DramaActors Aida MohammadkhaniRating74%
Mina, a first-grader, finds her mother has failed to pick her up from school. The movie is about her endeavor to find her way home amidst the noise, confusion and chaos of Tehran. Mina is dressed in school uniform (with a head scarf), has one arm in a cast and is holding a school bag in the other. She meets a lot of people on her way and most of them try to help her while others are surprisingly apathetic to her situation. Eventually, the movie takes a turn when the girl looks into the camera for the first time, breaking the fourth wall, and someone shouts from off-screen, "Mina, don't look into the camera!" The movie is a real life capture of events thereon (or that is how it seems). Mina announces that she doesn't want to act in the movie any more and wants to go home. In the end she goes home after returning the microphone., 1h37
Directed by Jafar PanahiOrigin IranGenres Drama,
CrimeActors Mehran RajabiRating73%
The movie opens with a scene inside a jeweler’s shop, which the main character, Hussein, appears to be attempting to rob. Hussein tries to force The Jeweler, to give him the key to the safe at gunpoint. The Jeweler refuses, and manages to trigger the alarm. Hussein then shoots The Jeweler, and, after some deliberation, takes his own life as well. The rest of the movie proceeds to tell Hussein’s story., 1h28
Directed by Jafar PanahiOrigin IranGenres Drama,
Comedy,
Comedy-drama,
DocumentaryThemes Feminist films,
Politique,
Sports films,
Association football films,
Political filmsRating72%
Most of the characters in the film are not named.
A girl disguises herself as a boy to go attend the 2006 World Cup qualifying match between Iran and Bahrain. She travels by bus with a group of male fans, some of whom notice her gender, but do not tell anyone. At the stadium, she persuades a reluctant ticket tout to sell her a ticket; he only agrees to do so at an inflated price. The girl tries to slip through security, but she is spotted and arrested. She is put in a holding pen on the stadium roof with several other women who have also been caught; the pen is frustratingly close to a window onto the match, but the women are at the wrong angle to see it.
, 1h14
Directed by Abbas KiarostamiOrigin IranGenres Drama,
DocumentaryActors Jafar PanahiRating64%
The film consists of five long takes set by the ocean. As in a typical Ozu film, the camera never moves, zooms or pans. There is no dialogue, and only one shot includes people.