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A Geisha is a japonais film of genre Drama directed by Kenji Mizoguchi with Michiyo Kogure
A Geisha (1953)
Gion bayashi
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Add to a movie listA Geisha (祇園囃子, Gion Bayashi, or Gion Festival Music) is a 1953 Japanese film directed by Kenji Mizoguchi, centred on life in post-war Gion (Kyoto) through the relationship between an established geisha, Miyoharu, and teenaged Eiko, who pleads with Miyoharu to take her on as an apprentice or maiko. The film is based on the novel by Matsutarō Kawaguchi, who also produced the screenplay.
Synopsis
Eiko is in the search of the okiya run by the geisha Miyoharu. As she approaches the screen doors, she witnesses an exchange between Miyoharu and a client. The client, greatly indebted and unable to afford Miyoharu's services, is coldly and mockingly berated by Miyoharu for his presumptuousness. Enraged by the sudden demise of her affected desire for him and her mercenary attitude.Actors
Michiyo Kogure
(Miyoharu)
Ayako Wakao
(Eiko)
Saburo Date
(Imanishi)
Haruo Tanaka
(Ogawa)
Chieko Naniwa
(Okimi)
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Suggestions of similar film to A Geisha
There are 43 films with the same actors, 36 films with the same director, 61463 with the same cinematographic genres, 6889 films with the same themes (including 3827 films with the same 2 themes than A Geisha), to have finally 70 suggestions of similar films.If you liked A Geisha, you will probably like those similar films :
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Sansho the Bailiff (1954)
, 2h4Directed by Kenji Mizoguchi
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Sansho the Bailiff is a jidai-geki, or historical film, set in the Heian period of feudal Japan. A virtuous governor is banished by a feudal lord to a far-off province. His wife and children are sent to live with her brother. Several years later, the wife, Tamaki (Kinuyo Tanaka), and children, Zushiō and Anju, journey to his exiled land, but are tricked on the journey by a treacherous priestess. The mother is sold into prostitution in Sado and the children are sold by slave traders to a manorial estate in which slaves are brutalized, working under horrific conditions and branded when they try to escape. The estate, protected under the Minister of the Right, is administered by the eponymous Sanshō (Eitarō Shindō), a bailiff (or steward). Sanshō's son Tarō (Akitake Kōno), the second-in-charge, is a much more humane master, and he convinces the two they must survive in the manor before they can escape to find their father.
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Rating79%
Ishun (Shindo) is a wealthy but miserly scroll-maker in Kyoto, especially regarding his younger wife Osan (Kagawa), who was from an impoverished family, and married Ishun for money.
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Ugetsu is set in villages which line the shore of Lake Biwa in Ōmi Province in the late 16th century. It revolves around two peasant couples – Genjurō and Miyagi, Tōbei and Ohama – who are uprooted as Shibata Katsuie's army sweeps through their farming village, Nakanogō. Genjurō, a potter, takes his wares to nearby Ōmizo. He is accompanied by Tōbei, who dreams of becoming a samurai. A respected sage tells Miyagi to warn her husband about seeking profit in time of upheaval, and to prepare for a probable attack on the village. Genjurō arrives with his profits, but she asks him to stop. Genjurō nevertheless works long hours to finish his pottery. That night Nakanogō is attacked by soldiers, and the four main characters hide out in the woods.
Flame of My Love (1949)
, 1h36Directed by Kenji Mizoguchi
Origin Japon
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Themes Seafaring films, Transport films
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Rating72%
1884. La militante féministe, Toshiko Kishida se rend à Okayama, où Eiko Hirayama a fondé une école destinée à promouvoir une conception neuve du rôle de la femme dans la société japonaise. Eiko découvre, par exemple, que Chiyo, la fille des domestiques de sa propre famille, a été vendue à un habitant de Tokyo. Hélas, l'école de Eiko est bientôt fermée par les autorités. Elle se voit contrainte de partir pour Tokyo afin de se rendre au siège du Parti libéral, pourtant menacé de dissolution. Là, elle devient chroniqueuse pour le journal du Parti et se lie avec Kentaro Omoi, le responsable du mouvement. Elle va enquêter, notamment, sur la révolte des fermiers de la soie à Chichibu. Ceux-ci luttent, en particulier, contre les terribles conditions de travail imposées aux ouvrières des filatures. Eiko assiste à l'esclavage de ces femmes qui, de plus, sont souvent battues, torturées voire violées. Parmi celles-ci, elle reconnaît Chiyo. Cette dernière vient précisément d'incendier un bâtiment. Omoi, Eiko et Chiyo sont tous trois accusés de complicité et arrêtés. Chiyo, enceinte, se donne à un gardien dans l'espoir d'obtenir un moyen d'évasion. Au lieu de cela, elle est violemment frappée et son bébé mourra. Plus tard, Eiko apprend qu'Omoi, qui désire l'épouser, a aussi pour maîtresse Chiyo. Omoi trouve cette situation normale. Eiko comprend, dès lors, qu'il y a beaucoup à faire pour modifier la mentalité masculine japonaise. Mais, persévérante, elle continue son combat, d'autant que le contexte politique, désormais plus favorable, lui permet de rouvrir son école à Okayama. Dans le train qui la ramène vers sa ville natale, Eiko est rejointe par Chiyo.
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, 3h43Directed by Kenji Mizoguchi
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Rating71%
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, 1h35Directed by Kenji Mizoguchi
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, 2h28Directed by Kenji Mizoguchi
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Themes Seafaring films, Films about sexuality, Sports films, Transport films, Erotic films, Films about prostitution, Martial arts films, Erotic thriller films
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Tokyo March (1929)
, 1h41Directed by Kenji Mizoguchi
Origin Japon
Genres Drama, Romance
Themes Seafaring films, Transport films
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Il existe deux versions de ce film dans son montage court. Une française, muette, restaurée en 1999 par la Cinémathèque française à partir d'une copie-travail nitrate provenant de ses collections et une japonaise presque identique mais plus courte, il manque par exemple quelques scènes du mariage d'Orie et de Yukichi, mais commentée par un benshi. Les intertitres des deux versions comportent des différences. Le synopsis ci-dessous se base sur la version japonaise.