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The 47 Ronin is a japonais film of genre Drama directed by Kenji Mizoguchi with Mieko Takamine
The 47 Ronin (1941)
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Add to a movie listLength 3h43
Directed by Kenji Mizoguchi
OriginJapon
Themes Seafaring films, Sports films, Théâtre, Transport films, Martial arts films, Samurai films, Films based on plays
Rating71%
The 47 Ronin (元禄 忠臣蔵, Genroku Chūshingura, "The Treasury of Loyal Retainers of the Genroku era") is a 1941/1942 black-and-white two-part jidaigeki Japanese film directed by Kenji Mizoguchi, adapted from a play by Seika Mayama. The film chronicles the end of the lives of the forty-seven Ronin.
Synopsis
Après l'injuste condamnation à se faire hara-kiri infligée à un jeune samouraï, quarante-sept de ses compagnons le vengent en se faisant à leur tour hara-kiri sur sa tombe.Actors
Mieko Takamine
(Omino, la fiancée d'Isogai)
Daisuke Katō
(Fuwa Kazuemon)
Isamu Kosugi
(Denpachirô Tamon)
Masao Shimizu
(Ecchûmori Katô)
Utaemon Ichikawa
(Tsunatoyo Tokugawa)
Forty-seven Ronin
(1928)
(1941)
(1956)
(1958)
(1961)
(1978)
(2000)
(2013)Comments
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Suggestions of similar film to The 47 Ronin
There are 28 films with the same actors, 36 films with the same director, 62764 with the same cinematographic genres (including 4055 with exactly the same 2 genres than The 47 Ronin), 14573 films with the same themes (including 5 films with the same 7 themes than The 47 Ronin), to have finally 70 suggestions of similar films.If you liked The 47 Ronin, you will probably like those similar films :
Taira Clan Saga (1955)
, 1h48Directed by Kenji Mizoguchi
Origin Japon
Genres Drama, Adventure, Historical
Themes Seafaring films, Sports films, Transport films, Martial arts films, Samurai films
Actors Ichikawa Raizō VIII, Michiyo Kogure, Koreya Senda, Eijirō Yanagi, Akitake Kōno, Tamao Nakamura
Rating72%
Japon, XII siècle, moines et nobles s'opposent. Le clan Taïra, dirigé par Tadamori, a du mal à être considéré à sa juste valeur par la cour. Le fils de Tadamori, Kiyomori, apprend qu'il est peut-être en réalité le fils de l'ancien empereur, qui était l'amant de sa mère, une courtisane.
Ugetsu (1953)
, 1h37Directed by Kenji Mizoguchi
Origin Japon
Genres Drama, Science fiction, Thriller, Comedy, Fantasy, Horror, Historical
Themes Seafaring films, Sports films, Transport films, Martial arts films, Ghost films
Actors Masayuki Mori, Machiko Kyō, Kinuyo Tanaka, Mitsuko Mito, Eitarō Ozawa, Ryosuke Kagawa
Rating80%
Ugetsu is set in villages which line the shore of Lake Biwa in Ōmi Province in the late 16th century. It revolves around two peasant couples – Genjurō and Miyagi, Tōbei and Ohama – who are uprooted as Shibata Katsuie's army sweeps through their farming village, Nakanogō. Genjurō, a potter, takes his wares to nearby Ōmizo. He is accompanied by Tōbei, who dreams of becoming a samurai. A respected sage tells Miyagi to warn her husband about seeking profit in time of upheaval, and to prepare for a probable attack on the village. Genjurō arrives with his profits, but she asks him to stop. Genjurō nevertheless works long hours to finish his pottery. That night Nakanogō is attacked by soldiers, and the four main characters hide out in the woods.
The Life of Oharu (1952)
, 2h28Directed by Kenji Mizoguchi
Origin Japon
Genres Drama
Themes Seafaring films, Films about sexuality, Sports films, Transport films, Erotic films, Films about prostitution, Martial arts films, Erotic thriller films
Actors Kinuyo Tanaka, Ichirō Sugai (菅井一郎), Toshiro Mifune, Takashi Shimura, Chieko Higashiyama, Jūkichi Uno
Rating80%
The story opens on Oharu as an old woman in a temple flashing back through the events of her life. It begins with her love affair with a page, Katsunosuke (Toshirō Mifune), the result of which (due to their class difference) is his execution and her family's banishment. Oharu attempts suicide but fails and is sold to be the mistress of Lord Matsudaira with the hope she will bear him a son. She does, but then is sent home with minimal compensation to the dismay of her father, who has worked up quite a debt in the meantime. He sends her to be a courtesan, but there, too, she fails and is again sent home. She goes to serve the family of a woman who must hide the fact that she is bald from her husband. The woman becomes jealous of Oharu and makes her chop off her hair, but Oharu retaliates, revealing the woman's secret. She again must leave—this time she marries a fan maker who is killed shortly after during a robbery. She attempts to become a nun, but Oharu is thrown out after being caught naked with a man seeking reimbursement for an unauthorized gift (it is made clear this is rape by Oharu's claims and distraught demeanor). She is thrown out of the temple, becomes a prostitute, but fails even at that. In the end, she is recalled to the Lord's house in order to keep secret her activities and to be exiled within the compounds to keep her secrets locked away. While being scolded for the life she chose, she attempts to find her son, and in the process, ends up running away as she chooses the life of a beggar over the life in exile.
Sansho the Bailiff (1954)
, 2h4Directed by Kenji Mizoguchi
Origin Japon
Genres Drama
Themes Seafaring films, Sports films, Transport films, Martial arts films
Actors Kinuyo Tanaka, Kyōko Kagawa, Eitarō Shindō, Ichirō Sugai (菅井一郎), Ken Mitsuda, Masahiko Tsugawa (津川 雅彦)
Rating83%
Sansho the Bailiff is a jidai-geki, or historical film, set in the Heian period of feudal Japan. A virtuous governor is banished by a feudal lord to a far-off province. His wife and children are sent to live with her brother. Several years later, the wife, Tamaki (Kinuyo Tanaka), and children, Zushiō and Anju, journey to his exiled land, but are tricked on the journey by a treacherous priestess. The mother is sold into prostitution in Sado and the children are sold by slave traders to a manorial estate in which slaves are brutalized, working under horrific conditions and branded when they try to escape. The estate, protected under the Minister of the Right, is administered by the eponymous Sanshō (Eitarō Shindō), a bailiff (or steward). Sanshō's son Tarō (Akitake Kōno), the second-in-charge, is a much more humane master, and he convinces the two they must survive in the manor before they can escape to find their father.
The Crucified Lovers (1954)
, 1h42Directed by Kenji Mizoguchi
Origin Japon
Genres Drama, Romance
Themes Seafaring films, Sports films, Transport films, Martial arts films
Actors Kazuo Hasegawa, Kyōko Kagawa, Ichirō Sugai (菅井一郎), Eitarō Shindō, Eitarō Ozawa, Yōko Minamida
Rating79%
Ishun (Shindo) is a wealthy but miserly scroll-maker in Kyoto, especially regarding his younger wife Osan (Kagawa), who was from an impoverished family, and married Ishun for money.
Utamaro and His Five Women (1946)
, 1h35Directed by Kenji Mizoguchi
Origin Japon
Genres Drama
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Rating69%
The story is set in Edo (now Tōkyō) in Japan. The film starts with a parade of samurai and their concubines (oiran, distinguished by their high shoes) along an avenue of cherry trees. Koide, called Seinosuke by his woman (Kotaro Bando), an artist/samurai apprenticed to a Kanō master, leaves the parade and visits a print shop where he sees a woodcut print by Utamaro that boasts of ukiyo-e 's superiority to the official style. Enraged, he goes to a tea-house to find Tsutaya Jūzaburō, the owner of the print shop, to express his displeasure. Word is leaked to Utamaro to avoid the tea-shop, but instead he goes there directly to investigate. Koide then challenges him to a duel. Utamaro counter-challenges him with a different kind of duel––a painting contest.
, 1h36Directed by Kenji Mizoguchi
Origin Japon
Genres Drama
Themes Théâtre, Films based on plays
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Rating67%
Dans une école d'art dramatique, au début du XX siècle, le metteur en scène Shimamura a pour objectif d'élargir son répertoire au théâtre étranger contemporain et de ne plus se cantonner aux seules représentations kabuki. À cette fin, il est autorisé à monter Maison de poupée d'Henrik Ibsen. Mais il recherche une actrice locale digne d'interpréter le rôle principal de Nora. La rencontre avec la comédienne Sumako Matsui est décisive. Celle-ci, deux fois malheureuse en amour et proche d'un état suicidaire, veut s'émanciper pleinement, à la fois comme femme et comme actrice. La pièce d'Ibsen entre donc en résonance avec sa vie et son idéal. De son côté, Shimamura, en homme de son temps, estime, par exemple, que sa fille doit choisir par elle-même l'amour et l'homme qui lui conviennent. Il refuse d'émettre le moindre avis à ce sujet, ni même de rencontrer l'éventuel mari. Sur le plan strictement professionnel, Sumako et Shimamura sont, tous deux, des perfectionnistes. L'osmose est donc totale : elle aboutira à une vie de couple et à la fondation d'un Théâtre d'Art moderne.
Mistress of a Foreigner (1930)
, 1h55Directed by Kenji Mizoguchi
Origin Japon
Genres Drama
Themes Théâtre, Films based on plays
Actors Kōji Shima, Yōko Umemura, Ichirō Sugai (菅井一郎), Kumeko Urabe
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Japon, 1856. Peu de temps après que le commodore Perry a forcé l'ouverture du Japon à l'Occident en 1854, Townsend Harris est nommé consul général américain dans la ville de Shimoda, chargé de négocier un traité de commerce avec le Japon. Dans l'espoir d'attirer les faveurs du consul, les autorités gouvernementales lui offrent les services de la geisha Okichi. Cette dernière implore son amoureux Tsurumatsu de l'aider. Mais le jeune homme est effrayé à l'idée d'agir à l'encontre des samouraïs et du gouvernement et esquive ses appels à l'aide.
Tokyo March (1929)
, 1h41Directed by Kenji Mizoguchi
Origin Japon
Genres Drama, Romance
Themes Seafaring films, Transport films
Actors Shizue Natsukawa, Isamu Kosugi, Takako Irie, Kōji Shima
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Il existe deux versions de ce film dans son montage court. Une française, muette, restaurée en 1999 par la Cinémathèque française à partir d'une copie-travail nitrate provenant de ses collections et une japonaise presque identique mais plus courte, il manque par exemple quelques scènes du mariage d'Orie et de Yukichi, mais commentée par un benshi. Les intertitres des deux versions comportent des différences. Le synopsis ci-dessous se base sur la version japonaise.
A Geisha (1953)
, 1h25Directed by Kenji Mizoguchi
Origin Japon
Genres Drama
Themes Seafaring films, Transport films
Actors Michiyo Kogure, Ayako Wakao, Saburo Date, Haruo Tanaka, Chieko Naniwa, Eitarō Shindō
Rating75%
Eiko is in the search of the okiya run by the geisha Miyoharu. As she approaches the screen doors, she witnesses an exchange between Miyoharu and a client. The client, greatly indebted and unable to afford Miyoharu's services, is coldly and mockingly berated by Miyoharu for his presumptuousness. Enraged by the sudden demise of her affected desire for him and her mercenary attitude.