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Above All Else in the World is a Allemand film of genre Drama with Paul Hartmann
Above All Else in the World (1941)
Über alles in der Welt
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Add to a movie listAbove All Else in the World (German:Über alles in der Welt) is a 1941 German drama film directed by Karl Ritter and starring Paul Hartmann, Hannes Stelzer and Fritz Kampers. The title refers to the second line of the German national anthem. It was made as a propaganda film designed to promote Nazi Germany's war aims in the Second World War.
Synopsis
Following the outbreak of war, Germans abroad face persecution from the British and French authorities.Actors
Paul Hartmann
(Oberstleutnant Steinhart)
Hannes Stelzer
(Hans Wiegand)
Fritz Kampers
(Fritz Möbius)
Carl Raddatz
(Carl Wiegand)
Oskar Sima
(Leo Samek)
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Suggestions of similar film to Above All Else in the World
There are 140 films with the same actors, 61899 with the same cinematographic genres, 7854 films with the same themes (including 1230 films with the same 2 themes than Above All Else in the World), to have finally 70 suggestions of similar films.If you liked Above All Else in the World, you will probably like those similar films :
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, 1h41Origin German
Genres Drama, War
Themes Politique, Transport films, Aviation films, Documentary films about war, Documentary films about historical events, Political films, Documentary films about World War II
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Rating52%
Les personnages principaux du film sont des pilotes de deux escadrons de bombardiers en piqué allemands ou Stukas. Le film n'a pas une intrigue stricte, la continuité narrative est brisée entre la vie dans la caserne et le combat aérien. Plusieurs aviateurs meurent et sont honorés par leurs camarades. Cette mort se produit "hors écran" et n'est reproduite que oralement.
Furlough on Parole (1938)
, 1h27Genres Drama, War
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Rating73%
Based on the autobiographical novella of the same title by Kilian Koll, (Walter Julius Bloem, Jr.), the film is set late in 1918, during the final stages of the First World War. A troop of German infantry are on their way from the Eastern to the Western Front and must change trains in Berlin. After marching through the centre of the city from one station to another, they must wait several hours for their connecting train. The major in command gives strict orders that no one must go into this city full of "deserters, revolutionaries, and defeatists", even though most of the men are from Berlin, but in response to the pleading of Colonel Hartmann (Fritz Kampers), who had saved his life in the trenches, young Lieutenant Prätorius (Rolf Moebius) grants passes on the men's solemn promise to return in time: "I have your word of hono[u]r that you will return and fulfill your duty in this critical hour of the fatherland. The unit is counting on you—and so is Germany." The film follows several of the men, in particular four of different ages and from different milieux. Infantryman Ullrich Hagen (Wilhelm König) is a composer; he visits his music teacher, who will shortly be performing one of his works and begs him to be true to his talent rather than throwing his life away in a futile cause. Colonel Hartmann, who is middle-aged, surprises his young wife, Anna, who has replaced him at his work driving a tram; she begs him to stay with her and their four children rather than returning to a war which is already lost. The third, a young man, after discovering his only relative has died, meets a girl and falls in love for the first time. The fourth, Infantryman Emil Sasse (René Deltgen) is a "leftist intellectual" who was cursing the notion of 'heroic death' and announcing his intention to desert in the opening scenes of the film; he finds his girlfriend Fritzi (Margot Erbst) printing anti-war leaflets. All four, however, resist the temptation to desert. Hagen responds that his works can speak for themselves; the young man considers his companions closer to him than his new love; Sasse finds he no longer likes revolutionaries: "We soldiers are dying for our country while you drink, hold meetings, and make love. ... I have nothing in common with you any more." He fights his way out of the meeting and arrives with a black eye and bruises. Hartmann loses track of time, but his family all pile into a friend's lorry and race the train to the next station; the lieutenant spots the speeding vehicle and all the men are back as they promised.
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Origin German
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Pendant la République de Weimar, le Konzern international Reuler mène une politique d'acquisition agressive en Allemagne. L'industrie domestique est de plus en plus entre les mains de sinistres géants économiques, personne ne semble s'opposer à cette menace de la "domination étrangère". Une seule personne est prêt à mener la lutte : Togger, le rédacteur en chef du journal Der Neue Tag (Le Jour nouveau). Il a à ses côtés une personne influente que l'on connaît seulement sous le nom de "Lux". Reuler cherche à savoir sa véritable identité, en vain. Peter Geis, le confrère de Siebenstädter Boten n'y arriva pas non plus. Lors d'un accident de voiture, Togger fait la connaissance de Hanna Breitenbach. Elle est la fille du chef de Der Neue Tag, le professeur Breitenbach, et aussi Lux.
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Rating63%
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City of Anatol (1936)
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Il y a beaucoup d'agitation à Anatol, petite ville isolée dans la Turquie, lorsque l'aventurier Jacques Gregor atterrit avec un avion au milieu d'une prairie. Pour Jacques, c'est un retour aux sources, il est déjà venu ici alors qu'il voyageait comme un vagabond. Il explique à Franziska, qu'il a connue autrefois, qu'il a de grands projets pour ce bled au milieu de nulle part. Il veut extraire du pétrole ici et provoquer un véritable boom économique qui apportera une grande prospérité pour tous.
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, 2h5Directed by Wolfgang Liebeneiner
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A woman suffering from multiple sclerosis pleads with doctors to kill her. Her husband gives her a fatal overdose, and is put on trial, where arguments are put forth that prolonging life is sometimes contrary to nature, and that death is a right as well as a duty. It culminates in the husband's declaration that he is accusing them of cruelty for trying to prevent such deaths.
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, 1h58Directed by Wolfgang Liebeneiner
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Rating63%
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