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Geet Gaya Patharon Ne is a film directed by V. Shantaram released in USA on 1 january 1964 with Jeetendra
Geet Gaya Patharon Ne (1964)
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Add to a movie listGeet Gaya Patharon Ne (The Rocks Sang a Melody) is a 1963 film produced and directed by V. Shantaram. The film marked the debut of V. Shantaram's daughter Rajshree and Jeetendra. The film's music was composed by Ramlal who gave a number of melodious tunes to the songs penned by Hasrat Jaipuri.
Synopsis
Vijay (Jeetendra), son of a poor temple sculptor and a toor guide, was a carefree young lad. One day while helping his father to guide a bunch of young women around the temple, he meets a beautiful young girl named Vidya (Rajshree). After some teasing, both fall in love. Vidya was a classical dancer and motivates the sculptor in Vijay, who makes many beautiful statues in a short time. Meanwhile Vidya comes to know that her mother wants to sell her to a rich man as a mistress. She succeeds in escaping from her mother's house and comes to Vijay. He wants to take his father's permission to marry her but rejected as his father thinks that Vidya is a prostitute. Moreover he thinks that Vidya couldn't stand poverty.Actors
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Suggestions of similar film to Geet Gaya Patharon Ne
There are 198 films with the same actors, 45 films with the same director, to have finally 70 suggestions of similar films.If you liked Geet Gaya Patharon Ne, you will probably like those similar films :
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, 2h31Directed by V. Shantaram
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The story is told in a flashback with Satyaprakash (Jeetendra) reliving his past life in the village as a teacher. Satyaprakash's parents give him the task of looking after his younger brother, Mahesh (Akashdeep), before they die. Shefali (Mumtaz) is a village girl who falls in love with him. Satya is a teacher who honours truth and uses new teaching methods in school for which he continuously gets into trouble with the school Board and the principal (Nana Palsikar). He sends Mahesh to the city to study further in college. However, Mahesh turns out to be a spoilt brat who enjoys drinking and romancing girls. He fails his exams but fools his brother by giving him a wrong roll number. He has fallen in love with Renuka (Vaishali) and when she gets pregnant, he kills her. Satyaprakash is arrested for her murder. With Shefali's help Satya manages to find the real murderer, his brother, and he hands him over to the police.
The Morning Star (1954)
, 1h47Directed by V. Shantaram
Actors Pradeep Kumar, Rajshree, V. Shantaram, Amirbai Karnataki, Jayshree Gadkar
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The film told in flash-back, starts with a few people troubling a disheveled, insane man holding a bedding. The mad man is Mohan (Pradeep Kumar) who finally sits down with a sympathiser and starts narrating the story. Mohan meets a young widow, Padmini (Jayshree) taking medicine for her dying mother. Padmini's mother, from her death-bed, warns her about befriending young men as she's a widow and society demands that she live alone with just a white sheet as a companion for that's her life as a widow. Following her mother's death Padmini goes to her paternal uncle's house to live. Her uncle has gone to Africa and her Aunt treats her badly. Mohan falls ill thinking about Padmini's situation and her rebuff when he pursues her. He is looked after by his mother and young sister (Baby Rajshree). Padmini is made to work as a maid in her Uncle's house but has a kind cousin sister, Bharti (Chandrakanta). Mohan arrives there on some work and the Aunt has chosen him as a suitable boy for Bharti's marriage. Mohan sees Padmini and tells her how he feels, which is overheard by the Aunt. The Aunt throws Padmini out of the house to fend for herself. The story continues with the problems Padmini faces, Mohan's search for Padmini and her death when she sets the house left by her mother, on fire. Mohan finds the bedding in the aftermath of the fire and goes insane.
Stree (1961)
Directed by V. Shantaram
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Directed by V. Shantaram
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Diwakar is a poet and loves his wife Jamuna on everything. But Jamuna does not agree that Diwakar lives out of sheer poetry in a fantasy world and the real world less and less responsible. Diwakar goes so far that he is a fantasy woman in his wife's body creates what he calls Mohini.
Amrit Manthan (1934)
, 2h35Directed by V. Shantaram
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Considered a classic Indian film, Amrut Manthan depicts Chandika cult followers who meet in a dungeon. King Krantivarma (Varde) had banned human and animal sacrifices from what he perceived as increasingly fanatical festivals dedicated to the goddess. As a reaction to this, the cult's high priest (Chandra Mohan) orders the unfortunate Vishwagupta (Kelkar) to kill the king. He obeys, but is then betrayed by the priest and caught. His son Madhavgupta (Mane) and his daughter Sumitra (Apte) join forces with the princess (Nalini Tarkhad), and the people finally overthrow the priest.
Aadmi (1939)
, 2h44Directed by V. Shantaram
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Amrit Manthan (1934)
, 2h35Directed by V. Shantaram
Actors Chandra Mohan, Chandra Mohan, Sureshbabu Mane, Shanta Apte
Rating56%
The story is about a reformist king Kantivarma (Varde) who bans the sacrifice of animals and humans. This angers the fanatical Rajguru (Chandra Mohan), head priest of the Chandika cult. The cult meets secretly and the head priest orders the killing of the king. Yashodharma is chosen and though he hesitates, the priest orders him to do so. Yashodharma writes a note for his son before leaving that night telling him of the deed planned by the Rajguru. After the King is killed, Yashodharma (Kulkarni) is betrayed by the Rajguru in court and ordered to be killed. Yashodharma’s two children, Madhavgupt (Mane) and Sumitra (Shanta Apte), are on the run but Madhav is caught and the letter found on him by one of Rajguru’s men. Sumitra is taken prisoner and Rani Mohini (Nalin Tarkhud) who succeeds to the throne after her father’s death is asked to have Madhav sacrificed in the temple by the Rajguru. There is a storm and Mohini and Madhav escape to the forest. Madhav later goes in search of his sister. Vishwasgupt (Kelkar), a trusted minister tells Mohini and the people of Avanti about Rajguru being the real killer. The temple is thronged by townspeople demanding justice and the Rajguru with his obsessive belief in sacrifices offers himself to the goddess and cuts off his own head as a final sacrifice.