A Grande Arte (in English, "The Great Art"; US title: Exposure), is a 1991 Brazilian movie directed by Walter Salles Jr. and starring Peter Coyote. Loosely based on the book A Grande Arte by Brazilian Rubem Fonseca, it is one of the first theatrical works of Salles Jr. The cast includes both Brazilian and international stars such as Coyote, Tchéky Karyo and Miguel Angel Fuentes.
This film is considered to mark the "revival" of the Brazilian movie industry, which was until that year in a deep production crisis.
Synopsis
Peter Mandrake (Coyote), an American photographer in Brazil, is preparing an in loco essay for his new book, about the "Train Surfers" (groups of boys who court danger "surfing" on the roof of the trains) in the city of Rio de Janeiro. A local call girl he is friends with is murdered, and when the police can make no progress Mandrake decides to investigate himself. Subsequently, two hired thugs break into his apartment demanding a disk, and, when he doesn't produce it because he can't do so, they rape his girlfriend and stab him, leaving him to die. Vowing revenge, Mandrake enlists the help of Hermes (Karyo), a professional knife fighter who owes Mandrake a debt, to teach him the art of knife fighting. The obsession this develops into causes Mandrake's girlfriend to leave him, wanting the whole thing to simply go away, but Mandrake refuses to let go.
There are 183 films with the same actors, 12 films with the same director, 74908 with the same cinematographic genres (including 1256 with exactly the same 3 genres than High Art), to have finally 70 suggestions of similar films.
If you liked High Art, you will probably like those similar films :
, 1h53 Directed byWalter Salles OriginBresil GenresDrama, Comedy-drama ThemesTransport films, Road movies ActorsFernanda Montenegro, Matheus Nachtergaele, Marília Pêra, Othon Bastos, Otávio Augusto, Caio Junqueira Rating80% Dora is a retired schoolteacher who has become embittered. She works at Rio de Janeiro's Central Station, writing letters for illiterate customers, in order to make ends meet. She can be impatient with her customers and sometimes does not mail the letters she writes, putting them in a drawer or even tearing them up. Josué is a poor 9-year-old boy who has never met his father, but hopes to do so. His mother sends letters to his father through Dora, saying that she hopes to reunite with him soon, but when she is killed in a bus accident just outside the train station, the boy is left homeless. Dora takes him in and traffics him to a corrupt couple, but she is made to feel guilty by her neighbor and friend Irene and later steals him back.
, 1h48 Directed byWalter Salles, Daniela Thomas OriginBresil GenresDrama ActorsSandra Corveloni Rating70% The film tells the story of four poverty-stricken half brothers with the same mother, Cleuza (Sandra Corveloni) but different fathers, who live in a suburban neighborhood in the periphery of São Paulo and have to fight to follow their dreams. Dario (Vinícius de Oliveira), seeks the opportunity of a better life with his soccer skills; Dênis (João Baldasserin) survives as a motorcycle courier; Dinho (José Geraldo Rodrigues) works in a filling station and helps at the local church and Reginaldo (Kaique Jesus Santos), although gifted as a soccer player dreams of becoming a bus driver. Cleuza, pregnant with her fifth child, works as a cleaner for a woman in a middle class area of São Paulo.
, 1h45 Directed byWalter Salles OriginBresil GenresDrama, Comedy ActorsRodrigo Santoro, Wagner Moura, Luiz Carlos Vasconcelos, Othon Bastos, Gero Camilo, Caio Junqueira Rating75% The year is 1910; the place, the badlands of Northeast Brazil. Twenty-year-old Tonho is the middle son of an impoverished farm family, the Breves. He is next in line to kill and then die in an ongoing blood feud with a neighboring clan, the Ferreiras. For generations, the two families have quarreled over land. Now they are locked into a series of tit-for-tat assassinations of their sons; an eye-for-an-eye, a tooth-for-a-tooth. Embedded in this choreography of death is a particular code of ethics: "Blood has the same volume for everyone. You have no right to take more blood than was taken from you." Life is suffused with a sense of futility and stoic despair.