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Janmandharam (1987)
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Janmandharam is a 1988 Indian Malayalam film, directed by Thampi Kannanthanam and produced by Thampi Kannanthanam. The film stars Balachandramenon, Shobhana, Ashokan and Siddique in lead roles. The film had musical score by S. P. Venkatesh.
^ "Janmandharam". filmibeat.com. Retrieved 2014-10-01.
^ "Janmandharam". malayalasangeetham.info. Retrieved 2014-10-01.
^ "Janmandharam". apunkachoice.com. Retrieved 2014-10-01.
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Suggestions of similar film to Janmandharam
There are 489 films with the same actors, to have finally 70 suggestions of similar films.If you liked Janmandharam, you will probably like those similar films :
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Paramu, a young man is living with his grandfather, mother and his sister who is dumb. His family lost their property to his uncle who killed his father in the explosion of explosives set for a festival long back. His sister lost her normal life due to a man who tried to rape her during a festival which also happened long back and when Paramu was a child. The man who raped her, Shankunni is an assistant of Parmu’s uncle. One day on the request of his grandfather for the Chilambu (a special ornament of religious significance) Paramu sets off to the place of his ancestral home where his uncle is enjoying their family properties and ancestral home and where the chilambu is now. His childhood friend and fiancée Ambika (daughter of his uncle) was waiting for Paramu’s return. She is overjoyed on Paramu’s return. The friendship and love rekindles between the two. On his return Paramu makes his point clear that he has come for nothing but the chilambu. But his resolute and cruel uncle rejects him and threatens to kill him if he comes again for the same demand. Meanwhile his childhood frineds Ramu and Sahadevan also rekindles their friendship with Paramu. To them Ramu tells why he has come there. When Paramu’s intervention becomes unbearable for his uncle he tries to sell off the chilambu to a foreigner and a Christian jewellery merchant. But after experiencing some traumatic supernatural incidents the night after he decided to sell the chilambu, he decides to abandon the idea of selling the chilambu. The Christian jewellery merchant also experiences similar supernatural incidents. Later the uncle decides to appoint someone for his security since Paramu is a valiant martial art expert. He calls his nephew who knows Karate for his security. One day Ambika comes to Paramu and tells him that she will give him the chilambu if he comes to the ancestral home at night upon her signal. He does the same way. When they meet Ambika tells him her wish that she wants to bear his child thereby cleansing the brunt upon the ancestral home. Initially he drops the idea but ultimately succumbs to her wish. But sooner she discovers Paramu is carrying martial weapons around his waist. Realizing how deep his wishes about taking the chilambu back to his family, she tells him that she will show where the chilambu is and gives him a set of keys. When he tries to open the door of the room where the chilambu is kept the light apparatus which was in Ambika’s hand slips and everyone comes to the scene. But Paramu somehow manages to take the chilambu with him. After that, the night ensues his fight between him and the people arranged by his uncle. In that fight many of them including the man who tried to rape her sister and others get killed or injured. In the end he rescues Ambika from her parents who try to detain her, and leaves the place victoriously with the chilambu and Ambika.
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The rhythm of life, even for a master drummer, is at the same moment disrupted and harmonized by the love, passion, jealousy, hate and spite of those around. Unequaled in the art of playing the Chenda, Unni (Jayaram), and Nalini (Kadambari), peerless in Mohiniyattam, are drawn to each other by an affection that transcends the devotion to their arts and the love for each other. The pulse of their passion cannot hold up against the tumults of Unni’s life. A brother and a father figure, whose love sours to jealousy and hate, a wife who despises his drumming and a mother from whom the truth about his birth is not forthcoming all hasten the tempo of a mental imbalance rooted in Unni’s childhood to an inevitable dark end.