Keats and His Nightingale: A Blind Date is a 1985 American short documentary film directed by Jim Wolpaw. It was nominated for an Academy Award for Best Documentary Short.
^ "NY Times: Keats and His Nightingale: A Blind Date". NY Times. Retrieved 2008-12-03.
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Pierre Schoendoerffer revisits his life and career, with a strong focus on the impact that his experience as a war cinematographer for the French army during the Indochina War had on him, as well as a war reporter during the Vietnam War when he filmed his 1967 Academy Award winning documentary The Anderson Platoon named after the leader of the platoon - Lieutenant Joseph B. Anderson - with which Schoendoerffer and his crew were embedded.
, 1h20 Directed byEduardo Montes-Bradley GenresDocumentary ThemesFilms about writers, Documentaire sur une personnalité ActorsJorge Luis Borges, Osvaldo Bayer Rating60% Montes-Bradley approaches Jorge Luis Borges on film. The portrait of Borges emerges as a counterpoint to the interviewees, some of which evoke scandal and most of which cut through stereotypes and presuppositions surrounding this key figure. The title of the film is a reference to a quote from the poem “Borges and I”, slightly modify to pay a tribute to the writer´s billings. The strategy employed by Montes-Bradley when it comes to Borges, a writer of whom almost everything has been said, consists on giving the word to the writer himself and to a select group of intellectuals who dwell on the margins of the Argentine cultural aparatik. Montes-Bradley, however, does not exhibit Borges like a painting to be admired but rather as counterpoint to the observations of others. We are neither the hapless witnesses of another saccharine celebration of Jorge Luis Borges, nor are we forced to endure another fashionable defrocking of an idol. The Borges that emerges from the interaction of the testimonies in this documentary surges from the heat of the debate, from the strong opinions, some certainly scandalous, most politically incorrect.
A child of the Beat Generation, Gérald Leblanc conjoined urban-ness and American-ness, wandering and belonging, far beyond the boundaries of taboo. In so doing, he helped propel Acadia into the modern era.