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Suggestions of similar film to Lokmanya: Ek YugPurush
There are 20 films with the same actors, 62672 with the same cinematographic genres (including 4048 with exactly the same 2 genres than
Lokmanya: Ek YugPurush), to have finally
70 suggestions of similar films.
If you liked
Lokmanya: Ek YugPurush, you will probably like those similar films :
, 1h44
Directed by Gajendra AhireGenres DramaActors Subodh Bhave,
Vikram Gokhale,
Chinmay Mandlekar,
Neena Kulkarni,
Milind ShindeRating63%
Siddharth (Chinmay Mandlekar) is a simpleton and socially aware young man. Having been brought up by his grandmother (Neena Kulkarni), he completes his MSW to work for social causes. However, he is taken onthis path by a shrewd businessman Nachiket (Subodh Bhave).Nachiket is a master in marketing and packaging of ideas and concepts. Having understood this need of mental support by the masses, launches Siddharth as a Swami. Systematic & strategic planning, excellent communication and with perfect marketing, this Swami becomes a Brand., 2h25
Directed by Ravi JadhavGenres Drama,
RomanceActors Priyadarshan Jadhav,
Priya Bapat,
Prathamesh Parab,
Ketaki Mategaonkar,
Vaibhav Mangle,
Bhalchandra KadamRating52%
The story takes place after 15 years with grown up Dagadu (Priyadarshan Jadhav) and Praju (Priya Bapat). Young Dagadu (Prathamesh Parab) is a successful music company owner. Who has settled up himself, fulfilling his and his father's dream. Dagadu's Friend Bal Bharati is a successful astrologist, Kombda is now a DJ working with Dagadu's music company and Malaria has become a politician. The movie begins with a scene in which Dagadu donates an ambulance for the people in his area, reflecting his caring attitude. After the event, Dagadu's sister suggests him to marry, showing him photos of some girls, as a result, dagdu hesitates as he is still searching the love of his life. He gets to know that Prajakta (Priya Bapat) is in Kudal, Konkan.Directed by Gajendra AhireGenres DramaThemes Films about filmsActors Subodh Bhave,
Trupti Bhoir,
Milind Shinde,
Kishor Kadam,
Neha Pendse,
Vaibhav MangleRating74%
The movie is based on the concept of roaming cinema which was one of the oldest traditions in the bygone era of Indian cinema where the movies were showcased in tents for the local folks also known as Touring talkies. For the past few decades these films have made a common recurring occurrences in most of the Carnival Fun fair taking place across villages where the Marathi Cinema is adored in a completely distinctive fashion Genres Drama,
RomanceActors Priya Bapat,
Siddarth Jadhav,
Umesh Kamat,
Sai TamhankarRating70%
Amruta, 24 is a bubbly girl who's married to Hrishi, 30, a matured man. She is lively and loud while he is composed and subtle. Just after the marriage they start to discover the differences between their liking, expressions and views. The real drama starts when Hrishi's colleague Radhika and Amruta's childhood buddy Himmatrao come in the picture. , 2h27
Directed by Mahesh ManjrekarGenres DramaThemes Films based on playsActors Sachin Khedekar,
Priya Bapat,
Saksham Kulkarni,
Ketaki Mategaonkar,
Vaibhav Mangle,
Manava NaikRating79%
Hari Damle (Sachin Khedekar), head of a Chitpavan Bramhin family, lives in the village Torgaon in Konkan with his wife Tara (Medha Manjrekar), their three children, his younger brother Mahadev (Abhijit Kelkar), and his widowed aunt, Namu Aatya (Savita Malpekar). Hari arranges the marriage of Mahadev with a pre-pubescent girl, Durga (Ketaki Mategaonkar), renamed as Uma after marriage. However, Mahadev dies before the consummation of the marriage. Hari performs death rituals (Śrāddha) for Mahadev but crows (symbolic of the spirit of the deceased in Hinduism) refuse to touch the offerings. Hari mumbles something while offering food after which crow touches the offerings.Directed by Mahesh ManjrekarGenres DramaActors Mahesh Manjrekar,
Sachin Khedekar,
Makarand Madhukar Anaspure,
Siddarth Jadhav,
Priya Bapat,
Reema LagooRating79%
Dinkar Maruti Bhonsle represents thousands of 'Marathis' who feel they have lost their identity in the cosmopolitan Mumbai. Dinkar feels Mumbai is in Maharashtra but there is no Maharashtra left in Mumbai. He always complains about the lack of respect a Marathi receives in Mumbai and feels he is victimized everywhere because he is a Marathi; little realizing that he himself has brought this situation upon himself.