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Ratha Thilagam is a film of genre Drama with Sivaji Ganesan

Ratha Thilagam (1963)

Ratha Thilagam
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Length 2h22
Genres Drama,    War,    Romance

Ratha Thilagam (Tamil: இரத்தத் திலகம்) is a 1963 Tamil language drama film directed by Dada Mirasi. The film features Sivaji Ganesan and Savitri in lead roles.
The film, produced by National Movies, had musical score by K. V. Mahadevan and was released on 14 September 1963.

Actors

Sivaji Ganesan

(Major Kumar)Kommareddy Savitri

(Kamala)Nagesh

(Madurai)Aachi Manorama

(Poonkuyil)Ennatha Kannaiya

(Military Rajarathnam)
Trailer of Ratha Thilagam

Bluray, DVD

Streaming / VOD

Source : Wikidata

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Suggestions of similar film to Ratha Thilagam

There are 700 films with the same actors, 68953 with the same cinematographic genres (including 645 with exactly the same 3 genres than Ratha Thilagam), to have finally 70 suggestions of similar films.

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Rating76% 3.823213.823213.823213.823213.82321
The film opens with the narrator explaining that there are nine types of human behaviors (Navarasam) such as Wonder (அற்புதம்), Fear (பயம்), Compassion (கருணை), Anger (கோபம்), Equanimity (சாந்தம்), Disgust (அருவருப்பு), Elegance (சிங்காரம்), Bravery (வீரம்) and Bliss (ஆனந்தம்) and that Sivaji Ganesan's nine roles represents one character per role.
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Sundar (Sivaji Ganesan) and Uma (Padmini) are classmates who fight often. Sundar, however, is very much in love with Uma, and when they perform in a dance drama competition at Madurai, and later move on to Kodaikanal, he expresses this love. Uma asks him to climb up a peak so that she will consider him as a suitor. Sundar suffers from Acrophobia and almost falls while climbing, at which point Uma accepts his love.
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"Sikkal" Shanmugasundaram (Sundaram) (Sivaji Ganesan) is a devoted Nadaswaram player, but is short-tempered and sensitive. He meets Mohanambal (Mohana) (Padmini), a Bharatnatyam dancer, and they fall in love with each other. Sundaram's ego prevents him from developing his relationship with Mohanambal, who asks him to play a Thillana on his Nadaswaram while she dances. Mohanambal's mother Vadivambal (C. K. Saraswathi), an influential and mercenary woman, wants her daughter to marry a wealthy man so that she can settle down in life properly. Blinded by love, she disobeys her mother, creating a rift between them. Unaware of her feelings, Sundaram decides to leave the country along with Karuppayi (Manorama), a folk dancer whom he considers to be his sister. Mohana calls him a coward and challenges him to stay, which he readily accepts. In a temple, Sundaram plays the Thillana and Mohana dances. Sundaram, impressed with Mohana's performance, crowns her the title "Thillana Mohanambal". Suddenly Nagalingam (E. R. Sahadevan), a landlord who wanted to marry Mohana, turns up to stab Sundaram with a poisoned knife out of jealousy. He came to the temple to kill Mohana.
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Madan (Sivaji Ganesan) and Lalitha (Jayalalitha) are in love with each other. She is the second daughter of a businessman, Dharmalingam (Thangavelu). While seeking her hand in marriage, Dharmalingam lays down a condition that all his daughters’ weddings are to be held simultaneously thereby entrusting Madan with the unenviable task of finding suitable grooms for his other daughters. Madan seeks the help of his friend, Chandran (Nagesh) in his mission. Madan, however, soon realizes that he has a Herculean task ahead of him – the eldest daughter Rathna (Manorama) is averse to getting married. The others have their own tastes and preferences. After encountering a lot of difficulties, they manage to find grooms for all of them.
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Saraswathi Sabatham (1966)
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Saraswati Sabatham tells the story of a dispute between three goddesses over which has the best power. Narada (Sivaji Ganesan), a sage and celestial troublemaker, begins the fight by visiting Saraswati (Savitri), the Goddess of knowledge, and purposely annoys Her by saying that wealth is more important and abundant. Saraswati angrily said that She will prove that Her power, knowledge is more important. Narada then goes to Vaikuntha to see Lakshmi (Devika), the Goddess of wealth, and also annoys Her by saying that education is more abundant and is the best. Lakshmi also retorted that She will prove that Her power of wealth is more important. Narada finally goes to Mount Kailas, seeking Parvati(Padmini), the goddess of power and strength and annoys Her too, saying that wealth and knowledge is more important. Parvati too stressed that She will prove that Her power of strength is more important.