Song at Midnight (simplified Chinese: 夜半歌声; traditional Chinese: 夜半歌聲; pinyin: Yè bàn gē shēng) (also known as Singing at Midnight or literally Voice of Midnight) is a 1937 film directed by Ma-Xu Weibang. Often referred to as the first Chinese horror film, Song at Midnight is a remake/adaptation of Gaston Leroux's Phantom of the Opera, though the film injects a significant political subplot involving the leftist revolutionary movement to the original story.
The film stars Gu Menghe, Zhou Wenzhu, and Jin Shan as the disfigured anti-hero Song Danping. Ma-Xu made one sequel to Song at Midnight in 1941 during the war. Both films resurfaced in the West at the Udine Far East Film Festival in 1998. Since then, the film has been shown at various film festivals around the world, notably at the 62nd Venice International Film Festival's "Secret History of Chinese Cinema" retrospective.
There are 77325 with the same cinematographic genres (including 12 with exactly the same 4 genres than Song at Midnight), to have finally 70 suggestions of similar films.
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, 1h24 Directed byFreddie Francis, Terence Fisher, Peter Medak, John Peverall OriginUnited-kingdom GenresDrama, Musical theatre, Horror, Musical, Romance ThemesFilms about music and musicians, Ghost films, Musical films ActorsHerbert Lom, Heather Sears, Edward de Souza, Michael Gough, Harold Goodwin, Thorley Walters Rating63% The film opens in Victorian London on a December night in 1900. The first night of the season at the London Opera House finds the opening of a new opera by Lord Ambrose D'Arcy (Michael Gough), a wealthy and pompous man, who is annoyed and scornful when the opera manager Lattimer (Thorley Walters) informs him the theatre has not been completely sold out. No one will sit in a certain box because it is haunted. Backstage, despite the soothing efforts of the opera's producer, Harry Hunter (Edward de Souza), everyone, including the show's star, Maria, is nervous and upset as if a sinister force was at work. The climax comes during Maria's first aria, when a side of the scenery rips apart to reveal the body of a hanged stage hand. In a panic, the curtain is rung down, and Maria refuses to sing again.
, 2h48 Directed byTony Richardson GenresDrama, Science fiction, Horror, Musical, Romance ActorsCharles Dance, Theresa Polo, Adam Storke, Burt Lancaster, Ian William Richardson, Andréa Ferréol Rating73% The Phantom of the Opera (Charles Dance) is a disfigured musician named Erik who lives below the Opéra Garnier in Paris. He has a large part in managing each performance through his friend Gerard Carriere (Burt Lancaster). The Phantom's life changes when Carriere is dismissed and the opera hires a new manager, Choleti. Choleti's wife Carlotta is a spoiled woman with a bad personality and terrible voice to match; it is obvious that Choleti bought his way into the managership to further his wife's career. The Phantom takes an instant dislike to them both. Choleti and Carlotta refuse to listen to warnings about the "ghost" who haunts the opera house, even when Joseph Buquet, Carlotta's wardrobe man, goes down below and does not return (his is later found to have been killed). Christine Daae (Teri Polo) comes to the Paris Opera House in search of voice lessons that Phillipe, the Comte de Chagny promised her, learning that she is not the first pretty face that Phillipe brought there. Carlotta initially dismisses her, but upon learning that Christine "has a patron who is powerful" states that Christine can work in the costume department in Buquet's place. Christine has no home or money, but Jean-Claude, the doorman, lets her stay in a storage room in the Opera House. That night, Christine wanders onto the stage and sings to the empty theater. The Phantom is immediately entranced by her voice. Hiding in the orchestra pit, he tells her that her voice is miraculous but untrained, and with proper technique her singing could reach its full potential. He offers to be her teacher, but must remain anonymous; that is why he wears a mask. They begin lessons, and the Phantom falls deeper in love with her. When she asks of his opinion on the Comte de Chagny, he replies "he is unworthy of you. He comes to the Opera for the wrong reasons ... he comes for the beauty of faces rather than the beauty of music.
, 1h39 Directed byRobin Hardy, Brian W. Cook OriginUnited-kingdom GenresDrama, Thriller, Fantastic, Horror, Musical, Crime, Romance ThemesFilms about religion, Political films, Dystopian films ActorsEdward Woodward, Britt Ekland, Diane Cilento, Ingrid Pitt, Christopher Lee, Lindsay Kemp Rating74% Sergeant Howie journeys to the remote Hebridean island, Summerisle, to investigate the disappearance of a young girl, Rowan Morrison. Howie, a devout Christian, is disturbed to find the islanders paying homage to the pagan Celtic gods of their ancestors. They copulate openly in the fields, include children as part of the May Day celebrations, teach children of the phallic association of the maypole, and place toads in their mouths to cure sore throats. The Islanders, including Rowan's mother, attempt to thwart his investigation by claiming that Rowan never existed.
, 2h40 OriginUnited-kingdom GenresDrama, Horror, Musical, Romance ThemesFilms about music and musicians, Musical films, Films based on plays, Films based on musicals ActorsRamin Karimloo, Sierra Boggess, Hadley Fraser, Wynne Evans, Earl Carpenter, Garðar Thór Cortes Rating87% Prologue
At the fictional Opera Populaire (based on the Paris Opéra House) in 1905, an auction of old theatre props is underway. Lot 665, purchased by the elderly Raoul, Vicomte de Chagny, is a music box in the shape of a monkey; it is familiar to him, and he speaks of a mysterious "she" - that the details of the strange little music box appear "exactly as she said." Lot 666 is a shattered chandelier that is claimed by the auctioneer to have been related to "the strange affair of the Phantom of the Opera, a mystery never fully explained," having appeared in some great disaster in years past. As the chandelier - which has been replaced, in part, with new electric wiring - is uncovered, it illuminates as the years roll back and the Opéra returns to its 1880s' grandeur ("Overture").