Diego Montes (Nacho Martínez) is a bullfighter, forced into early retirement by a goring, and in the opening scene he finds sexual gratification viewing videos of violent death. In retirement he teaches bullfighting, and among his students is Ángel, a diffident young man who suffers from vertigo. During one episode of vertigo in the practice ring, the scene cuts from Ángel to a woman killing a man during sex with a pin she was wearing in her hair, striking at the base of the neck between the shoulder blades, as a matador kills a bull. After class, Diego asks Ángel if he is homosexual, noting that he is not experienced with women. Ángel says he is not and vows to prove himself. Later that day, Ángel attempts to rape Eva (Eva Cobo), a model who is both his neighbour and Diego's girlfriend. As she is leaving him, she trips in the mud and gashes her cheek. At the sight of her blood, Ángel faints.
After his attractive fiancée is cut into pieces in a freak accident involving a lawnmower, aspiring mad scientist Jeffrey Franken is determined to put her back together again. He sets about reassembling his girlfriend using parts from a variety of New York prostitutes. However, his bizarre plan goes awry when his reanimated girlfriend no longer wants just him, but for money will take on anybody, and afterwards try to kill them.
A couple of newlyweds, Olga and Michael, are traveling along the desert and accidentally trespass on the property of Magda Urtado (Ajita Wilson), who is the director of a boot camp of sorts, where the women are treated as slaves and are half naked at all times. Magda keeps Olga in captivity while Michael is free to go, but later on in the film he plans an escape for Olga. She goes to work with the other girls out in the hot desert, and the rest of the film is a series of subplots, including in which a few of the workers are sent out to be hookers, one where a worker participates in a deadly game of cat and mouse, and one where the impotent Governor (Antonio Mayans, billed as Robert Foster) buys a couple of the workers to help him perform. There is also a scene where the Governor is finally able to have sex with his wife, but only while watching one of the females being raped by a dog. Director Jess Franco also stars in the movie as an obviously gay man.
The night before moving in with her boyfriend Laure (Valérie Lemercier) goes to visit some friends and becomes stuck in traffic due to a Paris transit strike. Inspired by a radio news bulletin which encouraged drivers to car pool and offer rides to strangers, she decides to give a ride to a strange man named Jean (Vincent Lindon) after she spots him in the street and becomes immediately attracted to him.
François, cinéaste, s'apprête à tourner un film policier.
Il fait passer des essais pour une scène de nu à une comédienne qui lui révèle le plaisir qu'elle éprouve dans la transgression de petits interdits érotiques. Poussé par le désir d'apporter quelque chose de nouveau dans le cinéma, il décide de mettre en scène un film mi-fiction mi-réalité, tournant autour de ce qui se révèle de façon inattendue une énigme et un tabou : les petites transgressions qui donnent du plaisir. Sa recherche dans le domaine érotique le confronte à des questions de fond auxquelles, tout comme Icare s'approchant du soleil, il va se brûler les ailes.
Young and handsome Sergio (Ricardo Meneses) works the night shift as a trash collector in Lisbon. He is uninterested in his pretty female co-worker Fatima, who displays an avid interest in him, so instead Sergio roams the city. Eventually Sergio becomes fascinated with a sleek motorcycle and its arrogant owner - a young man totally indifferent to Sergio. Sergio's surfacing desires unleash his darkest impulses, sending him down a dangerous path of violence, depravity, and degradation.
Following the death of his wife, a father of three sons (aged 18, 14 and 6) hires an attractive young housekeeper named Angela (Laura Antonelli), and soon becomes engaged to her. His sons are also infatuated with Angela, and each of them uses their particular way to approach and capture the apparently innocent and naive young woman, and to see more of her body. But only one of them succeeds in dominating and conquering her: the middle son, the teenager Nino. He blackmails her into eventually tolerating his increasingly aggressive physical sexual harassment.
The story revolves around two Parisian girls, Nathalie (Revel), a stripper at a bar, and Sandrine (Seyvecou), a bartender, who conspire to climb the social ladder of Paris when they start living together.
Elena Martin (Audie England) est une jeune écrivaine américaine qui se déroule à Paris, en 1940, au début de la Seconde Guerre mondiale, avant l'invasion et la conquête de la France par les Allemands. Elena rencontre et entretient une liaison sordide avec un autre expatrié américain, Lawrence Walters (Costas Mandylor). Avec les encouragements de ses amis, de son amant et de son éditeur, Elena se lance dans le mannequinat nu et avance dans de nombreuses autres formes d'aventures sexuelles voyeuristes et participatives.
The film intertwines the story of four different couples and one threesome over the course of one sexual encounter, with specific chapters for each one: prelude, foreplay, sex, interlude, orgasm and afterglow. Each couple represents a specific archetype. The first out of five is called The Best Friends because the characters, Matt and Kristen, decide to become friends with benefits. They discover romantic feelings for each other.
The film is set in or about the year 2030. The multinational Genom Corporation is developing a product called the "I.K.U. Chip", which is plugged into a portable device allowing consumers to download and experience orgasms from the I.K.U. server without need of physical contact. The corporation sends their cybernetic shapeshifter Reiko, known as an I.K.U. Coder or replicant, to collect orgasm-related information catering to various sexual orientations. To collect the data Reiko transforms into an appearance pleasing to an individual or couple, engages the target(s) in sexual relations and transforms her right hand and forearm into a penis which is inserted into the recipient's vagina or anus during climax.
Semi-retired porn star Miloš (Srđan Todorović) lives with his wife, Marija (Jelena Gavrilović), and six-year-old son, Petar (Luka Mijatović). His brother, Marko (Slobodan Beštić), a corrupt police officer, is attracted to Marija. Marija is curious about her husband's past and is concerned about the family's income. Lejla (Katarina Žutić), a former co-star, offers Miloš a starring role in an art film directed by Vukmir (Sergej Trifunović), an independent pornographer, who wishes to cast Miloš for his powerful erection. Having already caught Petar watching one of his films and unaware of the details of Vukmir's film, Miloš is hesitant to participate and continue his career, but accepts to secure his family's financial future. While meeting Vukmir, Miloš passes a bald man and his entourage, regarding them warily.
Bhind, 1968 Phoolan is married to a twenty-something fellow called Puttilal (Aditya Shrivastava). Though child marriages are customary during that time, Phoolan's mother Moola (Savitri Raekwar) objects to the timing of the match. Phoolan's aging father Devideen (Ram Charan Nirmalker) conforming to his culture, regrettably disagrees, and Phoolan is sent off with Puttilal.