Les meilleurs joueurs de PAINTBALL au monde sont réunis sur un terrain clandestin. Divisés en deux équipes, ils doivent rejoindre au plus vite un point bien précis. Mais la partie dérape lorsque l'un des participants reçoit une vraie balle et meurt. Commence alors un jeu d'un genre nouveau et dont le but est simple : survivre !
Cristian Quintanilla (Cristian Valencia) and his sister July (Clara Moraleda) have a web-show of paranormal investigations covering urban legends. When they are invited to spend the Easter holidays at the family's summer home, they intend to investigate the story of Melinda, a girl that went missing in 1940 and supposedly haunts the woods. Cristian and July spend a great deal of time wandering around the hedge maze there with their video cameras. Their father reveals that their mother once knew the maze quite well in her youth.
Marcela, an immigrant woman with grave economic problems, finds a job as the caretaker of Amador, an old man who can not move from his bed. Day by day, Marcela earns money that she desperately needs while Amador enjoys company that his own family has denied him. Through this, they develop a special connection with each other. However, this connection is prematurely cut when Amador dies. Marcela, desperate to keep her job, finds herself in a difficult moral dilemma.
He traveled to another land, another sea, certain that he would find a better city, he was not aware that his city traveled with him. He sought other beings in this new city, but he found the same outskirt neighborhoods in which he was born. The poem by Constantine Kavafis, "The City", serves as the backdrop to the downhearted return of a Moroccan immigrant who lived in Spain from 2001 to 2010.
Le quotidien des maras, ces gangs salvadoriens dirigés, connus pour leur ultra-violence et leur cruauté. Ils sont construits sur le modèle des gangs de Los Angeles et sèment la terreur dans toute l'Amérique centrale. Ce nouveau fléau mondial détruit par la violence aveugle les principes démocratiques et condamne à mort une jeunesse privée de tout espoir d'avenir.
The movie begins with Mr. Nagara, a wealthy CEO, complaining to his loyal assistant, Ishida, that he does not like the way he has to entertain the people he is signing a contract with. They eat sushi off of the naked bodies of women lying on the tables. Ishida receives a phone call and tells Mr. Nagara that his daughter has killed herself. Mr. Nagara blames Midori's boyfriend, David, a Spanish man who owns a wine shop in Tokyo. Mr. Nagara cannot abide the fact that David is alive and Midori is dead. Ishida says he will take care of it and hires a woman who works in a fish market, Ryu, to murder David.
Beti is a dancer in the Raiz di Polon company in Cape Verde. She receives an offer from Lisbon to join a Cape Verde music show and start a new career there. The offer unchains the deep-set Cape Verde conflict in her: identity built on the Diaspora century after century. Doubts, nostalgia, uprooting, they all soar over her and accompany her decision. The same dilemma that surrounds all Cape Verdeans, the yearning to leave, the yearning to return... Expressed and brought together around music, hallmark of the people of Cape Verde.
John James (Kevin Costner), a recently divorced novelist, moves into an old house in the country with his teenage daughter, Louisa (Ivana Baquero), and young son, Sam (Gattlin Griffith). John and Louisa's relationship is strained; She accuses him of never loving her mother and ruining everything.
Six months after her young son Diego mysteriously disappears while travelling by ferry to the island of El Hierro, Maria is finally overcoming the pain of her loss. However, a phone call notifying her of the discovery of a child's body on the island forces her to go back to the island. Her return to the sinister island full of malevolent characters marks the beginning of a nightmarish journey where she learns that "some mysteries should never be revealed".
The film begins with an 18 years old' Emilio (Mario Casas) who tells his amorous misadventures with Natalia (Amaia Salamanca) due to all his physical problems (orthodoncy, orthosis, etc.) When he is 18 he finally gets rid of all his dental appareils and has the chance to confess to Natalia his love. But when she gets a student grant to attend Oxford University (England), all his friends try to help him by going to Oxford too with fake grants.
To the Evuzok, a tribe in the south of Cameroon, there are two kinds of diseases that are cured different ways: the "natural" ones and the ones from the night world, caused by sorcery. Dance to the Spirits is the story of Mba Owona Pierre, the village chief and ngengan (healer). He deals with the sicknesses that come from the night world where spirits live and attack his people. Pierre has a special gift and a responsibility towards his fellow villagers. The dance to the spirits is his main healing ritual.
Le cinéaste Luis Miñarro suit un groupe d'amis lors d'un voyage contemplatif depuis leur retraite du centre Samye Dechi Ling en Espagne jusqu'en Inde au monastère de Shérab Ling. Dans ce documentaire presque silencieux qui crée une méditation visuelle pour les téléspectateurs, les compagnons se déplacent lentement vers leur destination, dans la communauté sereine, parlant peu, chacun se concentrant sur son propre voyage intérieur.
Lola loves weddings, but her marriage is in crisis and she suspects that Jorge, her husband, has fallen in love with Yasmina. Yasmina wants to marry Javi as soon as possible, but Javi, a local policeman, prefers to take it slowly. Alfredo doesn’t believe in marriage, but he wouldn’t mind marrying for friendship… or money. The film is a summer tale concerning arranged marriages, social commitment and life as a couple.